Derp is everywhere 🤣

Not to mention vinyl has its dynamic range squashed, (softer sounds made louder above the noise floor of the vinyl and louder portions reduced to fit within the nature of the final vinyl production) as well as significantly modified for cutting the lacquer knocking siblilance if present. Digital recordings none of that is necessary (just don't peak over zero) that's the only rule LOL.

Probably because the camera that he used only recorded on mono

Not my genre, but high quality makes almost anything listenable. Almost 🤣

Great song. They should ask you to do the song for the next Bond Movie.

@@whackfaldado I would love that!

Hi Jo I've only just found your comment from 4 years ago now🤗..I havent done much writing recently as I've had a bit of writers block for some reason but I would love to get back into it..You did such an fantastic job of this song..Its amazing how you literally just learned it that day and pulled off such a great performance..I hope you are still active musically too

@@markdavies4612 hi mark :) thanx for the link!

Is it! So its opposite to when you are recording? You know when recording: Faster (Hi-Speed Dubbing) will give you poorer (lower quality sound) than recording at slower and normal playback speed

more higher speed ..less good low frequencies..this is problem..so the master tape after the mix was setled on 36in.p.m..higher was not good..althoug speed like 19inpm is super in all spectrum,,even 9..but 36 was standart in studio for master tape for machines like this

Ok

Tape speed 30 ips = 76.2 cms

+Evzen Tikovsky ... there is no such thing as "36in.pm", nor "19inpm" -- the two main speeds in professional tape recording are 30ips (inches per second) and 15ips. This machine in the video is running at 30ips, which is pretty standard for recordings like jazz and classical. At 30ips, depending on the tape formula, there is virtually no EQ curve or emphasis onto the final recorded tape. It is, essentially, it's highest fidelity. Having said that, using 15ips has its advantages such as a slight low end bump in frequencies, which can give the final tape "master" recording a slightly heavier or solid feel. It's not much of a bump in frequencies, but it's there, and is usually referred to as a "head bump". Also, not as much tape is used up in the process, obviously.

See the "Music in this video" section for the exact names of these songs.

Orchestral Manoeuvres In The Dark - Statues (2003 Digital Remaster)

Depends on the type of track. Older movies with mono Academy tracks can be pretty noisy. Later films with Dolby A noise reduction (which are usually also Stereo Variable Area) much less so. Movies from the 90s onward with Dolby SR are damn near silent.