감사합니다!

전시 영상 잘 봤습니다 ~♡

영상으로 보니 또 새롭네요. 수고하셨습니다^^

(사)한국종이접기협회 창립35주년 기념전시회를 영원히 볼 수 있도록 박제해 놓으셨네요~~ 추억이 궁금하면 언제든 들어와서 보면 되겠네요~~

구스린가요? ㅋ 생생합니다.😂

전시 축하드립니다~ 멋진 작품 잘 보고 갑니다.

축화와 응원 한가득 보냅니다~~~~

강진이 작가님 작품 참 좋아합니다 영상으로 만나니 반갑네요

모던아트작가회최고입니다축하합니다

영상도 음악도 좋습니다 어머님들 화이팅요^^

축하드립니다.

축하드립니다~

와우 대단한 분이셔요 멋져요~^^♡

구독 좋아요 눌렀어요!!

멋지네요 축하드립니다.

놀라운 그림들이네요 🌲 영상도 멋지구요 잘 보고 갑니다

전시회 축하~~ 추카추카추카~~합니다~~~

1. 삼각접기 2. 아이스크림접기 3. 사각접기 4. 방석접기 5. 고기접기 6. 쌍배접기 7. 삼각주머니접기 8. 사각주머니접기 9. 학접기 10. 꽃접기

종이로 이렇게 여러가지를 만들 수 있네요! 멋집니다 🌹

Promo-SM

♡♡♡

힐링 되는 작품이라 감사요~~ 4:05

예뻐요~^^

저는 나이 70에 수채화에 입문했어요. 시니어 센타에서 일주일에 한번 2시간씩 공부하고 있어요 . 선생님 작품이 너무나 아름다습니다.

멋진작품에 박수를 보내드립니다. 축하드리며 아무쪼록 건강하시길 바랍니다. 황 ㅇ ㅇ 드림

90세의 황재순작가님의 멋진영상 즐감했습니다.

👏👏👏👏 maravilloso! saludos 🇨🇴🇨🇴🇨🇴

멋지세요🎉🎉🎉🎉❤❤❤❤

훌륭하십니다 부디 건강하세요

멋집니다👍👍👍

13분 내내 정말 행복했습니다. 감사합니다

Congratulations on your exhibition! I love your paintings!👍🏼💗

너무 좋아요 감사합니다 ^^

작가님 영상보며 저도 도전이 됩니다~

설명글 글자수가 많아서 댓글로 올립니다.

While houses are often regarded as functionary places where people eat, sleep, and interact with one another, for many Koreans, houses are something more than just a domicile or fact of circumstance. The house represents a sensitivity of feeling with a lingering symbolic resonance deeply held within human consciousness, even as one may travel to another place. The house is a symbolic nexus of peace and qui-etude that reverberates within our sense of well- being, The house is, in fact, our home. It is the central lo- cation that begets feelings of brightness and intimacy. For this reason, houses in Korea, over centuries of time, hold a special significance. They are physical structures that carry a legacy of family histories. They include the process of living from day to day with parents, grandparents, and siblings, from generation to generation, over the course of years. The house in Korea is associated with warmth, security, happiness. grief, sorrow, pleasure, growth, withdrawal, evolution, realization, ecstasy, and much more. It is the place in the heart, a place that the mind will never forget. Soonmin Choi's ongoing series (since 2005) of modestly scaled paintings and mixed medium works, titled My Father's House, are about these kinds of memories. They express moments of sincere authenticity in the purest sense. The bright colors and shapes held within Ms. Choi's miniature houses suggest mo- ments given over to heightened feelings of quiet celebration and ebullient fulfilment. Her paintings are fundamental statements of faith as to what it means to be alive, healthy, and thriving in the wanderlust of nature. They are visual statements that hold magical memories of her deepest feelings and, in this sense, they are ultimately works of art. They communicate the intimacy of human beings living together and the positive feelings toward one another. Even as the artist comments on the hardships and difficulties endured by her beloved Father as she was growing up and coming of age as an adult, Soonmin Choi's paintings point in the direction of the ideal. The significant of these paintings goes beyond the obvious. They are neither avant-garde nor classical in their delivery. They are poetic works of art that transmit the truth of the artist S presence. As one studies these forms. they offer a reminder of the subtle delivery of human experience through signs and symbols. They express an open-minded belief in the optimism of the human spirit. Soonmin Choi's miniature houses are more than houses. They are signs of inexorable delight that tell us a tale about occupying planet Earth and importance of fulfilling nature's purpose. Ms. Choi's sensibility is a compassionate one. Her paintings fulfill one of the major paradoxes of art - that to feel compassion for others is find the passion to do one's work. Through this energy, Ms. Choi has discovered a special way of working. She begins with a hard wood surface on which she layers sheets of hanii (traditional Korean mulberry paper), one over another. Often she will mix sand or grit from crushed rocks into her pigments and inks. Occasionally she will etch or scratch lines into the surface, which will become the ground on which her house reside. In the act of painting, Choi focuses on a very particular vocabulary of essential or "primary shapes." The house is a child-like pentagon: the first symbol of a house, always with a peaked roof. Within these primary pentagon shapes, the artist will paint very thin multi-colored lines or bead-like swirls, applying one dot or dash at a time until the swirling sensation is visually complete. Sometimes the dots are infinitesimal Impressionist ones, barely visible, similar to the manner paintings used by the great French colorist, Pierre Bonnard. Other times the ground dazzling in its multifarious density, its fine quality of richness, reminiscent of the soil necessary to gestate vegetable roots, ginger, and grapes. In these built-up fields, filled with a spacious, yet illusory depth, Soonmin Choi encounters a coy resemblance to the work of Jean Dubuffet's Readings of the Soil (1957). In each case, the tenacity of the ground reveals an expressive quality that holds defiance with nature, a statement of eternal presence that the soil offers in relation to sky and wa- ter, fire and air. These are the elements of the environment that surround the preeminent house and the neighborhoods culled from the imagination. There are circles and rings often seen in My Father's House. Often Choi's fastidiously designed houses with stand independently and other time in groups or with a smaller house turned sideways. On some occasions. one will confront angular planes in primary colors - a wedge of blue or yellow or red - en- croaching from the side of the painting or emanating from one of the corners. A small chirping bird occasionally appears either outside or within the house. The bird carries an important presence of ongo- ing life and hope the tactile and ethereal substance of joy . It offers a transensory sign that moves from vision to sound, the gentle sound of a beautiful spring day, which is. in fact, the metaphor that transmits throughout My Father's House. Scholar, poet, artist, curator, and critic, Robert Q Morgan writes frequently on the art of contemporary Chinese and Korean artists. He is the New York Editor of Asian Art News and teaches at the School of Visual Arts in New York. In 2005. Dr. Morgan was a Fulbright Senior Scholar in the Republic of Korea.

잘 봤습니다♡

나이 .연륜 역시 최고입니다. 세월이 그림속에 녹아있습니다.

멋지십니다. 좋은작품 잘보고갑니다. 앞으로도 더많이 보여주시길~~ 건강하세요.

100세 기념 멋진 전시회 기대합니다.

너무나 대단한 작품 영상으로 잘 보았어요.직접 보았으면 얼마나 좋았을까요~❤

건강하세요.

은해로운평강중에여유롭게 여생을 축하드려요

너무 잘 보았습니다. 화가님의 열정에 박수를 보냅니다. 앞으로도 멋진 작품 보여주세요 감사합니다ㅎㅎ

이렇게 좋은 영상을 만들어 주셔서 너무 감사합니다. 어머니께서 도록을 할까 말까 고민 하시다가 간소하게 하자 해서 안만드셨다가 지금 후회를 많이 하시는데 유튜브 도록이 생겨서 너무 좋은것 같습니다. 다시 한번 감사의 인사 올림니다.

❤❤❤❤❤

지선생님 화이팅입니당😊

멋지게 꾸며주셨네요~ 감사해요 쌤~~*

수고하셨어요!

멋진작품들이네요!!!!❤❤❤❤