Пікірлер
@舟玉開
@舟玉開 14 күн бұрын
VOCALは田中真紀子!!!?
@yasu3838
@yasu3838 14 күн бұрын
フィリピンのタナカマキコです。 www
@力諏訪
@力諏訪 28 күн бұрын
EXILE
@ユリウスシーサー
@ユリウスシーサー Ай бұрын
13:25
@ユリウスシーサー
@ユリウスシーサー Ай бұрын
22:10
@kounosu17
@kounosu17 Ай бұрын
雷電は良いねー 本壱もがんばれー
@igorslabkovski4056
@igorslabkovski4056 Ай бұрын
Bravo!!!
@大塚信司
@大塚信司 2 ай бұрын
枯れて良い感じですね。
@ugws634
@ugws634 3 ай бұрын
こちらの動画に出演している薙刀をしていたものです。広田のささらをあげてくださりありがとうございます。
@hursagnin7086
@hursagnin7086 3 ай бұрын
nice
@jarenandrewrelator3258
@jarenandrewrelator3258 3 ай бұрын
Happy 2025!!! 🎇🎇🎇🎇🎇🎇🎇🍾🥂🍾🥂🌃🌃🌃🌃🌃🌃🎆🎆🎆🎆🎆🎆🎆🎆🎆🎆🎆🎆🎆🎆🎆🎆🎆🎆🎆🎆🎆🎆🎆🎆🎆🎆🎆🎆🎆🎆🎆🎆🎆🎆🎆🎆🎆🎆🎆🎆🎆🎆🎆🎆🎆🎆🎆🎆🎆🎆🎆🎆🎆🎆🎆🎆🎆🎆🎆🎆🎆🎆🎆🎆🎆🎆🎆🎆🎆🎆🎆🎆🎆🎆🎆🎆
@島田進-m4t
@島田進-m4t 3 ай бұрын
テレビでスカイツリーから花火がよく見えてましたね6チャンネルで夕方頃よく鴻巣の花火をやってくれますね😂😅😮
@flyingtexan3436
@flyingtexan3436 3 ай бұрын
去年はよかったよね 今年はもう…最悪でした
@yasu3838
@yasu3838 3 ай бұрын
@flyingtexan3436さま コメントありがとうございます。会場現地がいちばん酷かったようです。遠くから撮ったスマホは4尺玉が綺麗に写ってました。今年の花火はyotubeへのupは断念しましたが、ディズニー ドローン ショーはupしましたので、観てください。kzbin.info/www/bejne/bWm5Xohujs5nbq8 又は、私のチャンネルから
@chobi14
@chobi14 3 ай бұрын
先日の花火大会のドローンですね。動画ありがとう
@鈴木由美子-j4s
@鈴木由美子-j4s 3 ай бұрын
素敵な映像の投稿有難うございます🙇
@五十音ジュン
@五十音ジュン 3 ай бұрын
歓声がわくのかと思ったらそうでもなくて、ちょっと飽きるね
@nezukundayo-iloveSAKAMATA
@nezukundayo-iloveSAKAMATA 3 ай бұрын
このときはやばかったな~。朝その橋通ったとき死ぬかも思った
@skba1704
@skba1704 3 ай бұрын
What an amazing set! Arigatou gozaimasu!!
@Shiroi01
@Shiroi01 3 ай бұрын
素晴らしいを動画ありがとうございます!冒頭の日の出ているパートは大体何時くらいでしょうか?? 鴻巣花火大会に初めて行こうと思っており、何時に行けば良いものか悩んでおります、、、 お助けいただけると幸いです
@yasu3838
@yasu3838 3 ай бұрын
@Shiroi01さま ご視聴ありがとうございます。お問い合わせの時間せすが、4時頃だったと思います。今年は開始が30分繰り上がり17時30分からになりましたので、3時頃到着席取りで良いのでわと思います。追加情報でオープニングにディズニー ドローン ショー(17:55から15分間 ドローン1500機 関東初公開)が有ります。これだけで人が集まりそうです。それでわ、鴻巣花火大会を楽しんでください。フィナーレは圧巻です。  私も撮影に行きます。
@Shiroi01
@Shiroi01 3 ай бұрын
@@yasu3838 さま ご丁寧にお返事いただき、ありがとうございます! ご助言いただいたように3時頃行ってみようと思います! ディズニードローンショーがあるんですか!!花火はもちろんですがそちらも楽しみです。
@yasu3838
@yasu3838 3 ай бұрын
@shiroi01さま 10月5日 鴻巣花火大会 主催者の発表でわ「予定通り開催します」になっています  (10/5 11:45)
@Shiroi01
@Shiroi01 3 ай бұрын
@@yasu3838 さま わざわざ情報のご共有まで、、!ありがとうございます!!!助かります。
@kwg-f4f
@kwg-f4f 4 ай бұрын
吉見町古名集落の一部は、この工事の為に土手上に転居したんだっけ。
@giuseppecandiano5528
@giuseppecandiano5528 5 ай бұрын
Tsuyoshi Yamamoto, a name synonymous with elegance, precision, and emotional depth in the realm of jazz piano, has captivated audiences worldwide with his artistry. Whether performing solo or leading his trio, Yamamoto's music exudes a unique blend of technical brilliance and soulful expression that sets him apart as one of the finest pianists of his generation. Solo Performances: As a solo artist, Tsuyoshi Yamamoto demonstrates an extraordinary command of the piano, weaving intricate melodies with a touch of grace and sensitivity that is truly remarkable. His solo recordings, such as those found on "Autumn in Seattle," highlight his ability to convey deep emotion through his playing. The album is a masterful collection of standards and original compositions, each piece rendered with a touch that is both delicate and powerful. Tracks like "Misty" and "The Way We Were" showcase his nuanced approach to phrasing, dynamics, and harmonic exploration, revealing a profound understanding of the piano's expressive capabilities. Yamamoto's solo performances are characterized by a clarity and precision that allow each note to resonate with purpose. His technical proficiency is evident in his fluid runs and intricate voicings, but it is his ability to convey emotion that truly sets him apart. Whether interpreting a ballad or an up-tempo number, Yamamoto's playing is imbued with a sense of storytelling, drawing listeners into the narrative of the music. The Tsuyoshi Yamamoto Trio: While Yamamoto's solo work is impressive, it is within the trio format that his genius truly shines. The Tsuyoshi Yamamoto Trio, often featuring bassist Isoo Fukui and drummer Tetsujiro Obara, has produced some of the most compelling jazz recordings of the past few decades. The synergy between the trio members is palpable, creating a musical dialogue that is both intricate and intuitive. One of the trio's most celebrated albums is "Midnight Sugar," a recording that has become a benchmark for audiophiles and jazz enthusiasts alike. From the opening notes of the title track, Yamamoto's piano sparkles with clarity and energy. The interplay between piano, bass, and drums is seamless, each musician responding to the others with a sense of spontaneity and cohesion that is the hallmark of great jazz. The trio's rendition of "I'm a Fool to Want You" is particularly noteworthy, with Yamamoto's lyrical improvisations painting a vivid emotional landscape. Another standout album is "Misty," which features the trio's impeccable interpretations of jazz standards. The title track, a staple of Yamamoto's repertoire, is rendered with a sensitivity and warmth that is simply captivating. Throughout the album, the trio's dynamic range and subtle interplay are on full display, highlighting their ability to move effortlessly between delicate ballads and more robust, swinging numbers. Artistic Genius: What makes Tsuyoshi Yamamoto a true genius in the world of jazz piano is his ability to blend technical mastery with heartfelt emotion. His touch on the piano is both precise and expressive, allowing him to convey a wide range of emotions through his music. His interpretations of jazz standards are both respectful of tradition and infused with his own unique voice, making each performance a fresh and engaging experience. Yamamoto's compositions further illustrate his artistic vision. Pieces like "Blues" and "Autumn Leaves" reveal his deep understanding of jazz harmony and form, while also showcasing his ability to infuse his music with a sense of lyricism and narrative depth. His music is accessible yet profound, appealing to both seasoned jazz aficionados and casual listeners. Tsuyoshi Yamamoto stands as a towering figure in the world of jazz piano. His solo performances are a testament to his technical prowess and emotional depth, while his work with the Tsuyoshi Yamamoto Trio showcases his ability to create compelling and cohesive musical conversations. Whether interpreting standards or performing original compositions, Yamamoto's music resonates with a rare combination of clarity, sensitivity, and soul. For anyone seeking to experience the beauty and complexity of jazz piano, exploring Tsuyoshi Yamamoto's extensive body of work is an absolute must. His recordings are not just performances; they are profound musical journeys that leave a lasting impact on all who listen. www.candiano.com/
@giuseppecandiano5528
@giuseppecandiano5528 5 ай бұрын
Tsuyoshi Yamamoto, a name synonymous with elegance, precision, and emotional depth in the realm of jazz piano, has captivated audiences worldwide with his artistry. Whether performing solo or leading his trio, Yamamoto's music exudes a unique blend of technical brilliance and soulful expression that sets him apart as one of the finest pianists of his generation. Solo Performances: As a solo artist, Tsuyoshi Yamamoto demonstrates an extraordinary command of the piano, weaving intricate melodies with a touch of grace and sensitivity that is truly remarkable. His solo recordings, such as those found on "Autumn in Seattle," highlight his ability to convey deep emotion through his playing. The album is a masterful collection of standards and original compositions, each piece rendered with a touch that is both delicate and powerful. Tracks like "Misty" and "The Way We Were" showcase his nuanced approach to phrasing, dynamics, and harmonic exploration, revealing a profound understanding of the piano's expressive capabilities. Yamamoto's solo performances are characterized by a clarity and precision that allow each note to resonate with purpose. His technical proficiency is evident in his fluid runs and intricate voicings, but it is his ability to convey emotion that truly sets him apart. Whether interpreting a ballad or an up-tempo number, Yamamoto's playing is imbued with a sense of storytelling, drawing listeners into the narrative of the music. The Tsuyoshi Yamamoto Trio: While Yamamoto's solo work is impressive, it is within the trio format that his genius truly shines. The Tsuyoshi Yamamoto Trio, often featuring bassist Isoo Fukui and drummer Tetsujiro Obara, has produced some of the most compelling jazz recordings of the past few decades. The synergy between the trio members is palpable, creating a musical dialogue that is both intricate and intuitive. One of the trio's most celebrated albums is "Midnight Sugar," a recording that has become a benchmark for audiophiles and jazz enthusiasts alike. From the opening notes of the title track, Yamamoto's piano sparkles with clarity and energy. The interplay between piano, bass, and drums is seamless, each musician responding to the others with a sense of spontaneity and cohesion that is the hallmark of great jazz. The trio's rendition of "I'm a Fool to Want You" is particularly noteworthy, with Yamamoto's lyrical improvisations painting a vivid emotional landscape. Another standout album is "Misty," which features the trio's impeccable interpretations of jazz standards. The title track, a staple of Yamamoto's repertoire, is rendered with a sensitivity and warmth that is simply captivating. Throughout the album, the trio's dynamic range and subtle interplay are on full display, highlighting their ability to move effortlessly between delicate ballads and more robust, swinging numbers. Artistic Genius: What makes Tsuyoshi Yamamoto a true genius in the world of jazz piano is his ability to blend technical mastery with heartfelt emotion. His touch on the piano is both precise and expressive, allowing him to convey a wide range of emotions through his music. His interpretations of jazz standards are both respectful of tradition and infused with his own unique voice, making each performance a fresh and engaging experience. Yamamoto's compositions further illustrate his artistic vision. Pieces like "Blues" and "Autumn Leaves" reveal his deep understanding of jazz harmony and form, while also showcasing his ability to infuse his music with a sense of lyricism and narrative depth. His music is accessible yet profound, appealing to both seasoned jazz aficionados and casual listeners. Tsuyoshi Yamamoto stands as a towering figure in the world of jazz piano. His solo performances are a testament to his technical prowess and emotional depth, while his work with the Tsuyoshi Yamamoto Trio showcases his ability to create compelling and cohesive musical conversations. Whether interpreting standards or performing original compositions, Yamamoto's music resonates with a rare combination of clarity, sensitivity, and soul. For anyone seeking to experience the beauty and complexity of jazz piano, exploring Tsuyoshi Yamamoto's extensive body of work is an absolute must. His recordings are not just performances; they are profound musical journeys that leave a lasting impact on all who listen. www.candiano.com/
@stepaneritsyan
@stepaneritsyan 5 ай бұрын
Listeners are not so kind and loud.This lady play beautiful and seems that nobody listen.Shame to listeners
@ゆきこ-n7g
@ゆきこ-n7g 6 ай бұрын
結成当時よくライブに行っていました🎶 ルックスがほとんど変わって無いのと歌唱力も全く衰えてなくて嬉しかったです💕 また、ライブ行きたいな🌠 人柄も良くて優しい方たちです✨
@小原弘子-e1q
@小原弘子-e1q 6 ай бұрын
小雨の中のお祭りでしたが、夜店も、お祭り小僧もむしろこのくらいがよかったかな?主催者の方々のお陰で鴻神社も一安心、お神輿担いだいなせな若者たち、、、次はいずれの町に?、、、好天を祈る😮
@ここちゃん-d3w
@ここちゃん-d3w 6 ай бұрын
ジャズギタリストというご職業もあるのですね。初めて知りました。 無知ですみません。 とても勉強になりました。有り難うございました。
@すずきたくみ-n6c
@すずきたくみ-n6c 6 ай бұрын
今の時代だから、女が御神輿に触るなとか、外人が御神輿に触るなとか、 野暮なことは言わない。でもさ、御神輿に乗るんじゃねヴァ~カ! 汚ネーケツ、御神体に向けんじゃネーッ!大町大門のデブ!
@ジョンソン-g8d
@ジョンソン-g8d 6 ай бұрын
31:25
@nekoto018
@nekoto018 6 ай бұрын
観に行けなかったので、配信感謝いたします
@animoceria
@animoceria 7 ай бұрын
It`s a shame that people are talking so loud during the fine guitarplaying.
@nem7578
@nem7578 7 ай бұрын
コメ欄見て自分だけじゃないと安心した。客の民度が低い...
@ryanisbig
@ryanisbig 8 ай бұрын
so this part always be held every year in Japan?
@原征雄
@原征雄 8 ай бұрын
素敵な演奏 だまって聞くべし
@peterb7923
@peterb7923 8 ай бұрын
Great music, great musicians!! But I knew it would be great. When Fumika Asari is in the band, I know I'm gonna love it.
@ruslanachkinadze
@ruslanachkinadze 8 ай бұрын
Sax sounds so cool. My like is 405👍🏻
@2236-l1z
@2236-l1z 8 ай бұрын
サックスのソロは音もフレーズも昔の名前で出ていますだな😢まあしょうがないけどね。
@ysheen.6769
@ysheen.6769 8 ай бұрын
ギターさんいい演奏してるのに・・聴きに来たんだったら話しないで静かに聴いてほしい
@williammelton2037
@williammelton2037 9 ай бұрын
Fumika Asari ❤
@terryonly9723
@terryonly9723 9 ай бұрын
観客の中にライヴのマナーを守らないアホが多い!居酒屋じゃないんだよ!
@Kekothekid
@Kekothekid 9 ай бұрын
Excellent performance,
@RA-ll8es
@RA-ll8es 9 ай бұрын
ピアノのおっさん セーター反対に着てるだろ タグ出てるぞ
@producer2123
@producer2123 9 ай бұрын
Nice playing. No matter the country, people talk rather than keep quiet and just listen. This is why I stopped playing in clubs.
@mkei4390
@mkei4390 10 ай бұрын
岡田佳太さんドラマーの演奏動画拝見しました。この方とても素晴らしいです、大変勉強になりました。74歳ドラマー
@mkei4390
@mkei4390 10 ай бұрын
大坂さんといい、西さんといい、素晴らしいです、もちろん大御所二人はもちろんです、大変勉強になりました。オン歳74歳のドラマーより😂
@mkei4390
@mkei4390 10 ай бұрын
素晴らしい、流石トッププレヤーの演奏曲の解釈勉強になりました❤
@岩佐浩章-o2q
@岩佐浩章-o2q 11 ай бұрын
サックスの人の音嫌いwww
@1975contrail
@1975contrail 11 ай бұрын
ひっでえ演奏だなこりゃ
@nekoto018
@nekoto018 11 ай бұрын
歌声素敵です
@luvgabriel
@luvgabriel 11 ай бұрын
This quartet's version of Poinciana, beg. @ 32:33 mark, is simply sublime, especially the pianist's introduction. Wish there are more videos by this band on KZbin. 💕
@熊澤良夫
@熊澤良夫 Жыл бұрын
お客さん!もっとちゃんと聞こうよ!😂 昔。300人位の結婚式に出て、落語家がめちゃくちゃうるさい中、少しずつ話してたら、最後。誰も話さずシーン!としてました!まさに芸? エンタメ?
@kamenowo
@kamenowo Жыл бұрын
ドラムがうるさいです。 音数が多すぎます。 大友さんのライヴは、ドラムが岡田佳大さんの時が一番好きです。 私の仲間がどんどんいなくなる中で、大友さんがお元気なのがなによりです。
@TAO.h
@TAO.h Жыл бұрын
うるさいとのことですが、ライヴを観に行かれたのでしょうか?それとも録音を聞いてそう感じたのでしょうか。これほどの名プレイヤーに対して、うるさいの一言で片付けるのはあまりに失礼だと思います。
@安倍啓介
@安倍啓介 11 ай бұрын
​​@@TAO.hさん、同感です。 撮影カメラとマイク位置からして、間近にドラムがあるから音の大きさは、致し方ないですね。 それにしても大坂さんのドラミングは力みのないメロディアスでリズミカルな乗りで楽しくさせてくれたと感じてます。 古野さんのアルコ奏法も流石に健在で美しくて大好きです。今田勝トリオの頃からのファンとして、いつまでも演奏を続けてほしいですね。
@mkei4390
@mkei4390 10 ай бұрын
素晴らしいご意見です。私も同感です。