0:03 why your first example 10 times quieter?

Well done, Joey, love it!!

What a stud.

"Even if he is midi he still has feelings" - Vana 3:39

Yo sick breakdown! These drums sound heavy at the end

13:09 I’m dead💀

now THIS is epic 😮‍💨

Yeeeeah! So sick

So much beef in that final mix!! This video production looks insane too 👌🏻👌🏻

Definitely getting get good drums!

Stoked to be apart of the channel! 🤘

Which one did he select for DrumSmash? In terms of EQ

Haven’t tried this for a while, so maybe there are updates…but does this not sound extremely mono/narrow to others?

Awesome video and Joe is great as always, not really sure if I like what the kit plugin is doing tho

The amount of free info joe puts out is incredible

@InTheMixwithJoeCarrell Awesome demo, as always very well presented! 🙂

OK, apparently I filter my verbs way to much

Yeah. That's nice.

Awesome, thank you!

Joe is so cool!

I really like these studio style reverbs. I use the UAD Ocean Way, Panda Rooms from Purified Audio, and the Sunset and Fame verbs from IK. I’ll have to demo this. Great stuff as always Joe!

thanks for this useful demo ! I bought the BB Chamber few weeks ago for my drum and loving it !! such a nice touch on it. Will try your tips for sure ! thanks again for your very valuable demos cheers

This is fantastic

Good stuff🎉

Truth is DAW are unpredictable you have to keep updating to the Next version which is expensive take the free version of Sonar it was a free then they suddenly they pulled it Logic for iPad you have to pay for the thing eternally this situation is getting out of hand this I feel is the reason why people are returning to portastudios digital and analogue DAW are fantastic but people won't stand for being taken advantage of my self I use both to keep my opinions open

Only reason I would keep my old broken Tascam/Teac 244 porta studio. Would be (IMHO) the great semi-parametric eq. It somehow was easy to dial in just the right spot. In terms of connectivity, the 244 had insanely many options. i mean, show me a 4 ch +master bus mixer with inserts option, pretty rad! Never used it myself. BUT the eq I miss, I loved the sound of the dbX NR too. But I'd never go back. I find my trusty DIGI002 has a plethora of connectivity options. I mean In my rack, I have 18 I/O, pretty common I guess. But certainly enough for an entire band at once! And with all other I/Os it beats any porta any day. AND just the DIGI002 and a laptop, is just as portable. And right there yougot 8 ch. And you've got a totally clean signal, you can fuck up as you go. So no going back

God no. Little pretext. I started in 90s. Used porta studio for demos, etc. When we started producing music for living, tape/analog gear was still around, but in a few years digital came in strong. Even back then, having Atari running Cubase and sequencing various devices was a big deal. Now we got digital mixers remembering each mix, DAWs with endless tracks, so no comping anymore, and so much more. Somewhere between tape and computer we worked with Alesis digital multichannel recorder but that was also porta studio just digital. I would maybe deal with one in case I am to write demo quickly, but really, nothing i cant do with a DAW and the rest of my gear.

❤❤

❤❤❤❤😊

Como

Como

Interesante

Interesante

keep everything++++!

hello sir can you find sulotion for apex legends audio u gon help 500k player

Exactly what I was looking for. Thanks

Cool Thanks

👏👏👏🤸🏻‍♂️✨🎸

Thanks for sharing such vital information. Getting off the merry-go-round of mixing and mixing is sooo important. In the process of learning this skill my ears have come to a place where once I hear a certain glue and cohesion in my mix, its done! Great video, thank you again!

Great advice and exactly how I approach my projects. For anyone just getting started, take this advice to heart, it really makes a big difference in the outcome of your projects and at the end of the day, that's what really matter.

the 47 sounded the best (smooth, big full, not shrill) on her voice.

What final level do you set the limiter at ?

Great video , very well explained and demonstrated. Thank you.

i think auditioning mics is very important, in achieving an overall sound and character in the track, that you're after. i always do that. i only have one mic, so i audition that, decide it sucks, and then i use it. kidding, i have two condensers - cheap stuff, an nt-1a and a b1, and a dynamic - 58. in regard to my voice, i've auditioned them long ago, i've decided i like the b1 better, and i use that. i also prefer the b1 for acoustic guitars, though there's something to be said about the clean, very present sound the nt-1a has on those. so there it's more about what timbre the guitar should have in the track. i don't audition them anymore, cause i know what to expect, so i just pick the one that sounds closer to the intention.

ive used htat reverse thing for years! when it works it its great!

Nice one, some excellent ideas

Great tip I will apply this technique on my next mix, thank you so much.

Very good, clear presentation - subscribed!

Hopefully this explanation helps you along in your mixes.

This was really helpful. I get stuck working on my tracks when I have to start and stop. Thank you for this!