Let's see, friends: What kind of voice (Fach) do you think Mrs. Lehmann had?
@doGreatartistsgrowontrees4 күн бұрын
@@lucianoserra590 The question is disingenuous, as the Fach system is a modern construct. During Lehmann’s days, what one could sing, one did. Extremely few (and growing thinner) will dare to do so any longer because they simply lack technique not to mention courage.
@brrehusebye72985 күн бұрын
Fantastic ❤❤❤
@user-us2is7ge9f13 күн бұрын
Maravillosa versión de una obra que parece un ensayo de la Oda a la Alegría
@theodorospantsios672114 күн бұрын
Το αηδόνι της Βιέννης!
@marcofanlucia22 күн бұрын
EXCEPTIONNEL !!!😊
@allanolivier958928 күн бұрын
I have commented hereon before but I cant stop returning to this absolutely wonderful recording of one of my most beloved of all Berthoven's music. It is spiritually and musically most pleasing. Welldone guys.
@CarmenReyes-em9npАй бұрын
Mexico. 🇲🇽🎹🎶🎶🎶🎶🎶🎶
@CarmenReyes-em9npАй бұрын
Mexico 🇲🇽. 👏👏👏👏🎶🎶🎶🎶🎶🎶
@CarmenReyes-em9npАй бұрын
Mexico 🇲🇽. 👏👏👏👏🎶🎶🎶🎶🎶🎶
@allanolivier9589Ай бұрын
I really loved this very moving musical petformance. Great stuff, BPO conductor, choir, soloists and of course the maestro at the keyboard. You did Beethoven proud.
@radovanlorkovic3562Ай бұрын
Die bei weiten überzeugendste Deutung des tief tragischen Werks.
@alwaysnew189Ай бұрын
❤❤❤❤❤❤❤❤❤❤❤❤
@scp3178Ай бұрын
"Großes das ins Herz gedrungen" .15:15 Choir sings something similar to the 9th Symphony "Freude schöner Götterfunken" (Ode an die Freude). Beethoven anticipated his 9th Symphony in the Choral Fantasy. Lovely music.
@Juliet0307Ай бұрын
Grandissima.
@ellenlyons7413Ай бұрын
that voice, rings out so clearly and beautifully.....
@doGreatartistsgrowontreesАй бұрын
@@ellenlyons7413 Yes, Studer’s.
@amedeofolco9988Ай бұрын
Meraviglia. Solti eccelso.Ma non esiste il video completo della recita??
@pesur2 ай бұрын
This song remember me the Rodion Romanovich Raskolnikov
@lluisagimenollampallas7002 ай бұрын
Kissin maravilloso Abado perfecto director la orquesta i el coro fabulosko
@doGreatartistsgrowontrees2 ай бұрын
También la Studer
@lluisagimenollampallas7002 ай бұрын
Kissin maravilloso Abado perfecto i coro i orquesta magnifics
@doGreatartistsgrowontrees2 ай бұрын
La Studer también
@rudolfsmolej94952 ай бұрын
... Schneider unvergessen einfach wunderbar
@jackatherton01112 ай бұрын
One of the most extraordinary recordings of a Nocturne you’ll ever hear, the equal of his teacher Ignaz Friedman’s legendary Op. 55 No. 2. The middle section gives us a glimpse of Tiegerman’s tiger-like ferocity, as Chopin intended, but the rest is pure poetry unblemished by the sort of “personality” imposed by a Pachmann, Hofmann or Horowitz. Tiegerman’s personality is unique and recognizable because it seems utterly perfect, especially in the relaxed atmosphere of his students’ amateur tapings; he may have resembled Godowsky in this respect. We read that Chopin varied the way he played various pieces and perhaps Tiegerman did too ( we have no duplicate performances) but in the moment his art sounds both human and inevitable, the realization of Chopin’s fusion of romantic effusions and classical restraint. I know of nothing like it. So few views. Thanks for sharing.
@FranzBlumVan18903 ай бұрын
La voix si belle, mais les paroles en français..... on preferer l'italien
@jackatherton01113 ай бұрын
Not surprisingly Tiegerman plays more forcefully in this radio performance (and the Brahms B flat concerto Allan Evans recovered) than for the amateur home recordings pupils preserved. Like Percy Grainger, who considered this Chopin the greatest of all sonatas, the diminutive Pole displays the “emotional violence” one critic noted, yet the more plaintive and buoyant passages are not slighted. Another highlight in a small discography that seems to be nothing but highlights.
@sirdicaudore3 ай бұрын
Wonderful!!!
@fabriziogarzi98923 ай бұрын
Strano che la Leider non avesse piu' il Do e lo dovesse raggiungere con un glissando dalla nota prima...risultando poi un urlo. Peccato perché la Leider aveva una voce stratosferica.
@Altonahh103 ай бұрын
Studer's timbre corresponds exactly to Elsa as I imagine her. She has an aristocratic splendor, a certainty in her interpretation, a legato that melts and resists every temptation to make the role more dramatic than it should be. And Abbado also conducts this to die for.
@ferraraenzo73 ай бұрын
Magistrale esecuzione del grande Maestro Claudio Abbado!❤
@doGreatartistsgrowontrees3 ай бұрын
Auch die anderen
@ferraraenzo73 ай бұрын
Si certo anche gli altri musicisti, Orchestra,Soprano e voce recitante
@joselatorre16963 ай бұрын
Cheryl Studer ist die beste Elsa die ich je gehört habe.
@doGreatartistsgrowontrees3 ай бұрын
Stimmt. Hier ist sie auch als Elsa, als sie 56 Jahre alt war. kzbin.info/www/bejne/nYq7emWZptGEd9E
@joselatorre16963 ай бұрын
Unglaublich! Sie behaltet immer noch eine klare, frische Stimme, mit einem beneidenswerten Legato.
@TheJohnblyth3 ай бұрын
Yes, this is how I would prefer to hear this music played.
@yaelpalombo40933 ай бұрын
😍😍😍
@10.6.12.4 ай бұрын
She is totally awesome .
@lucete72404 ай бұрын
TO EVERYONE WHO SAYS THAT FRIDA LEIDER HAD SMALL VOICE
@manuelprietohernandez48204 ай бұрын
Una gran wagneriana, sin duda.
@doGreatartistsgrowontrees4 ай бұрын
No existe suficiente evidencia para poder declararla como “gran wagneriana”.
@user-ir4zp7iw4l4 ай бұрын
Where can I find the score in Italian
@wewper4 ай бұрын
She's really in her element in this, just as she is in possibly the best ever studio recording of Die Fledermaus' cousin, Die Lustige Witwe.
@petersborrelinniehove79394 ай бұрын
Dankjewel, Claudio Abbado!
@andreasbettau59514 ай бұрын
Verdammt gut !
@masatoiwamura92274 ай бұрын
Is this one from Munich?? 1995 with Meier?
@doGreatartistsgrowontrees4 ай бұрын
1996
@masatoiwamura92273 ай бұрын
Thank you so much!! 😊
@judy62384 ай бұрын
Studer is ASTONISHING in this. A dramatic masterclass ❤
@doGreatartistsgrowontrees4 ай бұрын
Absolutely
@peterschmitz83644 ай бұрын
der ferne klang aber immer noch hörenswert
@user-mm4ub1rr9d4 ай бұрын
Ich kenne dieses Lied mit verschiedenen Interpreten, hier gefällt mir er besser..
@draganvidic20394 ай бұрын
Studer had a lyric soprano but was forced to sing out of her natural fach. This is a good example. She did well maybe but she’s no Bjoner or Rysanek for example. Studer should have stayed in more lyric soprano roles. But who wants to do that? 😜
@doGreatartistsgrowontrees4 ай бұрын
Nonsense. Studer was not just a “mere lyric”. There is ample evidence to contradict you. Whether you want or care to acknowledge it or not is another matter.
@phyllispetras33695 ай бұрын
WHOA!!!!!!!!!!!!!!!!!!!!!!!!!!!
@mercedescorcheroquesada5 ай бұрын
No me cansó de ver y oír a mis dos GRANDES ABBADO Y BEETHOVEN ❤❤❤❤❤❤❤❤❤❤❤❤❤
@INOBT1005 ай бұрын
28:41 "Stride la vampa"; it's like the aria was designed note by note, bar after bar, for Baltsa's voice!!! ❤
@guillaumebelanger65565 ай бұрын
Where was that recorded?
@doGreatartistsgrowontrees5 ай бұрын
Philadelphia
@guillaumebelanger65565 ай бұрын
Fantastic! Please, post the whole Requiem.
@doGreatartistsgrowontrees5 ай бұрын
Here it is: kzbin.info/www/bejne/fWOalquYeK9no6c
@jamessmithson98035 ай бұрын
Unbelievable performance! The feelings shown by Maestro Abbado were heartfelt.