Thanks for this video. I search for this. Is the AF as bad as you say? For example, when I shoot a wedding or a concert with the R6 MKII I have zero autofocus problems. Do you think if autofocus is important to me I should bypass this camera?

Thanks for the post. I'm a newbie to DaVinci and this process obviously worked. Just what I needed.

thanks for the video man

I fully agree. I do a lot of commercial work with a C500 mk1. It cost $20k only a decade ago! Typically I don't want a wider field of view, I want to eliminate elements in the background. The real advancement of today is not the sensor size, it's the low noise at high ISOs.

Such a good work I also wish i could learn filmmaking with you guyz

Full frame obsession: manufacturers exploiting young filmmakers'' (and hobbyists') ignorance of the difference between 35mm cinema frame dimensions vs those of 35mm still photography. It's like insisting that VistaVision be the standard for vloggers. Also: If you want a wider angle, choose a wider lens. That goes for every sensor format on down to an iPhone. Learning to light, compose and work within the dynamic range you are given will result in better images than just pointing the camera at something and riding the ISO dial/color grading to death.

What is tripod?

Same. I love tight focused shots. I was going for a full frame, well, cuz. You've changed my mind. Super 35 it is!

"Because that's where they most recently noticed moving images" 😂😂😂 Bruhhhhh. You were a Pro at Clipping that together

I have issues to use it on PC...

Just use the correct microphone that was designed for the correct application

hi! why logGOP and not INTRA?

You could've added micro four thirds to the list too. Super affordable+ wide array for lenses including the primate radium once.

One man. One dog. Beautifully done. 👍

a great and also inspiring talk. i too find myself in that trumpet playing kinda scenerio. but now will definitely keep it in mind.

hey man, coming from standard story company's video. I would like to say this such an awesome short, enjoyed it first to last. the whole premise, the emotional background, the evolving situation was really good. and it would be criminal to not mention the cinematography, color and the little vfx, subtle but still. overall, this short film gave me a hollywood-ish feature vibe for whole time, kept me hooked. and it never looked what people think a short film in low budget would be looking like. never stop making like these. great job.

Is this called a video montage?

This is excellent! thank you! is there an easiest solution for when the object you want to remove behind the subject is not moving? for instance your lamp behind your hand when you talk at your studio. Do you actually need to track the moving subject?

the last footage you in the car looks very goo, very god ,.... how did you colour grade it ????

I used it yesterday (9/28/24), and the sound quality was terrible! Thankfully, the camera was only set up to test the TASCAM CA-XLR2d.

Yep no need for the c80 (except for that triple base iso 🫠)

Would 2 cx70s or 1 c70 and 1 r5c be better for a combo of 2 camera interview shoots, then b- roll on gimbal etc? Thx

Great film. Thanks so much for sharing the process.

But if you don't shoot raw all the time, you can't be a washed up youtuber wearing a t-shirt that says you shoot raw

That bright orange transition slide is bright enough to potentially fuck with people with epilepsy. You might consider making that slide black or dark.

With the R5 MK II and the C80 dropping I am looking at the C70 vs R5c. I already have an OG R5 and OG R6. Do you think C70 is the way to go?

Hey there, I can get 4 channels of audio when I shoot in HEVC on the C70. Been doing it for years.

Did a jump from the sony a7c which i filmed a ton of 4k 8bit 420 video on over the past few years, to the sony a7siii, and was super excited for the 10bit 422 option, only to find out it wasn't really that important as long as i didn't mess up my settings on my clips. Sure, it might have had a bit more chroma noise but it was essentially unnoticeable if my settings were correct. Althou it's true that if you mess stuff up, having 10bit422 can really save your ass, as you can correct way more. The only two really important upgrades from the a7c to a7siii were the rolling shutter and the 4k 120p. 120p is cheesy but really powerful for many people. the masses love themselves some good slow-mo :))

❤❤

Here because of the R52 with the many different codecs and recording options. Useful vid.

The R5C skin color at 5:36 looked bad compared to the the c70 clip at 4:53. Wonder if thats due to c log 3

The HEVC on the C70 is great except it has one pitfall you didn't mention your bit depth drops on the audio channels :(

Thanks for the updated version! ✨👍🏻 I liked your previous version a lot as well, and I'm using XF-AVC Long GOP till today on my Canon R5C.

why do u make this on fusion and not on color pannel?

This is the first tutorial on color march that I see that actually works!!! Everyone else is just recommending using the Cinematch plugin. Thank you!

Good points but the thumbnail with the frame lines is misleading, e.g. Super 35 is much smaller.

super35 is more intimate as deakins puts it

thank you for saying it. if you cant make a good image with a crop sensor camera, a larger sensor isnt gonna help you.

This is a fantastic short film. It is straight to the point with effective cinematography, great little character moments, and a consistent tone. Excellent work

❤

Will wants to zoom in further to spy on his neighbors

Wonderful work. 👍

Very cool. I love the ending!

Very very professional. Kudos!

Very Interesting, thank you

INDIE CLASS

The ending is one of the most important parts in storytelling. You sir nailed that ending. The way you used the music in order to make it sound like a bomb was coming was a brilliant way of capturing it with no budget. Fantastic job.

this channel deserves much more views

Sweet. Thank you.

Came from Kent lamm