This piece and its overall sadness in spite of being in a "major" key makes sense when you realize Brahms wrote this in response to the death of his mother.
@matthewbradley28733 ай бұрын
This is the best recording of this piece by miles. The sound of the horn's stopped notes adds a whole new dimension that is missing from performances on modern instruments.
@simonegubbiotti57217 ай бұрын
The entry of the timpani on F at 34:26 is made truly scary, like real thunder in crescendo!
@cosmos99ify7 ай бұрын
The idea of historical performance is the result of cultural decadence.
@PhilippeBrun-qy3st8 ай бұрын
Merci, quel chef d'oeuvre...c'est toujours une émotion comme au premier jour.
@user-rc4kq2iu4o9 ай бұрын
1 часть 0:00 вступление, 1р 01:36 2р 01:50 контрапункт 1 и 2р 04:49 гп 06:04 пп 08:02 разработка, 1р 8:34 разработка 2р 10:39 разработка 3р, solo ob 11:26 реприза, тв 12:03 кода 13:12 religiosamente 2 часть 13:56 вступление 14:35 1р тема вальса 15:32 второе проведение 15:48 фанфара 15:58 2р, тв F dur в характере вальса 16:10 контрап тв и темы вальса 16:41 мотив судьбы у дд 16:55 реприза 18:55 кода, тв у cl 3 часть 20:05 вст 22:16 1р, т Adagio 27:18 ср р диалог низких стр и д/д 30:25 реприза 31:55 кода 34:12 заключение
@user-rc4kq2iu4o9 ай бұрын
4 часть 36:47 вст 37:14 1р, осн тема марша 38:22 средний раздел, триумф марш 39:52 чередование 1 и 2 т 41:39 реприза, вариации на первую тему 42:52 кода, тв 5 часть 43:22 вст 44:55 allegro С dur, cl с форшлагами 45:12 1р тв cl pic 46:21 2р Dies irae 48:40 3р хоровод шабаша 50:46 трехг фугато 51:26 4р 51:54 col legno
@dark_play18729 ай бұрын
Спасибо святой человек❤
@user-rc4kq2iu4o9 ай бұрын
@@dark_play1872 рада помочь, товарищ по несчастью эппхпххпзп
@hectorberlioz144910 ай бұрын
Terrible performance and dito recording. I can't imagine that Berlioz had in mind such a dry and unmusical playing and interpretation!
@MarioRibeiro846 ай бұрын
You can say that you don´t like the Gardiner's musical choices, but to say that it is a "unmusical playing and interpretation" is ridiculous...
@hectorberlioz14496 ай бұрын
@@MarioRibeiro84 Are you entitled to tell me , what I can say or not. You 're reaction is ridiculous. Did you listen carefully? I dont think so. Listen to Colin Davis, Charles Munch, Ozawa, Mitropoulos, Barenboim, v.Otterloo, Markevitch, Muti to name a few, these were great Berlioz conductors and recorded all a very good Fantastique....
@MarioRibeiro846 ай бұрын
@@hectorberlioz1449 You can say whatever you want, even if it's ridiculous. And yes, it's a diferente approach to the symphony, quite different from the ones you mentioned. We now that Gardiner is not a expert on Berlioz but this interpretetion is full of musical ideas, and say that it is unmusical It's just a destructive comment. That said, I also prefer some of the versions you mentioned.
@yanoshujiro283010 ай бұрын
thanks for this clip. If the sheet musc contains the part of cornet à pistons, it is perfect because the sound contains cornet à pistons.
@johnryskamp2943 Жыл бұрын
WAY too fast and loud. What's your hurry? How Brahms would have laughed!
@Ziad31956 ай бұрын
This is so funny, lol. Brahms himself said people performed his music too thickly and too slowly. He said he preferred a faster tempo and lighter interpretation and that's why he preferred French musicians over German musicians to play his music.
@nemuiiiiiiiii Жыл бұрын
メモ 2:15▶︎5:06
@dgunde13gunderson78 Жыл бұрын
This is the piece in my young years that SOLD me on Brahms....Still brings tears......had to learn all his chamber music....HAD TO! performed the piano part many times. most gratifying piano writing ever. of course there's an alternate viola part for the horn. Thank you GOD@!!!!!! dg viola. piano, organ, guitar, etc
@josephmathmusic Жыл бұрын
3:23 whole tone scale... 8:53 reminds me 16th century music for a few seconds
@user-dq5ui5nh5y Жыл бұрын
❤
@choijiwonballetclassmusic Жыл бұрын
22:48
@namles1644 Жыл бұрын
What a revelation! I usually am not a fan of this work because it always sounds like the musicians are trying to say something that is not there resulting in an incomplete interpretation. What a joy this recording is to listen to over and over again!
@CatkhosruShapurrjiFurabji Жыл бұрын
19:34
@chindy28 Жыл бұрын
Que maravilla!!! Realmente aprecio más con esta interpretación el genio de Beethoven. Gracias-!!!
@ekisyo91862 жыл бұрын
Thank you for uploading! best sound.🐦
@urshandschin51082 жыл бұрын
Danke vielmals für das Präsentieren der Noten. Erst daraus wurde mir klar, wie anspruchsvoll der Klavierpart ist! Hut ab vor allen, die so etwas spielen können! Ein wunderbares Stück in wunderbarer Wiedergabe!
@wassup1392 жыл бұрын
I really like the dactylic rhythmic and melodic motive of this piece (although it sounded like anapest to me initially - somehow the double quavers sounded like a strong beat?) 😊 Beautiful music 💕
@marksteinhaeuser2 жыл бұрын
Great piece, awsome performance! Many thanks for the upload.
@labenditacontrasena2 жыл бұрын
Un verdadero Maestro! El adagio es una página perfecta en la historia de la música.
@jeromus99962 жыл бұрын
The sound of the fortepiano is just amazing 👍
@samuelthiel17632 жыл бұрын
I performed this piece many times during my career with the Horn. Most fun was in Salzburg in the summer of 1985…with a wonderful Japanese pianist who jumped in at the last minute because the original pianist took sick. The violinist was the assistant concertmaster of the Munich Philharmonic. I had a great time and played also on the natural horn. The balance problems that occur with a modern instrument are much fewer with the „Naturhorn“ but you still need a violinist who is not afraid to „dig in“. I have some reservations about the tempi in the Scherzo and the final movement. The opening movement I found quite convincing…the Adagio not so much but still very good. However, Brahms wasn’t a friend of rushed tempo. He wanted every single note to be perceptible. I know this piece inside and out…but someone hearing the two faster movements for the first time might be dazzled by the virtuosity but miss a lot of the wonderful details. This piece is one of Brahms‘ most inventive and passionate works…it needs room to breathe.
@Quotenwagnerianer10 ай бұрын
I would say, especially the Scherzo is spot on in tempo. Never heard it played slower. And if someone did play it slower I would probably call it a drag. The finale could be indeed a tiny bit slower. But not much.
@doreen56382 жыл бұрын
I love the no.6!
@user-fp2pn9sq2y2 жыл бұрын
my first schumann piano piece is einsame blumen, and its sounds are so beautiful
@fortepiano_enthusiast-f8t2 жыл бұрын
jn which universe is this "Moderato"?! well performed, but wayy to fast
@WinrichNaujoks2 жыл бұрын
Faust and her horrible, fractured, anemic, weedy sound.
@reducetheatoms11 ай бұрын
Classical musicians roast that much XD ?
@michieldpiano2 жыл бұрын
so boring... uninteresting interpretation and wrong readings.
@Piflaser2 жыл бұрын
Not your best day?
@michieldpiano2 жыл бұрын
@@Piflaser no warmth, no freedom, no poetry, no Romantic soul. This interpretation is as cold as dry ice.
@Piflaser2 жыл бұрын
@@michieldpiano The romantic soul is in the music.
@michieldpiano2 жыл бұрын
@@Piflaser yes in the composition in Schumann but not in this interpretation. I will record Abschied on a 19th century Pleyel. You can listen to my Kreisleriana on my channel.
@maternalheart662 жыл бұрын
I think your Kreislana is really incredible... well played. But Forest Scenes is genteel music for salons, Kreislana is a much more complex and adventurous work.
@sneffels_2 жыл бұрын
Fabulous! But sad that you haven't uploaded anything for three years!
@aceventura22373 жыл бұрын
Why so wimpy fast fuck this
@SCRIABINIST3 жыл бұрын
Abschied has to be one of the sweetest things Schumann wrote
@fcopaja3 жыл бұрын
Amazing how the written f in the horn give such a "lontano" effect. Beautiful rendition.
@antoineroche20733 жыл бұрын
20:27 Magical moment. I love how it anticipates the following movement's main theme.
@jingyangwang48213 жыл бұрын
It's a natural horn! Unbelievably perfect intonation!
@valkhorn2 жыл бұрын
It takes a good ear and a good right hand :)
@danielito1979 Жыл бұрын
@@valkhorn yes, and being very brave
@finosuilleabhain7781 Жыл бұрын
But what was that at 1:53?
@jingyangwang4821 Жыл бұрын
@@finosuilleabhain7781 😅fair enough
@jaschaheifetz87833 жыл бұрын
Nice performance....however, it doesn't sound like a fortepiano---wouldn't be historically accurate either.
@calebhu6383 Жыл бұрын
Yeah, it's an 1875 Bosendorfer so practically a modern grand piano
@Ziad31956 ай бұрын
@@calebhu6383that's still a period piano.
@calebhu6383Ай бұрын
@@Ziad3195 Yes, I never said it wasn't.
@user-zh7xc9kc7v3 жыл бұрын
4.저주받은 장소 7.예언의 새
@buttercubbb19963 жыл бұрын
Just came across this video and found 'Abschied', which is my first schumann piece! It somehow reminds me of how I used to practice in the early stages, hopefully I can return home to my piano after the whole covid is over....
@GoldenAlexei3 жыл бұрын
What a modern artist, i love this trio!!
@reducetheatoms3 жыл бұрын
🌤️
@238assante3 жыл бұрын
this is great. very expressive , accents well marked , extremely faithful to the score. with just some time being taken here and there in position changing , or breathing in phrases. lovely, thank you.
@GabyAbelPouru3 жыл бұрын
Beautiful Instrument, inspiring Interpretation
@linaandreoli3 жыл бұрын
The Picture of Dorian Gray
@ryoucomics86182 жыл бұрын
The exact reason I looked this up was because I'm re-reading Dorian Gray and it's mentioned in Chapter II.
@lalaball_2 жыл бұрын
@@ryoucomics8618 same
@olivierdrouin27013 жыл бұрын
Non,pardon ,4 ,pas 3 !!
@olivierdrouin27013 жыл бұрын
J aime beaucoup cette oeuvre,mais proposerais volontiers un montage qui l'a mutilerait et la desordonnerait en 1,3,8,6,9 What do you think about?
@Piflaser2 жыл бұрын
Some pianists make such things. For me nonsense.
@olivierdrouin27013 жыл бұрын
La partie centrale de Jaglied perd selon moi toute sa magie a être jouée dans ce tempo trop lent. Et Abshied est trop rapide !! (Ces remarques sont subjectives,je ne sais rien des indications metronomiques de Schumann)
@lxtcyvyeg3423 жыл бұрын
Je suis au regret de vous dire que c'est l'inverse. Et jen sais quelque chose puisque c'est moi qui ai écrit cette daube. Oui c'est moi le compositeur geek je m'appelle Schubert mais on m'appelle Schu à la crème ou pour les plus audacieux Schu Kola. D'ailleurs si quelqu'un peut me gratter le dos, j'arrive pas avec la main
@olivierdrouin27013 жыл бұрын
J enlèverais volontiers de l oeuvre "l oiseau prophète". Je ne comprends pas que ce soit devenu la pièce la plus connue du recueil !!
@saschahahn89943 жыл бұрын
Is someone just because od musik lessen here? Cause i dont give a shit.
@ChopinIsMyBestFriend3 жыл бұрын
you should quit music.
@afifi213 жыл бұрын
I miss this channel. Are there any plans to 'revive' it and upload new videos soon?
@levanzivzivadze3 жыл бұрын
Murakami brought me out of the dark wrestling and brought me here.😍 Where are you Murakami lovers 😊