This is the music I hear in my head whenever I go back home and see my loved ones
@MrGottlanze2 ай бұрын
Wuderbar¡¡¡¡
@忠憲-s2t3 ай бұрын
@jbright8829 4 年前(編集済み) 1. I. Allegro (13:25) 2. II. Romanze (13:27) 3. III.Allegro assai (23:02)
@КостинКонстантин-б1б4 ай бұрын
Тяжело , грузно. Ритмы затянуты , в попытке раскачать гипнотический маятник. Если бы я не слышал Вейнгартнера, мне бы определённо понравилось. Фуртвенглер безусловно прекрасен во всём, кроме Бетховена.
@Julia-ei2wf4 ай бұрын
Dulce Dinu!🌹
@claudiomaglio58854 ай бұрын
I commenti sono tanti ma un unica verità in comune: la 9 di Beethoven estrae il meglio da tutti quanti la eseguono sicché nessuno rimane escluso dal successo
@geraldmartin77034 ай бұрын
Now on Decca/Eloquence (Australia) CD.
@eugenemayburd77284 ай бұрын
Great! Tremendous!
@fernandodirienzo-9344 ай бұрын
Absolutely great conductor! 😊
@healingmusic62394 ай бұрын
чего вы со звуком сделали? ужас какой-то!
@paullewis24134 ай бұрын
A gutsy muscular performance from the great Szell, no weak “period” band squeaking away for him. Brings Beethoven to life. 👍🏻
Finale devastador, cósmico, explosivo, sobrenatural, el sueño de Beethoven convertido en hostia que puede comulgar la humanidad
@jonathanturner29605 ай бұрын
The performance is entirely devoid of that nervous tension that often exists in some Brahms performances. I think that’s why some people call Klemperer’s recordings “granitic”. He doesn’t caress the phrasing in the same way someone like Karajan would. It’s just absolutely straight.
@francescaemc25 ай бұрын
please.. where are second and third movements?
@francescaemc25 ай бұрын
grazie di nuovo
@joedeegan38705 ай бұрын
Beethoven was the Master of the Woodwinds !
@miguelbackit1905 ай бұрын
Siento y pienso que esta es la versión más acertada de la obra del maestro. Sin prisa, con tempo exacto, accelerando dónde corresponde según la idea del Maestro, matices correctos. En fin, una simbiosis perfecta entre autor e intérprete
@fiorenzointagliata32525 ай бұрын
. 27:12 pausa.
@ZhaoYuan1645 ай бұрын
最喜欢的指挥家富特文格勒演奏我最喜欢的交响曲,伟大的贝多芬!
@JoseMedina-sv8uy6 ай бұрын
Beethoben y Furtwangler mi combinación favorita. Se complementan uno al otro. Muchas Gracias por compartir esta obra maestra, patrimonio de la humanidad. ¡que triste la guerra en Ukrania y la barbarie en Palestina!.
@robertdeoliveira136 ай бұрын
une pure merveille inégalée
@gordon84636 ай бұрын
Bon là on s'incline et on écoute...!!!...
@tv-ur6zt6 ай бұрын
The greatest of all time
@richardfrankel61026 ай бұрын
What a stunning performance. And what a beautiful remastering, so technically accomplished, perfectly equalised, allowing the BPO's sound to glow. The only thing holding it back is the pervasive (if sporadic) high level of flutter in the source tape, clotting the textures and hampering the flow, and the logic of Furtwängler's phrasing. But technology has come a long way in the decade+ since this painstaking transfer was made. There are now digital programs (e.g. "Capstan"), that can remove wow and and flutter to an astonishing degree. Maybe it's now time to give this otherwise-perfect transfer another remastering...
@laurentdachary6 ай бұрын
Bonjour, il me semble que la date de ce concert était le 30 mai 1953. Merci pour le partage 🙏 LIKE 👍
@@germanchris4440 Says I and says the reality. Are you blind?
@germanchris44404 ай бұрын
@@71ti If you are not willing to tell who you are and why you talk like that, then I can just assume that you are appropriately called Jezebel. Which in turn says it all.
@71ti4 ай бұрын
@@germanchris4440 If you don't know who I am, you have a big problem in understanding how the internet works. Idiot
@macksawyer62213 ай бұрын
Listen to the result and go fuck off.
@walterbenjamin13867 ай бұрын
This is the finest, most fully realized and animated Eroica, and it has been magnificently remastered.
@Marinavalerevna7 ай бұрын
Непереносимая красота и боль в этой музыке. Великий Верди!
@山川川山7 ай бұрын
My favorite by far
@PinacoladaMatthew8 ай бұрын
holy shit, the first tutti I am already blown away....
@jimcrawford503910 ай бұрын
The best Brahms 1 ever! Klemperer was at his best in the German classics!
@mr-wx3lv10 ай бұрын
Fantastic sound quality for 1956...
@jefolson698910 ай бұрын
When Klemperers tempi worked they REALLY WORKED. The opening is so much better at this tempo. More claustophobic. The woodwinds on this recording are fabulous. My only complaint ( with this and most other recordings ) is the clarinet in the third movement is too prominent . I dont think brahms intented the obligato to be a clarinet solo. A minor quibble. 23:56
@gaetanomariapiscopo563710 ай бұрын
E' incredibile come un gesto così brutto, innaturale e spesso asincrono abbia creato registrazioni ed esecuzioni memorabili. Nella musica ci troppe cose che non si possono spiegare...
@ilirllukaci534510 ай бұрын
Thanks.
@Methilde11 ай бұрын
Tne state of grace of two genius
@kraftwerkVS11 ай бұрын
REPOST FROM @roro2494 (comment 7 years ago). Movement One: 0:00 - 18:25 Movement Two: 18:45 - 30:55 Movement Three: 31:15 - 50:47 Movement Four: 50:49 - 1:16:47
@kraftwerkVS11 ай бұрын
The Suffering of the poor- The Storm- The Revolution- The internal conflict-Fear-Cry and Joy-THE HOPE- THE FIGHT AND THE STRUGGLE. ALL EXPRESSED IN THE ULTIMATE REVOLUTIONARY MUSIC OF BEETHOVEN.
@天空太郎11 ай бұрын
ノイズがない上に音の切れもよくて素晴らしいです。ステレオだったら最高なんですけどね。
@petermisch358611 ай бұрын
Eine solche außergewöhnlich schöne (und zugleich genaue) Interpretation der 6. von Beethoven habe ich bisher noch nicht gehört ...
@inboxmail205311 ай бұрын
Szell, Bruno Walter (Columbia), Karajan (BPO 1963), Bernstein (NYPO/VPO), Guilini, Levine (Philadelphia/VPO), Furtwangler, Kurt Sanderling (Dresden), Haitink (Concertgebouw) as starters
@barney688811 ай бұрын
Our beloved L van B. How can someone with so much aggravation produce so much love in his music? I thank God for this man's faithfulness as he has touched so many millions and will continue to do so. A truly remarkable man.
@darkgreenambulance11 ай бұрын
Some of these earlier recordings - and this, surely, must be one of those, serve as a yardstick for quality against later ones. This has happened on more than one occasion. Possibly some of the modern approaches, whatever they are, don`t work as well as reasoning supposes. Also, digital tech doesn`t always deliver, by any means! I once heard a wonderful old recording of R. Strauss`s A.S.Zarathustra (spelling!) when , suddenly there was an awful several seconds of jumping forward many times and very rapidly! Guess what - it had been transferred on to a CD! Why not just play the original tape? Or even a decent record? It`s only going to sit in storage the rest of the time anyway. I had to turn off - I had lost the magic. On a final note - I don`t like having Brahms or any other composer being interrupted by a moronic advert telling me how to upgrade my computer by buying a new program! I really detest this interrupting of a great work which took thousands of dedicated hours of intense activity -- right from the composer to all the musicians who trained the other musicians who are performing -- plus the recording engineers etc etc! As I write, Whizz Kid is telling me how to play millions of tunes in five minutes using three chords -- or something like that. Interrupting Brahms - just for that! See what I mean? There! I have said it! Oh, and PLEASE don`t suggest I buy a non advert package -- that won`t work with me - why should I have to do that? Time for me to calm down, now. I DO hope you enjoy this Symphony - if you get a flippin chance!