Thank you a lot for this wonderful video. I like the most the one on 6:15 . Merry Christmas to you too and thanks again

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Thank you. I really like videos on Romantic improvisation. I would like to know how one can improvise an introduction to a variation set or a Fantasy on a theme. How can you approach this?

Nice video :)

Good morning from Berlin and thank you for this video which brought memories of harmony analysis when I studied at the conservatorium. 😊

Wow this is crazy! I love it!! Is this what you do for a living?

Excellent explanations and realisations Thanks

It's very nice, I like 10th the most.

Prof. Gjerdingen calls this "the Monte-Romanesca". When people talk about the so-called "Pachelbel progression" I sometimes make fun of them and say, no, no, that's not the "Pachelbel progression" this is the "Pachelbel progression". And when they are confused, I say: "Don't you know Pachelbel's famous piece, Chaconne in C-Dur, which is much more obstinate than his Canon and Gigue?" :D Also, listen to (or even better, play) Händel's Chaconne in C-Dur, HWV 484, with 49 variations, all on these chords. After that, you will hear it everywhere! For example: 2nd movement of Mozart's famous 40th Symphony and also in the 3rd movement of Beethoven's 9th Symphony.

Thank you - fascinating! (It taught me that what I was temporarily - and quite wrongly - thinking of as a baroque sequence is just as much a romantic sequence.)

Excellent video… Thanks for uploading to KZbin.

Thank you

Just FYI the idea of chords with 6ths "ajouté" is not a Baroque concept. The chord that you called and Fm with an added 6 is is a D half-diminished seventh (D, F, Ab, C), which, at this point as we have already modulated to Eb, serves a dominant function on the leading along with the Bb (V) as we head to the Eb (tonic).

This is a masterclass

Thank you for this

Up a second, down a third, up a second, down a third... It's probably the second most common sequence in this period. This is a very nice example by Krebs, as most of his examples are. One can never have enough Krebs in one's life.

Subscribed. Thank you!

Is it still possible to join this course?

This is such an important video! It's a concept most theory channels fail to look into, especially regarding classical music!

Phenomenal!

Yes, I'm very interested in late Romantic music too. Has Jazz its origins in late Romantic music?

Superb! Thank you.

Love the lessons as always!

Sir plz suggest ..some more books like this ..

Thankyou for the book sir

Sir plz share the link of book

Ohhh my god ..sir this is a dream

Continue you are a lenged ✨️ especially with the baroque style 💫

Thanks for sharing

Sir .you teach composition ? I want to learn ,iam from India I play piano , Plz guide sir Iam searching for a teacher who teach me figured bass

Thank you, Szymon. Very good lesson.

Congrats Szymon - very nice lesson !!😊

Very inspiring lesson and beautifully sounding organ. I suppose it's Hauptwerk, isn't it? Do you remember which samples these are?

Great job ❤

thank you for this poulet !

Actually, with your improvisation on the Sarabande, you have already explained why Handel only wrote down the basic material and two variations: in the Baroque period, the repetition was traditionally slightly varied by improvising ornaments, playing around the melody and the bass line. It was therefore the performer's role to embellish the pieces himself while playing in order to show off his skills.

Hey, you should try putting the led light to be of a complementary color in your shot, maybe orange? and a soft light for you so you're in balance with the background =)

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An excellent analysis.

Great teaching! I realy like your style of explaning. Thank you! What is the name of the piece you are playing, please?

As a classical organist and pianist, I am really glad to see this short lecture you presented on Chopins Chord Progressions. Even better how you presented it on the organ. I am currently composing an organ work for my University assignment and one of my goals is implementing Chopins style into it, as I am always curious what Chopin would sound like when performed on the organ. This video is an inspiration! Thankyou Szymon! Please do not delete this video!

Beautiful playing and incisive analysis!

Creative way to demo this work! Very cool.

Where is Bambi ?😊

Feliz día de Resurrección

Very nice

Fantastic! Improvisation is how they used to teach composition back in the day. Improvisation is not really encouraged (outside of Jazz, rock,etc). It’s a shame that improvisation is looked down upon, and would explain why classical music is perceived as inflexible, outdated, and dying. I’m glad you’re keeping the torch lit.

very nice video!! well explained and structured. But I also think, within the audio quality of your take unfortortunatly no chance to hear anything of diverent voices, because of the big sound of the organ. because of this It makes no big difference to the part where you just playing the chords while you playing the original part of chopin, and thats very pity. So i can understand the "piano please comment below. Thank you for sharing! love it. :)