thanks and appreciate the positivity

Sounds like you may need to see if the CFast card needs firmware updating.

There are many more reasons, will have a follow up coming soon - most are non technical.

No worries mate!

Should do, it has standard sized mounting and with anti twist holes. The one in the video comes with the monitor, but the smallrig version is better.

Great lens, I have an even older 100mm 2.8 version and its fantastic on modern cameras, so the F2 should outperform that.

Glad it helped!

Now I thought I had a lot of cameras

You are so welcome!

How are you exposing the log and are you processing it right? If you want send me a test clip and I will check it out to see what the issue is...

Great lens suggestion. I just don't own one, but with that new knowledge, I will surely start looking.

Yes its best the software must be installed on your system drive.

@@cinechimp it is installing to C:/ isnt that my system drive?

@@TWMCashew I believe so on a PC

Sorry for the late reply, away on a job. I believe it is on a PC.

Oh thanks I didn't know that...maybe I should have saved some money.

What a 5Dmkii bargain find! Amazing.

The 14mm is probably my favourite lens I have ever bought.

Very nice - I know and I still cant believe that people think these cameras aren't earners.

Hi James, that's a hard question to answer because I'm not sure what your exact use case is. But this is the best budget monitor recorder by far. It does lack Prores, but if you have the 6kFF cinema camera, why would you want to record externally? Second that camera only does HD out via the HDMI cable. The videos assist 7 inch is a far better monitor recorder, but it's 900 USD. For the camera you have with a single 1080P output, and your chasing the best monitor, (no recording functions) then Small HD is leading the pack right now IMO. But you would be looking at a +1500 USD. On the budget end SHIMBOL, Hollyland and Portkeys all have great monitors that offer a wide variety of additional functions for BMD cameras, from wireless transmission to touch controls. These start at around 150 and top out at around 700. But if you plan on changing cameras down the road, the 7"video assist is still great, just more expensive and only competes if you get the 12G high brightness version. If I was you, I would wait, and use what you have for a bit, because I am sure BMD will release an update that will allow the 6KFF to use the Pyxis USBC monitor. That just wouldn't surprise me. Hope this helps

two words, its free.

@@cinechimp yeah but no. To get all the professional tools and features you also have to pay. The free version won't do anything in professional filmmaking

@@Mo_Mentum trying to compare a very reasonable 1 time fee, free with a camera purchase or BMD hardware accessory, or free version which is ever improving and that a lot of creators use, to the never ending monthly fees adobe charges is a stretch, in terms of proposition value. Aside from price, I haven't used a single adobe product for professional work since I started using resolve in 2010, so it's hard for me to judge your workflow critic. As for pure editing, all of the professional editors I know, commercially use AVID, Resolve or FCP. No one uses Adobe, unless the workflow calls for lower quality compositing in AE. Otherwise it all goes to nuke. I can't even remember the last time I used photoshop or lightroom as I have learnt how to do all that in fusion. And there's nothing wrong with sticking with what you know, so is Adobe works for you - that's perfectly fine. As is the opposite, for those who prefer alternative platforms - to which one has more bugs, the general consensus would be, that lies squarely in adobe land, which is why most people make the switch.

Here you go: www.xlcsdesigns.com/collections/bmpcc-og-micro

That would be the Pyro S that connects direct with the Pyro 7 monitor my friend

if you have registered the card you should have a data recovery service - hit em up.

@cinechimp Yes, I am waiting for their service reply.

They'll get back to you and I am positive they will sort it out for you. Either way let me know...

Keyboard all day long - less devices = less clutter

@@cinechimp Awesome, thanks! :)

You are a wise man Adrian, very sound advice.

DO you have autos saves enabled? If so they should be there...

What's the saying, everything old becomes new again.

Just found a 50mm 1.2 for 700 AUD. What do you think is a good price for this lens these days?

@@CommeDesDoni Whats that 350 Euros, yep thats a good price. Snag it!

@@CommeDesDoni, I don't plan to downgrade to the mirrorless system ever. I shoot many outdoor genre mainly wildlife. In action photography, the mirrorless system falls behind with its EVF lag - an issue it can never address. That's why I call the move a downgrade.

The canon AF included in the canon R8 and the R6ii is insanely good, better then any dslr. I use the R8 for wildlife and its tracking is phenomenal especially paired with newer lenses. The 40 frames per second on the r8 is such an amazing value for the price too

The M5 doesn't have a fan, its passively cooled. Before you get the Shinobi, make sure its compatible with your camera. Doesn't support that many cameras yet.

@cinechimp 👍I have the Lumix S5II. It's supposed to be compatible with that one.

I believe so yes. That's a feature that I so badly want, but just not in an atomos product...

@@cinechimp 😂

Are you using a resolve panel? IE color or audio control desk? If not I wouldn't worry about it if the program is running.

@cinechimp ok for sure. Thanks

Glad it helped Casey

Glad to be of service

Yes pocket 4k can do that with accessories. But a DJI pocket 3, insta360 or Gopro sounds like for the content you're envisioning, content that needs awesome stabilization would be a much better fit for you. With hiking, weight of a camera is a major concern and a pocket all rigged up to provide steady shots when riding, hiking or street walking is going to be huge compared to a pocket 3 from DJI. Then main reason a lot of the action camera footage looks terrible is most adopters don't buy the ND's to control the light when outdoors. Hope this all helps. Save the money, start small. Shoot some stuff and see if your audience comments on the quality of the footage. Likely they won't as story is far more important.

Yeh, its probably the most important thing with for the OG...the back screen isnt great and if that hdmi port gets damaged....

I know and that's another camera on the used item bucket list! If you own one, let me know your thoughts on it...

If it is going to be your primary or master files not a backup, buy the BMD video assist 5" 3G version. I believe they are sub 300 dollars now. The 12G versions are more pricey.

Parts are getting scarce my friend, very scarce...

Hi Illya, great questions and am sorry you are having trouble finding a working unit. Ok when you say "in the dark" do you mean that you are not lighting the subjects you are filming or that you are seeing fix pattern noise in your shots when properly exposed?

@@cinechimp Yes, in the dark, or even better with the bayonet closed. And the color shift is both in the dark and with proper exposure in daylight.

ok, if you have the lens cap on, the FPN you are seeing is the sensor. When you expose the shot correctly with this camera, (which has a modest DR) you shouldn't see the FPN. If you are there's an issue with it. And the green shift is most definitely not normal. You have to remember, this camera wasn't designed for NO or low light shooting. When it was newly released, it pitch was as a low cost high end production camera, hence the name. So add light, to get the best result from it. As for the green shift, if you are shooting RAW, have you tried correcting it out? If so what results have you found? I usually add greeny blues into the colour correction with BMD cameras as the all seem to lean warm. The pocket cinema 4k (which has a sony sensor in it) and is way better in low to no light, could be a better option for you. But a lot of creators that adopted that camera eventual shifted to the a7siii....I like lighting. ;)

I'm not really bothered by the apparent heterogeneity of the sensor structure in the dark, although I've come across cameras where the heterogeneity split the screen in half, and it's very noticeable. What bothers me the most is the half-hearted noise that moves up and down. They are very noticeable when the entire exposure is correct, but there is a dark area where there is little light. Regarding the green color, it is removed by the davinci mask.

sounds like the camera you have may have an issue and unfortunately BMD does not support them anymore, only the community do.... I wonder if anyone out there has also experienced this behaviour and how they fix / outcame it? Email me some clips, I would like to see it myself....

what type of footage at what settings are you trying to playback? Also the vast majority of people complaining about resolve (at least on my YT page) are PC users.

Oh gosh if u can’t run without crash I’m cooked 😂

By ordering thicker than standard 15mm pipe, cutting to the desired length and lathing tapered ends. That's all support rods are. We are talking about dollars compared to what they sell for....

Oh nice one. I have the Luc adapter as well. Just never installed it. Can never make up my mind which camera to put it in....

A Resolve panel?