Hola muy buenas noches amigo me llamo Cristian rojas está zoom gran joya de cine película original clásicos mi año del renace de la seniza

Nice

A masterpiece.

Shinebox guy was definitely inspired by The Fool!

Fellini himself said his movies were never "neo-realism".

Anthony Quinn was incredible in this film.

“His English was a little poor, but the Italian eeeehrrr… it was incredibile”!

Film is literature, Cinematography, editing and acting is the poetry... La Strada is a great film. I also saw these films out of WOR in New York...

It is a beautiful film, but it is hard to argue that it is Fellini's masterpiece or the only must see. Nights of Cabiria is a more mature and far greater exploration of similar themes - not to mention his actual masterpiece, La dolce Vita - by which I mean that Scorsese barely mentions it, as though it were one you could skip.

Best movie I've ever seen

Giulietta <3

I only knew of this movie because at my first grade there was a poster titled for a local stage play called "La strada" It was then i had just learned to read so i read every sign and poster etc i could find and then i memorised it and it said "Loosely based on the movie of the same name" that is the only lines i can still remember The name stayed with me and one day i looked it up and i remember hearing people talking about how it was one of the best movies they had ever seen etc One day i found a DVD on sale online and watched it Wow I may have been around 17 at the time but ... Wow it remained with me ever since and i remember the feelings i had was kinda difficult to describe but i think it was the first time i ever was genuinely touched by a movie I started looking up all other Giuelietta Masina roles i could but only "Nights of Cabiria" came close to "La strada" for me and it didn't even come that close to La Strada Feillinis other movies was too surreal and at times weird for me But La Strada will always have a special place in my heart

One of my all time favorite movies. It's such a beautiful dream ❤

Some critic said Masini overacted and hammed it up. She answered "What can I do with this crazy face of mine? I just smile a little or wink and its like an earthquake.

I love Fellini's neo-realist phase, wish he'd kept going with it tbh. That said, I adore La Dolce Vita too so I'm glad it exists.

7:50 sentiment and sentimental

Dubbing in english is an imbecility, especially in this movie, they were the slaves of the iliterates, that why they don't subtitled movies.

No sound

E un commento che avrei voluto ascoltare da un regista così famoso ma neanche i sottotitoli avete messo grazie per non averli messi

Is this part of a longer interview? If so, what is it called?

I'm recently becoming familiar with Bergmans's work. They're very inspiring.

Thanks, yes, love it so. One of 3 movies that start me crying just talking/thinking about it. (The other 2 are Madame Rosa, Million Dollar Baby) I would be interested to hear Mr Scorsese describe why he doesn't like circus

"il matto fa male" ...(the clown is hurt) [recurring line by gelsomina]

This was great and illuminating. Thank you Mr Mardik Martin. Yeah, I've always thought that Who's That Knocking? had the DNA of every Scorsese film that came after. Really interesting at the end to hear Mardik talk about learning from mistakes, what NOT to do, making a film. I love that quality in this film, the roughness along with the striking artistic parts.

everyone in the comments crediting scorsese for this when Fellini is. the one who wrote/direct it !

Watching a film may be "passive," but the making of one surely is not!

lovely interpretation of la strada!

There are no un-dubbed version of La Strada. In both versions we hear at least two characters speaking in their native voice. IMO the "English" voice of Gelsomina is very,very good. Of course a person fluent in both English and Italian might prefer the Italian one. And I do agree with Scorsese about Zampano...an uneducated,unsophisticated man who,we find at the end,was not totally devoid of decency

mf really eat all the lasagna

Great comments , I love this movie

I watched La Strada in my freshman year in college 1966. The university theatre charged ten cents! I paid next to nothing to see one of the most powerful, unforgettable, compelling & frightening films ever. One watches in horror as the brutality & abuse continue, yet it’s impossible to turn away. Absolutely amazing, both the movie and the emotions one feels while moving forward thru it. .

Those are bushy eyebrows Marty..... #AnneInAvalone

Martin Scorsese opened my eyes on one aspect of La Strada which I never thought about: the "fransiscan" aspect of the movie! If you know anything about St. Francis of Assisi, you'll understand! This is where the compassion in the film takes a special meaning. And btw, did you notice how Scorsese pronounces Zampanó?

This movie is CRIES AND WHISPER Not THROUGH A GLASS DARKLY

This is a good movie.

Just rewatched the film recently loved it. A great film truly great.

My favourite Fellini film. I love what Scorsese talks about here.

Ganzo

La Strada and Nights of Cabiria are definitely my favorite Fellini films. Love the comparison between Guilietta Masina and Charlie Chaplin.

Unforgettable movie. Peter Cowie's analysis is terrific.

The movie hooked me in from the opening scene. One of those films I just lost myself watching mesmerized

Anthony Quinn a Mexican pride 🦅🇲🇽💪

This may sound a bit dumb but I have to say, 'everyone was slim and fit'. Nobody in the movie was fat. Fat happened in the 1980s when the cultural establishment changed from family meals to fast food take out & snacks.

LOVE Bergman's films as they always speak to me spiritually....and the cinematography is incomparable. Introduced to his films in '72 at school in Toronto, so happy Virgin Spring and The Seventh Seal were in the Curriculum. (btw, God IS love)

No one makes films like this anymore.

Count Me In

the dark place.

Hoodville would be proud of city boy Gaga over here robbing hookers

Thank you for sharing this.

We are so lucky to have Scorsese, a great film maker and an educator of art in general and film in particular. He’s a rare and indispensable American.