Never heard of her. Beautiful warm voice

Not a huge fan of the diction here and a bit too operatic sounding for this particular aria. It feels like the vibrato is used to disguise poor diction.

Je suis curieux de découvrir le reste de l'oeuvre.

Absolutely insane! Bellini is good, of course, but all that stuff out there on stage is awful. I guess you can say politically correct about this production.

MAGNIFICENT !!!!!!!!!!!!!! Thank You 💓

bravo !

Brawo nasz ulubiony pan od muzyki 👏👏👍❤️

Excellent singer. Very well trained. The larynx goes up a little on the top note and the sound is still brilliant and exciting. I see he’s already having a fine career and has moved to the States when Belarus elected a Putin puppet. Bravo to this fellow on all accounts.

Tenore .

Обожаю Веронику, слышать её голос это наслаждение. Интерпретация безошибочна. Какой смысл сравнивать разных выдающихся певиц! Я люблю многих, боготворю Марию Каллас, а есть те, кому она не нравится, они ищут недостатки в её пении. И я люблю Веронику! Она есть сейчас, и пусть бережёт свой невероятный божественный голос!

Как можно было такую карьеру поменять на тот бред, который бедная девочка несёт сейчас? Это невероятно. Вывод: каждый должен заниматься своим делом. Прекрасное выступление!

I know I already commented on the second part, but once again - beautiful production. Loved how the duet is staged.

Amazing and very interesting production, gripped me from first to last minute. Really enjoyed the way the encounter at the fairy oak is framed. Special mention to the Prince's costume design, loved it!

Jeez what a voice!

Gorgeous!

! QUE PENA QUE NO SUBAN ESTA OBRA SUBTITULADA EN ESPAÑOL !

❤❤❤

So she is the one who performed Arlechhino boss OST

I hope that he will teach me music in the future.

FANTASTIC !!!

Della Traviata mi piace molto il primo atto,quello dove Violetta prende consapevolezza della pericolosità di Germont e del suo sentimento a lei estraneo,la donna vuole cedere al lusso dell' amore ma forte è in lei il dubbio ( che poi si avvera) della sventura che questo le causerà,meglio il godere di una voluttà sterile che però sa offrire agio, spensieratezza e libertà.

Bravo❤

I listened to this with my eyes closed. Stupid production.

Bravooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooo

Красавишна такая. Да ещё и поёт! :)

Bel timbro il baritono, peccato per il canto volgare,sguaiato,la A completamente aperta, acuti forzati, urlati.Messa in scena vergognosa.Attila ridicolo e imbarazzante,con una vocina piu chiara di Ezio.

5:15:14 ,6:39:30Her jaw is moving. Eliminate the tension in her throat.　 It's a bad voice that sounds like it's being squeezed out.

The sets and costumes were low budget, but the music was ravishingly sung and played. Thais is Massenet's Tristan with intense passions and a fatal attraction. Veronika Dzhioeva brought Thais to life with her beauty and her lovely voice. Ilya Silchukov was wonderful as the desperate Athanael who found love only to lose it. A very satisfying performance. Quite unfortunate that the audio and video are out of sync during the last 15 minutes.

The soprano sang her aria beautifully near the beginning of Act 2, even if she didn't sing the high note at the end that can be so spectacular. But this soprano doesn't have the range of a Beverly Sills. The meditation was beautifully played even though I had hoped the conductor would have used the chorus toward the end of it which can add so much while singing softly in the background as in the recording by Anna Moffo. Very unfortunate that the audience began their applause before the end of the meditation.

One of the most beautiful operas ever written given a lovely performance with attractive production design and very high quality soloists. Ilya Silchukov carried most of the first Act with his excellent baritone. Tenor Oliver Kuusik and soprano Veronika Dzhioeva both gave very enjoyable performances as did the basso Vladimiras Prudnikovas.

'PromoSM'

superbe

Позорники! Зачем так исковеркать классику?! Если нет таланта, то и трюки не помогут. Вспомните дедушку Крылова... Стыдно за вас, "великие реформаторы"!!!

That was so GOOD. I loved it. Totally amazing.

Mitico maestro Izjumovs!!! Grandissimo artista di infinite risorse vocali!!!

Wow amazing! ❤❤❤bravi

Es una de mis mejores experiencias,que maravilloso haber estado en tan lindo evento ❤❤❤

Que interpretación más maravillosa, me saco el sombrero poniéndome de pie para gritarle un gran bravo...Un abrazo de luz de amor desde Chile.

Bravoooo, canta bellísimo, felicitaciones.....Un abrazo de luz de amor desde Chile.

Un gran cantante ❤

Skip to 21:24 for Meditation

Gorgeous rendition....

Questo amor, vergogna mia, Io spezzar, scordar vorrei; Ma d'un' orrida malìa Sono schiavi i sensi miei... Mille volte al ciel giurai Di fuggirla!... E a lei tornai! Di fuggirla!... E a lei tornai! Ella ride del mio pianto, Ed io, vil, col cuore infranto, Ai suoi piedi mi prosterno... Ai suoi piedi mi prosterno... E lei sola io sogno, io bramo! Ah sventura!... Io l'amo!... Io l'amo!

To mój nauczyciel od muzyki i to jest dzień jak co dzień z nim

Voz no apta pare este repertorio. No me gusta.

Сопрано, как у балерины.Красивая.

Bravissimaaa

1:05:00 my practice line

Î'm normally not in favor of rearranging the structures of scores - but this one is highly compelling: after the prelude, with Germont not quite daring to decorate Violetta's grave with flowers, Denisova wonderfully performs the rarely sung SECOND stanza of "Addio del passato". It is followed attacca right into the coro d'introduzione. The chorus itself is done at such a breakneck speed that it could almost be rock'n'roll! Somehow, this production indeed breathes renewed life into one of Verdi's greatest masterpieces!