Sergio Assad from Seis Brevidades
1:51
Peter Oberg Plays Homage á Bensusan
6:12
Peter Oberg Plays Gymnopedie
3:59
9 жыл бұрын
Primavera Slabs Dining Table Top
7:22
Oberg Guitars 640mm Maurice Trial Run
10:50
Peter Oberg Plays INCEPTION
4:12
10 жыл бұрын
A Walk Through the Garden at Esalen
8:06
Пікірлер
@ricardoemanuel9822
@ricardoemanuel9822 Ай бұрын
part 2 ? please
@jameshuntley428
@jameshuntley428 Ай бұрын
Excellent tutorial.
@darrarmory6620
@darrarmory6620 6 ай бұрын
Great video! Burnishing. Explains what everyone else doesnt! I get it now,Thank you
@sirrahnod
@sirrahnod 6 ай бұрын
I would enjoy learning more about your method. Thank you for this video. Having spent time with piano tuning and time wrestling with guitar intonation on recording sessions, I find your take very interesting.
@bussottiguitars1998
@bussottiguitars1998 7 ай бұрын
It’s a parrot vice. I use the same way
@Zarkdog7
@Zarkdog7 11 ай бұрын
Stunningly peaceful
@ricardoemanuel9822
@ricardoemanuel9822 Жыл бұрын
What about the 4th and 1st string ? Excelent video, hope you planing to post part 2.
@arthuriski
@arthuriski Жыл бұрын
that's called a masterclass
@daverobert7927
@daverobert7927 2 жыл бұрын
Nice camera angle....!!!!
@FriendM2010
@FriendM2010 2 жыл бұрын
Okay, I’m gonna have to take off my ass hat and put on my thinking cap for this video. Not for my 10:30 pm brain, will try at my 9:39 am brain. 🤓🤘🥳
@joelpenazzo7248
@joelpenazzo7248 2 жыл бұрын
Hi Sir.. Very good explanations!!! But we wait for second part 🙏
@jeffhildreth9244
@jeffhildreth9244 2 жыл бұрын
I attended a small concert Pierre Bensusan gave in Pacific Grove, Ca. in the early 1980s. It was there, for the first time, that I understood that music is a language, communication, not just entertainment. Bensusan is a brilliant player with much to say. Peter, that is a brilliant piece of music befitting another great player, composer. Thanks.
@peteroberg1272
@peteroberg1272 2 жыл бұрын
Thank you so much for the kind comment Jeff. I only wish the audio quality were better. Pierre is one of those rare players who has such a lyrical style and clear voice to his playing. Thanks again. pdo
@jeffhildreth9244
@jeffhildreth9244 2 жыл бұрын
I am going to set aside my spool clamps and get some drier clamps...I'll try it on my latest project.. a cavaquinho. I do a bit of art work.. when asked how I get effects that are unique to my work I reply with: 30 plus years of experience/experimentation and some PFM. AKA ... Pure F'ing Magic. Beautiful, and just as important, "original" guitars. Excellent videos, Thanks.
@jeffhildreth9244
@jeffhildreth9244 2 жыл бұрын
Spectacular.
@jeffhildreth9244
@jeffhildreth9244 2 жыл бұрын
Captivating.
@jeffhildreth9244
@jeffhildreth9244 2 жыл бұрын
Great stuff Peter. I really enjoy your videos, thanks for the one on French Polishing. I feel like a fool for having tuned my guitar in what now seems to be a rather crude and inaccurate way. I did so thinking there was no practical way of getting it all correct. Thanks so much. Please could you do a follow up video, I enjoy the technical part which leads to a practical end. I also note Khasab's method.. is this a short cut to getting it right? I have been messing about with diatonic accordeons for a few years and submerged in the various way to tune those. It is amazing and fascinating how many styles of tuning there are. The only time I use a "just" tuning is on the simpler one row 10 button two base accordeons which are often called "Cajun" accordeons though invented by an Armenian Immigrant to Austria in 1829.
@kenjones2973
@kenjones2973 2 жыл бұрын
Just saw for the first time. While the commentry and info entailed, gave a mental picture of the pad construction and charging,, all I could really see was the image of the back of a guitar with some stuff happening in the top r/hand corner. I french polish, and have done so for 45yrs so no worries for me but not adequate for someone learning/lnterested in a serious "how to" instructional video
@peteroberg1272
@peteroberg1272 2 жыл бұрын
Thank you for your insightful and thoughtful opinion. it's comments like yours that make KZbin such an interesting platform.
@almirpalmarin6255
@almirpalmarin6255 3 жыл бұрын
Tacheradaoem brother,,,
@followscience7179
@followscience7179 3 жыл бұрын
I love you work. I teach so much frrom you videos about French Polish. You have a New Subbscriber.
@pennkendo9162
@pennkendo9162 3 жыл бұрын
Hi Peter, will you be return in building more guitars in the future?
@peteroberg1272
@peteroberg1272 3 жыл бұрын
I've been thinking of a few new projects, but I they will only be for myself. I'm done building on a custom basis for clients.
@douglasjosevallesmedina8402
@douglasjosevallesmedina8402 3 жыл бұрын
😳💬
@parkinsons8years
@parkinsons8years 3 жыл бұрын
Nice and I really like the atonal chords strummed at the end.
@peteroberg1272
@peteroberg1272 3 жыл бұрын
Thank you for the kind comment.
@parkinsons8years
@parkinsons8years 3 жыл бұрын
@@peteroberg1272 your welcome Peter. Before I had Parkinson's Disease I studied classal guitar. One of my favorite pieces is Abel Calavero's Campos. Your probably familiar with the piece? It's the third one of the pieces from his PRELUDIO AMERICANOS . There are five movements in the whole Prelude And they are all really beautiful. Calavero uses atonal chords and often surprises you with chords or notes having an atonal quality just when the music is beginning to sound more melodic! Playing this music really had a huge influence on me both as a guitarist and as a person. Thanks again for sharing your gift.
@peteroberg1272
@peteroberg1272 3 жыл бұрын
@@parkinsons8years Yes, Carlevaro is genius. I especially like the first movement, Evocacion. I also love the Evocation from Carlos Rivera's Whirler of the Dance. I know what you mean about using atonality when you least expect it. It makes the more harmonious parts that much sweeter when you have the tension and release.
@silvermoonbeam
@silvermoonbeam 3 жыл бұрын
This is interesting and I appreciate the detail. Christopher Berg’s “Mastering Guitar Technique” (Mel Bay, mid-1990s) has a section where he discusses the compounding problems introduced by comparing 5th and 7th fret harmonics, which is still used by novices. I wonder if your part 2 proposes (will propose?) a solution similar to his.
@peteroberg1272
@peteroberg1272 3 жыл бұрын
For anyone interested, my New Year's resolution for 2021 is to make Part 2. I can hear you saying 'yeah right'. In the meantime I will gladly share the method via pdf with anyone who requests it by email. [email protected]
@ukguitaryogi2888
@ukguitaryogi2888 3 жыл бұрын
Great tones and playing. what are the kind of strings used and guitar guild specs please . thanks
@peteroberg1272
@peteroberg1272 3 жыл бұрын
Pretty sure they are D'Addario Carbon high tension. Guitar is one I built in 2001, ziricote back and sides, red cedar top, 640mm scale length.
@ukguitaryogi2888
@ukguitaryogi2888 3 жыл бұрын
@@peteroberg1272 thanks
@ukguitaryogi2888
@ukguitaryogi2888 3 жыл бұрын
I have been wondering if a very well applied french polish to a solid body guitar can be equal or better in resonance / sonic and tonal properties than the nitro cellulose which is highly praised? Please can you talk about this and go into detail. I am aware french polish is primarily used on acoustic intruments can you please go into detail. Please advise many thanks!
@vedranradonja8510
@vedranradonja8510 4 жыл бұрын
Hello, your video is great. But I have a guestion. Is a guitar playable at all if it is not intonated, if guitar does not have total intonation. For example, if we have optimal action and guitar is in tune in open string position, is that enough, or we need that also in 12th fret? Thanks a lot.
@peteroberg1272
@peteroberg1272 3 жыл бұрын
It's a good question. Not only does the fret placement have to be accurate, but the saddle needs to be compensated some to account for the stretch resulting from pressing the string to the fingerboard. There are numerous schools of thought about compensating, and some makers insist on compensating at the nut also. So yes, the guitar has to play accurately in the 12th position, as in every other position. A lot of factors contribute to accurate intonation in addition to compensation and correct fret placement-string tension, action height, technique. Good players will make subtle adjustments without thinking about it. If you have to think about it, then something is off.
@leonarddaneman810
@leonarddaneman810 4 жыл бұрын
Watching so many different techniques . . . some with shortcuts . . . May I suggest from one luthier to 'dirty' up your alcohol with a little shellac. It will lessen the chance of pulling off a layer when you are 'stretching' and 'burnishing.'
@urwholefamilydied
@urwholefamilydied 4 жыл бұрын
13:16... yes sir... thank you. Your father and mother are proud. Fucking love it.
@Ana_crusis
@Ana_crusis 4 жыл бұрын
too complicated and unnecessary for people to tune their guitars. get a tuning fork E=329.6 tune the E strings and the E on the 2nd fret of the 4th string first then tune the other strings to those strings. (don't use harmonics on the 7th fret)
@peteroberg1272
@peteroberg1272 3 жыл бұрын
Brilliant! Thank you! Never thought it could be so easy!
@alexmusic2387
@alexmusic2387 4 жыл бұрын
Where is part 2? :(
@gmscot
@gmscot 4 жыл бұрын
Fantastic video, any chance of seeing part 2 anytime soon?
@awiwii110
@awiwii110 4 жыл бұрын
beautiful!!! 💓
@peteroberg1272
@peteroberg1272 3 жыл бұрын
Thank you for the kind comment!
@walterrider9600
@walterrider9600 4 жыл бұрын
thank you
@walterrider9600
@walterrider9600 4 жыл бұрын
thank you
@walterrider9600
@walterrider9600 4 жыл бұрын
thank you
@honeycat535
@honeycat535 4 жыл бұрын
OLIVE OIL? NOPE. The entire point of the alcohol is to remove the oil and get the polish
@brucehaeger6991
@brucehaeger6991 4 жыл бұрын
Hey Peter, knew you in 70/90’s circa as a local at Beacons Beach, had no idea that you were a Luthier/Surfer, drop me a line have some questions about fillers for back and sides of walnut.. Thanks Bruce
@adamkubiak1933
@adamkubiak1933 5 жыл бұрын
Great video. Excellent work! Still... whenever I see this method of clasguit building, I think that something is missing... the neck...
@extreeter
@extreeter 5 жыл бұрын
maaaaan part 2????????????????????????????????????????
@kloussehvitsoukoui
@kloussehvitsoukoui 5 жыл бұрын
a few years later.... part 2?
@johnnyconner4184
@johnnyconner4184 5 жыл бұрын
It looks and sounds simply gorgeous! Such fantastic work you are doing, Peter!
@peteroberg1272
@peteroberg1272 3 жыл бұрын
Thank you Johnny. I really appreciate your comment.
@johnnyconner4184
@johnnyconner4184 5 жыл бұрын
Wow! Harps and bells!
@peteroberg1272
@peteroberg1272 3 жыл бұрын
I like your comment...thank you! There are some bells in there, and I do go for a harp-like sound sometimes. Thank you again.
@johnnyconner4184
@johnnyconner4184 5 жыл бұрын
"pretty alive" Yes, it IS amazing, isn't it, how such a great diversity of wildlife can not only exist in such an (relatively) arid environment, but indeed THRIVE therein?
@kloussehvitsoukoui
@kloussehvitsoukoui 5 жыл бұрын
2019 pls give us part 2
@rjlchristie
@rjlchristie 5 жыл бұрын
At 4:37 yes the diagram is misleading, it depicts (with allowance for freehand drawing) two notes that are out of phase but have the same frequency. Beating is the product of frequency differential, not phase differential. I think you use the wrong terminology.
@fusion-music
@fusion-music 4 жыл бұрын
Yes, you are correct, but he subtly hinted that the diagram was simplistic and wasn't reality, but he still means "beating." He is referring to frequency differential, but trying to keep a complex subject fairly simple. I think most beginners would be lost with this. But its a great video.
@brianmeredith3508
@brianmeredith3508 5 жыл бұрын
Very impressed with that finish, wish I could get my guitar to you!!
@oiccarb11
@oiccarb11 5 жыл бұрын
superrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrr
@x2mars
@x2mars 6 жыл бұрын
Part 2?
@MrJUNNY7777
@MrJUNNY7777 6 жыл бұрын
Master!! How I level the two halves of the top? Because I can't make it 😣😥😣