Oh do I see there knotted gut frets on at least two of the contra / double basses? I thought that was only practiced until the end of the Baroque era. Interesting. Love the concerts ❤
@user-jp9js9th8o8 ай бұрын
one of the best Beethoven bands worldwide with 2 absolutely fantastical as well as authentic interpretations.. wonderful! (I habe to ipse such superlatives because they don't have such a great marketing budget as the major production firms...) // but after hearing the 5th symphony several times I miss a bit of balance and relaxes - the musicians appear a bit rushed...
@siegfriedzettel588910 ай бұрын
Typisch FBO: Originelle Ideen auf höchstem Niveau realisiert. Bitte mehr davon!
@sonjamuller284610 ай бұрын
Wunderschön. Vielen herzlichen Dank 👍🤗
@user-io1ku8li5d Жыл бұрын
That hand-hit timpani is ingenious 35:45
@Ukgejap Жыл бұрын
❤❤❤
@RobertOstermeyer Жыл бұрын
Antonio Rosetti - Concerto for 2 Horns RWV C56 II. mov
@wimkrijnen8 ай бұрын
Sheetmusic on imslp: vmirror.imslp.org/files/imglnks/usimg/4/42/IMSLP506250-PMLP820459-Rosetti-Haydn,_Concerto_C56Q_(parties)_-_manuscrit.pdf
@anettekretschmann7734 Жыл бұрын
😁😁😁😁😁😁😁 ...... Sehr schöööön........
@NeumeyerConsort Жыл бұрын
super Film!
@andrewlord56152 жыл бұрын
When you put a Steinway with a modern orchestra this Concerto becomes a competition to see who s going to dominate. But put a period orchestra with a fortepiano - even a hulking beast of a fortepiano like this one - and it seems much more like a "We're all in this together" kind of shared music making.. with the keyboard and the band being of a piece.
@tinoaerobicchannel92702 жыл бұрын
Beautiful 👍👍👍
@franktana8242 жыл бұрын
Ich glaube das ist einfach mehr Nähe Originale Klanges So viele Unterschied Klanges und Tones zwischen modernen Orchester und damals !
@cricciethcastle50772 жыл бұрын
These are truly wonderful performances IMO. For several decades I played in some of the top "period instrument" ensembles, so I think I know something about "historically informed performances". I do hope that the Freiburg and their soloists don't get discouraged or upset by the poorly-informed/dogmatic criticisms made below by a (very small) number of viewers. Re keyboard performances in the modern era, no self-respecting authority on JSB would prefer to play his organ music on a typical English cathedral organ rather than a Schnitger, so why does there still seem to be hostility to using the correct piano for Mozart and Beethoven? The "modern" grand piano isn't better or worse then the fortepiano, it's just very different. And it isn't the instrument that Beethoven composed for, anymore than the English cathedral organ isn't what JSB composed for. JSB's music just doesn't "work" on an English cathedral organ, and Beethoven doesn't "work" on a Steinway.
@holterpolter4756 Жыл бұрын
I can't agree on that. Beethoven played well over 100 years on all grand and upright pianos of the 19th and 20th centuries. His music is far bigger than this ridiculous argument about the alleged original instrument. To title a performance "Future Beethoven" is presumptuous and arrogant. Just because the instruments are similar to those of Beethoven's time doesn't mean the music is better understood. The audience lives in the 21st century and Beethoven's music is classic and timeless.
@alexs41172 жыл бұрын
the concertmaster uses his bow well!
@daniel32319952 жыл бұрын
No eng interviews?
@adelenelai41002 жыл бұрын
hi, I translated and transcribed this video into English. Search for "Green Cheminformatics" using your favourite search engine ;) KZbin doesn't allow me to post external links.
@adelenelai41002 жыл бұрын
AKS: Hey Isabel! We are playing Mendelssohn’s Violin Concert this evening… IF: …seems like it! AKS: …yeah! in this wonderful theatre in Wolfsburg, constructed by Scharoun. And we also have in the mean time recorded (this concerto/album) together. I still want to ask a question about the concerto…whenever I get new students coming to me and I ask them what have they done and what they would like to work on, and I always ask what their dream piece would be, and their eyes start to light up and they say “Mendelssohn Concerto”. So I wanted to ask you how you yourself encountered this concerto? Also very early on?
@target99722 жыл бұрын
240P bei DER Musik - wie arm ist das denn ? Und so unnötig. Das schmerzt !
@seanpietromarshall2 жыл бұрын
does that clarinetist have a HIV lesion?
@seanpietromarshall2 жыл бұрын
what is that instrument ? it isn't a piano.. it does not have the harp, but it has dampeners so it's not a fortepiano... So this is might be a piano that Beethoven might have played.. or a faxsimile
@rileyclark66762 жыл бұрын
It is my understanding that this is a timely piano that Beethoven himself would have played on. Since this is a baroque orchestra, it is common for performers to perform on older versions of instruments IF NOT what was timely to the music they were playing. The reason why this piano sounds like a harp is because it is strung similarly to a harp. Modern Pianos are stringed diagonally while older pianos were stringed straight. This gives a different sound. Hope this helps and happy listening!!
@tamer33972 жыл бұрын
its a fortepiano, they had dampers
@hori1663 жыл бұрын
@ Degsie This is an original 1830 Graf piano, the same kind of instrument Beethoven and Schubert played on. I don't think you know what you are talking about. The point of historical performances is to recreate the sound palette and performance practice of the past. You can't compare a modern interpretation with a historical original instrument one. You can't imagine or appreciate this performance unless you've played on an instrument of this period. The touch is incredibly quick and light, nothing like a Steinway. Bezuidenhout recorded this in 2020 using state-of-the-art technology with Pablo Heras-Casado, the Freiburger Barockorchester and played the same piano. You might appreciate the unique sound qualities that period instruments have and perhaps change your mind.
@GoldenRiverMusic3 жыл бұрын
Great playing Bart and Gijs!!!
@bettys94444 жыл бұрын
genau, und klatschen für die pflegekräfte.... seht es endlich ein, wir werden nach strich und faden von der regierung verarscht , tut endlich alle was, von allein hören die machtgeier nicht mehr auf....
@nobodyknowsme34814 жыл бұрын
world best
@jamesnickoloff66924 жыл бұрын
I'm so sorry they've taken down the recording of the whole concert of March 10. It was for the ages.
@HDBerlin4 жыл бұрын
grossartig, mehr Kontakt zur Jugend bitte.
@Erik-bw7on4 жыл бұрын
Quel bonheur Beethoven j’apprécie beaucoup cette formation interprétant sur instruments d’époques depuis l’enfance Beethoven me touche m’émeut parfois jusqu’au larmes il me donne du fil à retordre au piano à l’écoute du FBO c’est tout simplement sublime sans oublier le pianofortiste un musicien hors normes déjà avec Mozart dans sa vision des sonates et variations vivement la suite des concertos de Beethoven qui me donne le sentiment parfois de dépasser l’aire humaine merci à vous pour cette vidéo de se génial concert Éric Gasia
@christinabarrett30134 жыл бұрын
Hey! That was a great interview!
@peterbremer53874 жыл бұрын
Love this more than 100th performances I listened before, WOW!
@FreiburgerBarockorchester4 жыл бұрын
Wenn ihr mehr Videos aus der Musikvermittlung des FBO sehen wollt, schaut unsere Playlist an: kzbin.info/aero/PLUsn9eIHF0riuxQ-B1LwXXMsnYRoUb32_
@user-ci2ge6ty3u4 жыл бұрын
Freiburg. Konzert in der Zeit der Corona Quarantäne kzbin.info/www/bejne/kHPRoKqJib-pm9U
@simonkeller70014 жыл бұрын
Lächerlich.
@danielreher28764 жыл бұрын
Der Hammerflügel klingt so nach Filzhämmern, der müsste doch aber für Beethoven eher belederte Holzhämmer haben...
@ReinhardBlech4 жыл бұрын
Schönes Video, vielen Dank - Musik verbindet. Jeder für sich und doch alle zusammen. Ich habe es eingebaut. Bleibt gesund! www.gugge.de/musikerinnen-setzen-ein-zeichen-freiburger-barockorchester/
@christophjoachimbauer37154 жыл бұрын
Finally the contra bassoon is sitting where it belongs. Next to the double basses. Though it only plays notes that the basses play, meaning it doubles the string basses which gives the piece the profound sound that it required.
@paclos294 жыл бұрын
Thanks for the best Beethoven, ever !
@wysiwyg24894 жыл бұрын
The more I read about the unrest in the world and troubles, the more I come back to listen to Bach and the Freiburger Barockorchester. Thank you for the non-stop pursue of excellence.
@pope03314 жыл бұрын
Oooops... serious mishap at 28:32 where this fine pianist looses control playing some very wrong notes! Even the French horns were mixed up by the blunder sounding as coming in too early. Well... to err is human. Also the soloist added a lot of notes not written by Beethoven but at that time that type of improvisation was permissible under the category of "extemporization". His tempo was quite in the Carl Czerny style... wild and fast.
@charlesrhodes13584 жыл бұрын
Yes.
@HPAPieters4 жыл бұрын
Die lassen Es moll so einfach klingen aufs Naturhorn... Unglaublich!
@christinabarrett22405 жыл бұрын
How lovely, glad it went so well!
@5678__smrt5 жыл бұрын
집에서 좀만 더가면 나오는..
@5678__smrt5 жыл бұрын
Sinfonie Nr. 5 1st 37:04 4th 57:49
@e.d.70175 жыл бұрын
Extrait de Agora, Fergus, les plus grands concertos pour piano : Grandiose, ... avec ce dernier, « Beethoven endosse le costume de Titan, sculptant son ouvrage dans un moule héroïque » a écrit le musicologue Neville Cohn, et cela suffit à définir le caractère de cette œuvre. Sans les progrès de sa surdité, nul doute que Beethoven eût composé d’autres concertos pour son instrument de prédilection tant étaient immenses ses qualités d’interprète avant l’apparition de cette terrible informité. Á l’écoute des œuvres symphoniques ultérieures, on mesure l’ampleur de la perte pour le répertoire pianistique. Kristian Bezuidenhout est exceptionnel avec son pianoforte d'époque et l'orchestre représente bien le son de l'époque : Beethoven devenu presque sourd, n'a pu l'interpréter lui-même. Quel chef d'oeuvre et cette video est suffisante pour l'apprécier. Cela change du son uniforme des pianos d'après 1900.
@abnerlira18335 жыл бұрын
is He the cellist??
@albertolevarato5 жыл бұрын
Who is the composer of the concerto for two flutes? Thank you!
@victorhugotoledocofre13665 жыл бұрын
240p for a 2016 video? What's going on in your heads? No good connection or not enough money to upload better quality? Or what?
@stefanskytt6505 жыл бұрын
Beautiful!
@christinabarrett87005 жыл бұрын
So nice to meet you! I look forward to the future seeing more!
@FreiburgerBarockorchester5 жыл бұрын
Den internationalen Konzertkalender des FBO inklusive aller Abokonzerte in Freiburg, Stuttgart und Berlin finden Sie hier: www.barockorchester.de/events/
@kevinavison99436 жыл бұрын
The playing of the 5th symphony is sublime. The lines are clearer than I've heard (even) from other historically-informed performances & the feeling comes through highly disciplined - & beautifully - balanced ensemble playing
@henrycole91926 жыл бұрын
My love to the Freiberg Baroque ensemble and especially to Daniela Helm, Hank from Maryland
@Hosenrolle16 жыл бұрын
Sehr gut! SO gehört Mozart aufgeführt, auf den richtigen Instrumenten und mit Dirigenten, die sich mit HIP auskennen, nicht diesen elenden Stümpern und Verschandelern wie Karajan, Böhm und wie diese Spinner sonst noch heißen. Ein Hoch auf das Freiburger Barockorchester und HIP!