Thanks Scott!

Hey Chris! I actually just took the pedal off my board but I’m pretty sure it does!

Thanks!

Thank you sir!

Steal away! Happy to answer any questions homie

Chunk chunk chunk

Ask and you shall receive! kzbin.info/www/bejne/i5qThKmYeL-ans0si=wx6tk4wyckQ60n5g

Cheers Dan, glad it made sense for you!

Yup, killer writer and guitar player. Lots of folks are downstream of stuff he did 50-60 years ago and aren’t doing it nearly as well.

Thank you!

youtube.com/@brianczach

Yup I was way into that stuff back then!

Ayyyyy cheers!

Thanks Dave!

Thanks!! I believe it’s the EF341SC. Takamine acoustics are my favorite.

Yeah this song can be very monotonous! Gotta spice it up, especially if you’re the only instrument on stage.

Thanks for subscribing! Maybe one day I’ll do a video about how I think about theory.

Gracias!

Production value on a KZbin video? In this economy? JK thanks for the tip, hope the stuff in it was useful minus the angle!

Tip. The words “your” and “you’re” have different meanings. “Your” is a possessive adjective. It is always followed by a noun in a sentence. “You’re” is a contraction of the two words, “you” and “are”. Learn the proper use of each, that way “you’re” (you are) not looking stupid to your audience. Just saying.

Hey Rob! I’ve never run this in stereo or with an expression pedal so I’m afraid I’m not much help there. I’d try to track down a pdf of the instruction manual and hopefully that has answers to some of those more technical questions.

No problem nick!

Cheers Owen!

Aston thank you homie!

Thank you!

Thank you!

I’ll take your word for it, I know the name but I’m not super familiar with his material!

I may be able to whip up a tab in the next day or so but in the mean time feel free to just check out sections of it at a time

@@colinpoulton thanks bro Subbed

Hopefully the association with the blues scale helped it make sense. What I like about adding chromatic notes to the pentatonic scale (or any scale really) is that it displaces the rhythm of your line and you tend to land in a different spot once the lick is done. Fun stuff!

Thanks Josh!

Cheers from Nashville, Neil! I’m open for suggestions if you’d like to see something else covered.

Jack thank you! Glad you enjoyed the lesson and super jealous you got to check out Billy! Would love to hear if there’s anything else you’d like to see on this channel.

Thanks Joseph!

Thanks man! For me I like having two different delay sounds ready to go at all times. That’s all I really need and it works for me! Lately I have the left side on a Gilmour-esque analog delay and the right side with a quarter note tap tempo thing.

Thanks!

Yeah Matt this is a great unit! Straight forward and simple to use. I might get a reverb pedal for slapback to leave one side ready to go for noisy shit at all times lol

Yeah dude, absolutely! I do a lot of that sort of thing - wet/dry or wet/wetter with a dedicated reverb or tremolo on one side, delay (s) to both. My favorite analog delay is the Maxon AD9 Pro - only 330ms max delay time *but* it's a very well-made bbd delay with dark, chewy repeats and a great "Dual" mode which simulates a Binson Echorec multiple heads thing. I set it quite short, like a slapback, flip the switch to the dual mode - and my Reverb pedal is in danger of going into the bin lol! I'm JK but you get the idea :) The old JHS Panther is another great one but like the Visual Sound, it's huge! I need a separate pedalboard just for those two pedals + my Tremolo 😁 Cheers!

@@colinpoulton What amp were you using in this video? Sounded extremely good

@@mattgilbert7347 man thank you! This was with my Mesa DC-5. It’s an early 90’s combo that I’ve been super happy with.

@@colinpoulton awesome! Yeah i can hear the characteristics of a Mesa in the clean tone :) Cheers mate

yo thank you joey!