Analogue Darkroom part 1
28:42
3 жыл бұрын
Takuhon.
6:21
3 жыл бұрын
Photocopy tranfer with gum arabic
11:30
print fold fly
0:35
3 жыл бұрын
photoetching part 1
7:40
4 жыл бұрын
Printing an etching plate
10:26
4 жыл бұрын
Applying hardground
3:30
4 жыл бұрын
Adding tones to an aquatint.
3:29
4 жыл бұрын
sugarlift embossing
2:42
4 жыл бұрын
Filing and Degreasing a plate
6:36
4 жыл бұрын
Sugarlift acquating 2
2:20
4 жыл бұрын
Takuhon Pad printing
6:21
4 жыл бұрын
Photocopy tranfer winter green oil
3:17
Sugar lift process (1 )
5:21
4 жыл бұрын
Pochoir
13:11
4 жыл бұрын
Printing fourth colour
4:18
4 жыл бұрын
Printing a linocut using a baren
0:31
Registration for printing
2:34
4 жыл бұрын
Cleaning roller and lino
1:46
4 жыл бұрын
How to cut the lino
8:23
4 жыл бұрын
Пікірлер
@KateAldridge-x9o
@KateAldridge-x9o Күн бұрын
Hello, when exposing the plate for the final time (to cure the plate) does the plate stick to the glass? I've had issues with this and not sure how to resolve. Also could you say what oil you use prior to printing?
@printmakingatnewcastleuniv1180
@printmakingatnewcastleuniv1180 Күн бұрын
I would hair dry it or leave it over night to dry once dried I would use any oil, even olive oil works rub it and then take excess of with a paper and it is ready to print.
@mattbartlett5557
@mattbartlett5557 Ай бұрын
Hello! Just wondered how you cure the plates after washing and drying them?
@printmakingatnewcastleuniv1180
@printmakingatnewcastleuniv1180 Ай бұрын
You can put it again on the light box (UV) for a long time my light unit has a postcure of 450 LU
@mattbartlett5557
@mattbartlett5557 Ай бұрын
@@printmakingatnewcastleuniv1180 ahh perfect thankyou so much, just also wondered what thickness of plate you use?
@printmakingatnewcastleuniv1180
@printmakingatnewcastleuniv1180 Күн бұрын
not sure about the thickness but it is a Toyobo plate KM73 0.73mm thick and on a steel plate.
@susannekhouri2370
@susannekhouri2370 5 ай бұрын
The SOUND goes on and off.
@sislertx
@sislertx 9 ай бұрын
Lazer hih..oh well..
@printmakingatnewcastleuniv1180
@printmakingatnewcastleuniv1180 5 ай бұрын
Sorry... I mainly made the videos for our student's at Newcastle University....
@Artgirl-ig3xr
@Artgirl-ig3xr Жыл бұрын
Great video. Thank you! Do you have to make a new dabber each time that you ink an object or can you reuse a dabber (same color) at another time.
@erikaservin
@erikaservin Жыл бұрын
You can use the same for each colour, although I tend to have different sizes depending on the object I am working on.
@kitsutherland6445
@kitsutherland6445 2 жыл бұрын
Thanks for the clarity. And for sharing.
@rjrajveerkaleke
@rjrajveerkaleke 2 жыл бұрын
amazingly
@digitalbrayer
@digitalbrayer 3 жыл бұрын
It's really lovely to see that somebody has taken the trouble to share this wonderful technique here on You Tube. When I was taught this technique at DCA print Studio(Scotland),the paper was sprayed (fine mist)initially with water that had rice starch mixed into it. THAT made the difference (i.e. stiffness/rigidity) so it did not fall flat....so that where one wished to IT DID MAINTAIN ITS 3D form as part of the final print artwork. Hope you will post some more videos.
@printmakingatnewcastleuniv1180
@printmakingatnewcastleuniv1180 3 жыл бұрын
Thanks for your comment Aine, it mis very useful. I think some papers have enough starch in them and some will need more but it makes sense to have the paper sprayed with the rice starch. There is a Mexican that does magnificent works with Takuhon her name is Mercedes Lopez.
@kitsutherland6445
@kitsutherland6445 2 жыл бұрын
@@printmakingatnewcastleuniv1180 Currently in Schio, Italy, Mercedes Lopez' work is on display at the Di Carta/Papermade show. The small items are feather weight and made using irregular shapes. They are very beautiful and intriguing and had our art group, Casa di Irene guessing as to how they were made. I can imagine that the ephemeral lightness of the sculptures just begs to be made into mobiles. Thanks for sharing!
@printmakingatnewcastleuniv1180
@printmakingatnewcastleuniv1180 2 жыл бұрын
@@kitsutherland6445 Mercedes is a wonderful printmaking artist from Oaxaca, I am glad you had the opportunity to see her Takuhon pieces. She has an exquisite taste in colour and forms.
@Artgirl-ig3xr
@Artgirl-ig3xr Жыл бұрын
How much rice starch was added to the water for misting the paper?
@digitalbrayer
@digitalbrayer Жыл бұрын
@@Artgirl-ig3xr I don't have the instructions to hand and am very busy at the moment - I would estimate that about 1 teaspoons of rice paste added to half pint of hot water would be good to go. I would gradually 'whisk -in' the boiling hot water to the rice paste, until it was integrated with the hot water. Then allow it to cool to 'room-temperature' before using it in the Taku Hon process.
@bridgetkennedy6780
@bridgetkennedy6780 3 жыл бұрын
Brilliant! I love the projection an the spooky music. So good to see work in the department. Thank you X
@printmakingatnewcastleuniv1180
@printmakingatnewcastleuniv1180 3 жыл бұрын
Glad you enjoyed it!
@NH-bm9vy
@NH-bm9vy 4 жыл бұрын
Fantastic! What is the liquid emulsion used here? Like photo emulsion used in screen printing or? Any recommendations would be highly appreciated!
@erikaservin
@erikaservin 4 жыл бұрын
It is Photo imageable etch resist, and you can buy it from Intaglio Printmaker in the UK.
@NH-bm9vy
@NH-bm9vy 4 жыл бұрын
Great demo thanks so much for sharing the sugar lift technique.
@printmakingatnewcastleuniv1180
@printmakingatnewcastleuniv1180 4 жыл бұрын
Thanks ! I will post another video with the prints from the plates. BW.