I have no incentive to create fake performances… nor are any of these ‘impressive’ enough to even attempt to do so - but since you’re interested in complaining - do share the time stamp, I’d be interested to see what someone as perceptive as yourself is referring to. As I mentioned to you earlier - every one of my videos has wrong notes, poor transitions, and mistakes all over, not sure why I’d be interested in ‘faking’ those kinds of performances 🤨 But since you must have enough time to troll 'youtube nobody's' - and I also have enough time to banter some with you, here's just a few of the timestamps in this video that showcase my errors - not something a normal person would be interested in promoting... -2:23 -4:47 -5:34 -5:40 -6:49 (takes me like 30 seconds to tune the FM drum...) ...Cheers

Don’t know why you’re interested in trolling someone as minor as myself only having barely 100 subscribers… but the work to create a ‘fake video’ seems infinitely more difficult than just messing around with synths… you’ve obviously seen some of my other videos… every one of them is chocked full of mistakes, not sure why I would utilize audio with ‘errors’ just to seem ‘impressive’ when there really isn’t anything super impressive anyways… 🤔

Thank you! Will do!

I’ve truly had some of the most fun with ‘gear limitations.’ It forces creativity in a very focused way - thanks!

Thanks - and thanks for the sub!

Much gratitude!

Thanks Popes! Appreciate ya swinging by and love your stuff!

Oh they’re out there 😁, especially when you look outside of my channel

Haha - mastery of Moog is unattainable - but appreciate the comment all the same.

champion

gg

That made me laugh very big

Cats and synths seem to be symbiotic at this point 🤣

There’s plenty to talk about 😁

Quite the compliment, thanks!

Thanks! They really do work well together - it’s a fun combo - I trust you’ll enjoy it!

Semi-modular is definitely fun - for me it removed the intimidation of full on modular (both practically and fiscally, haha), but still has the flexibility as I’ve understood more over time. I actually have the MB2 on its own channel, and the PO’s and NTS-1 on a separate channel on a mixer - so the only connection shared between those two groups is the clock/sync. I have just a touch of reverb on the MB2’s channel, and the PO audio is all running through the NTS-1 and using its effects. I will say though, I’ve had sessions just running the MB2 through the NTS-1 and nothing else and it’s still amazing - starting with just one or two synths is a great place to start so you don’t get overwhelmed with options and get to know those pieces of gear really well! To the journey… 🍻

@@diaryofasynthnoob2050 Thank you for taking the time out to reply. It's great to have a little guidance beginning any new journey so it is very much appreciated. Your setup has given me great inspiration, I'll let you know how I get on! Thanks again 🙏

@@what_now_ My pleasure! And definitely let me know how your setup comes along - it’ll be good to continue to learn from each other 👍

I was torn between the impact and original - there obviously a couple minor differences in voices (the impact’s FM drum is fabulous). I did like the impact’s smaller footprint - and another main difference between the two is the original has an output filter/resonance, which could be pretty cool - the impact switched that out with a distortion control instead - which is also sweet - just a preference decision on that one - thanks for watching!

Haha, yeah, I’ve turned into a bit of a fan boy

Back atcha man - love your stuff!

@@diaryofasynthnoob2050 I thought I was already following everyone on here who does music stuff but I was wrong!

Ima noob - so it’s cool - thanks though