Oh do I see there knotted gut frets on at least two of the contra / double basses? I thought that was only practiced until the end of the Baroque era. Interesting. Love the concerts ❤

one of the best Beethoven bands worldwide with 2 absolutely fantastical as well as authentic interpretations.. wonderful! (I habe to ipse such superlatives because they don't have such a great marketing budget as the major production firms...) // but after hearing the 5th symphony several times I miss a bit of balance and relaxes - the musicians appear a bit rushed...

Typisch FBO: Originelle Ideen auf höchstem Niveau realisiert. Bitte mehr davon!

Wunderschön. Vielen herzlichen Dank 👍🤗

That hand-hit timpani is ingenious 35:45

❤❤❤

Antonio Rosetti - Concerto for 2 Horns RWV C56 II. mov

😁😁😁😁😁😁😁 ...... Sehr schöööön........

super Film!

When you put a Steinway with a modern orchestra this Concerto becomes a competition to see who s going to dominate. But put a period orchestra with a fortepiano - even a hulking beast of a fortepiano like this one - and it seems much more like a "We're all in this together" kind of shared music making.. with the keyboard and the band being of a piece.

Beautiful 👍👍👍

Ich glaube das ist einfach mehr Nähe Originale Klanges So viele Unterschied Klanges und Tones zwischen modernen Orchester und damals !

These are truly wonderful performances IMO. For several decades I played in some of the top "period instrument" ensembles, so I think I know something about "historically informed performances". I do hope that the Freiburg and their soloists don't get discouraged or upset by the poorly-informed/dogmatic criticisms made below by a (very small) number of viewers. Re keyboard performances in the modern era, no self-respecting authority on JSB would prefer to play his organ music on a typical English cathedral organ rather than a Schnitger, so why does there still seem to be hostility to using the correct piano for Mozart and Beethoven? The "modern" grand piano isn't better or worse then the fortepiano, it's just very different. And it isn't the instrument that Beethoven composed for, anymore than the English cathedral organ isn't what JSB composed for. JSB's music just doesn't "work" on an English cathedral organ, and Beethoven doesn't "work" on a Steinway.

the concertmaster uses his bow well!

No eng interviews?

240P bei DER Musik - wie arm ist das denn ? Und so unnötig. Das schmerzt !

does that clarinetist have a HIV lesion?

what is that instrument ? it isn't a piano.. it does not have the harp, but it has dampeners so it's not a fortepiano... So this is might be a piano that Beethoven might have played.. or a faxsimile

@ Degsie This is an original 1830 Graf piano, the same kind of instrument Beethoven and Schubert played on. I don't think you know what you are talking about. The point of historical performances is to recreate the sound palette and performance practice of the past. You can't compare a modern interpretation with a historical original instrument one. You can't imagine or appreciate this performance unless you've played on an instrument of this period. The touch is incredibly quick and light, nothing like a Steinway. Bezuidenhout recorded this in 2020 using state-of-the-art technology with Pablo Heras-Casado, the Freiburger Barockorchester and played the same piano. You might appreciate the unique sound qualities that period instruments have and perhaps change your mind.

Great playing Bart and Gijs!!!

genau, und klatschen für die pflegekräfte.... seht es endlich ein, wir werden nach strich und faden von der regierung verarscht , tut endlich alle was, von allein hören die machtgeier nicht mehr auf....

world best

I'm so sorry they've taken down the recording of the whole concert of March 10. It was for the ages.

grossartig, mehr Kontakt zur Jugend bitte.

Quel bonheur Beethoven j’apprécie beaucoup cette formation interprétant sur instruments d’époques depuis l’enfance Beethoven me touche m’émeut parfois jusqu’au larmes il me donne du fil à retordre au piano à l’écoute du FBO c’est tout simplement sublime sans oublier le pianofortiste un musicien hors normes déjà avec Mozart dans sa vision des sonates et variations vivement la suite des concertos de Beethoven qui me donne le sentiment parfois de dépasser l’aire humaine merci à vous pour cette vidéo de se génial concert Éric Gasia

Hey! That was a great interview!

Love this more than 100th performances I listened before, WOW!

Wenn ihr mehr Videos aus der Musikvermittlung des FBO sehen wollt, schaut unsere Playlist an: kzbin.info/aero/PLUsn9eIHF0riuxQ-B1LwXXMsnYRoUb32_

Freiburg. Konzert in der Zeit der Corona Quarantäne kzbin.info/www/bejne/kHPRoKqJib-pm9U

Lächerlich.

Der Hammerflügel klingt so nach Filzhämmern, der müsste doch aber für Beethoven eher belederte Holzhämmer haben...

Schönes Video, vielen Dank - Musik verbindet. Jeder für sich und doch alle zusammen. Ich habe es eingebaut. Bleibt gesund! www.gugge.de/musikerinnen-setzen-ein-zeichen-freiburger-barockorchester/

Finally the contra bassoon is sitting where it belongs. Next to the double basses. Though it only plays notes that the basses play, meaning it doubles the string basses which gives the piece the profound sound that it required.

Thanks for the best Beethoven, ever !

The more I read about the unrest in the world and troubles, the more I come back to listen to Bach and the Freiburger Barockorchester. Thank you for the non-stop pursue of excellence.

Oooops... serious mishap at 28:32 where this fine pianist looses control playing some very wrong notes! Even the French horns were mixed up by the blunder sounding as coming in too early. Well... to err is human. Also the soloist added a lot of notes not written by Beethoven but at that time that type of improvisation was permissible under the category of "extemporization". His tempo was quite in the Carl Czerny style... wild and fast.

Die lassen Es moll so einfach klingen aufs Naturhorn... Unglaublich!

How lovely, glad it went so well!

집에서 좀만 더가면 나오는..

Sinfonie Nr. 5 1st 37:04 4th 57:49

Extrait de Agora, Fergus, les plus grands concertos pour piano : Grandiose, ... avec ce dernier, « Beethoven endosse le costume de Titan, sculptant son ouvrage dans un moule héroïque » a écrit le musicologue Neville Cohn, et cela suffit à définir le caractère de cette œuvre. Sans les progrès de sa surdité, nul doute que Beethoven eût composé d’autres concertos pour son instrument de prédilection tant étaient immenses ses qualités d’interprète avant l’apparition de cette terrible informité. Á l’écoute des œuvres symphoniques ultérieures, on mesure l’ampleur de la perte pour le répertoire pianistique. Kristian Bezuidenhout est exceptionnel avec son pianoforte d'époque et l'orchestre représente bien le son de l'époque : Beethoven devenu presque sourd, n'a pu l'interpréter lui-même. Quel chef d'oeuvre et cette video est suffisante pour l'apprécier. Cela change du son uniforme des pianos d'après 1900.

is He the cellist??

Who is the composer of the concerto for two flutes? Thank you!

240p for a 2016 video? What's going on in your heads? No good connection or not enough money to upload better quality? Or what?

Beautiful!

So nice to meet you! I look forward to the future seeing more!

Den internationalen Konzertkalender des FBO inklusive aller Abokonzerte in Freiburg, Stuttgart und Berlin finden Sie hier: www.barockorchester.de/events/

The playing of the 5th symphony is sublime. The lines are clearer than I've heard (even) from other historically-informed performances & the feeling comes through highly disciplined - & beautifully - balanced ensemble playing

My love to the Freiberg Baroque ensemble and especially to Daniela Helm, Hank from Maryland

Sehr gut! SO gehört Mozart aufgeführt, auf den richtigen Instrumenten und mit Dirigenten, die sich mit HIP auskennen, nicht diesen elenden Stümpern und Verschandelern wie Karajan, Böhm und wie diese Spinner sonst noch heißen. Ein Hoch auf das Freiburger Barockorchester und HIP!