Thank you! I can certainly do that at some point. I myself have only scratched the surface of pulsar. I do feel like I learn something new about it with each patch. It can be patched simply but has a very high ceiling of how crazy you can get with it. I have some stuff cooking up so keep an eye out!

Thank you!! Lots of cool new content is being cooked up

This is just the Pulsar by itself

Agreed 100%

There are times I think of selling it, and then I play it and realize it well worth keeping. Hope you enjoy yours!

Only instrument I have ever bought, sold and repurchased 🙏

@@JoeSchultzMusic 😁

Bass drum is from Pulsar here, Perkons is just doing some little percussion things

Watch lessons on KZbin, read manuals for education and ideas, and keep patching to learn from experience!

@@JoeSchultzMusic thanks

Labyrinth is the master clock here. Labyrinth clock is sent to the pulsar. Pulsar has converters for 1/8 inch patch cables to alligator clips. From there it’s clipped to the clock in of pulsar, and you’re ready to rock!

How is the cv connectivity? I knw pulsar has different voltage than most eurorack ​@@JoeSchultzMusic

Thank you! This is just the Pulsar by itself. I hope you enjoy yours! It’s one of my favorites (I actually sold the unit in this video and purchased another one bc I missed it). It definitely has a lot going on, it’s very deep and flexible, but don’t be intimidated! Just take your time and enjoy the process. And the manual is your friend :)

You the sonic man B. Upwards and onwards, full geek ahead we got this.

Appreciate your kind words!

Lol that’s peculiar, but for this I have Plaits in the robot mode (bottom green) and then stick an LFO/envelope into the timbre, morph, and v/oct inputs. All kinds of variations depending on where your knobs are and what shape Lfo you’re using. Hope your Plaits will talk now 🤖🦾

Thank you! Yes! This is only audio from Pulsar. They certainly do. Pulsar really is built like a tank

@@JoeSchultzMusic Amazing. I definitely need to acquire one soon. Great sounds you created from that beast.

It really does sound alive! I’d say maybe a 7. If you have any experience with synths/modular/ drum machines then it’s less of a learning curve. But it’s a unique machine, definitely has it’s own quirks and unique features. But you could definitely learn it and make patches as simple or complicated as you like and still have fun. And of course the manual is your friend! Cheers!

@@JoeSchultzMusic appreciate you taking time to reply. 🙏

I didn't see it before, now I can't unsee it. Damn you

Thanks you! It is used in this patch, unfortunately I don’t remember for exactly what. But usually I would use it to get more clock divisions to create more syncopation, or I’d use it for Lfos, synced with various different clock divisions.

Sorry I don’t have specific notes, this was one from the archives. But the general idea is that marbles t1 and t3 are triggering plaits and rings. Marbles is in the multiply/divide mode, and the Y is acting as an Lfo to modulate deja vu and bias, which is where all the crazy rhythms come from. The X sections of marbles are modulating different parameters of plaits and rings, and that gives the different changes in tone/timbre. You can 100% do this in VCV for free if you don’t have these modules. Thanks for the interest!