Appreciate your humor As a new singer I find higher notes the challenge. Nice approach.

Thanks for your videos! Just discovered your channel. I'm recovering from RSV, Bronchitis, Sinus Infection, and Covid all within a month and a half. Performing pop style music in a show 6 nights a week. I'm a first tenor and have your legit tones and notes, but struggling to hit high B's of Queen's Don't Stop Me Now without wearing out. Any advice? I'm using I.E.M. as well.

Always very much clear and useful

Great info, and if I may be permitted to say, I find this a lot more obvious than when a 98 pound vocal couch tries to explain appoggio, and I'm just there going "I heard what she said, but I can't see what she's doing". Seeing this in something more akin to my own physiology really helps me to understand what I should be doing physically.

Are you here to cure my parrot trained tongue? Ah nvm I"ll just keep this place clean❤

🙏

Saludos desde el Norte de Argentina, gracias

hi i have a song on youtube call im here for you i wont to know if i need more air flow in my voice

Great stuff 😉

Wonderful! Made it to 4 reps. Will attempt 5 once i get stronger

Are there any major differences in operatic singing and contemporary singing? Thank you for the videos.

Thanks for every information. Also trying to sing those high notes. The challenge is how to smoothly transit through the resonance

Amazing job. Wonderful exercises!

I would wish, that you will give this man a listen: Dimash Kudaibergen. He ends his vocalise of "Ave Maria" with a messa di voce (to give a small context to his singing, his voice covers 6 octaves in pure tone) kzbin.info/www/bejne/o32qaZpopNR5iaMsi=J21UJuYqV-IrvIB4

Sounds like a cool challenge. Will try later.

Great breakdown on the fundamentals of breath support! The detailed explanation of posture, diaphragmatic breathing, and the exercises are super helpful. The Ferrari analogy really clicked-thanks for sharing these insights!

👏🏽👏🏽👏🏽🤩🤩 ¡Excelente interpretación maestro. Muchas felicidades!

Muchas gracias por compartir tus videos. Me han ayudado muchísimo 🤩🤩 y he notado una mejoría en mi voz. ¡Eres un excelente maestro! 👏🏽👏🏽👏🏽

These are great exercises for breath support. I especially like the video you made a few weeks ago with the repeated scale. I've been able to do it for the 5 reps, required, so am very pleased. Thanks, Josh.

Wonderful! Thak you very much.😊🎉

Isn't apogio about the sound you make to produce the opetatic sound? Breath exercises are great but i think it is often times easier to think about the type of sound and feeling you get from doing these things to really do them as a pasive mechanism in you body!

Excellent content and instructions. 🙏🏼

Teşekkürler.çok faydali.❣️🙏

Why are you making singing an extreme gymnastics? Ridiculous exercise

1:28 1 rep 1:54 2 reps 2:16 3 reps 2:42 4 reps 3:19 5 reps

Yes having a voice teacher makes all the difference. i couldn't sing at all until i went to a teacher. I got my moneys worth in the very first lesson: open your mouth!

Sir, what if you have an asthma?

James King was 35 before his debut as a tenor. He worked with Martial Singher, and eventually had a brilliant C, which you can hear in his many performances of the finale in FROSCH

I thought a high C was the next C (an octave higher) , which I sing , thanks for clearing that up .

Thanks for sharing. Now I can’t wait for “You’ll Never Walk Alone.”

Your tips on balancing tension and relaxation for vibrato are spot-on. The demonstration of vibrato types is particularly helpful for visualizing the concept!

Indeed great technique to master. Watch out for some of the things: - Keep the throat volume the same throughout the dynamic change - Keep vibrato the same. This one is hard on piano - Keep mouth open on piano Basically there should not be a slightest change in the vocal position between forte and piano. Only because of our tendency to reduce the larynx volume and breath support when we go diminuendo, we need to exaggerate and increase it on piano to get rid of this habit.

I'm learning opera singing for three years now there times per week. You CAN and SHOULD control the speed of your vibrato to convey piece message(slower for more dramatic emotion for example). There are exercises for it. Vibrato slower than 5 oscillations per second may sound heavy or labored, and in some cases, it can be perceived as a sign of vocal fatigue or aging which is considered a defect and should be corrected. WIth old age vibrato may slow down due to many factors such as muscle weakness, reduced control, decreased flexibility, breath control decline, etc. In this case you can't really correct it. But in most cases you can. Vibrato faster than 7 oscillations per second may sound tense or nervous, and can sometimes be perceived as unnatural or forced. Also a defect and should be corrected. Vibrato speed is essentially the change of pitch that can be changed at will as you changing your regular notes. For the exercises I can recommend: 1. Sing with one note with metronome. Gradually decrease or increase metronome speed and try to match your vibrato with the metronome beats. You may first determine your current speed with metronome and then speed it up or slow down to sweet spot of 6 oscillations per second. 2. Sing one note and start from very large vibrato swing. As if you sing the 1/4 step higher that the actual pitch, and then 1/4 lower. Then you increase the vibrato speed gradually. It helps to develop the control. Aim for 5-7 oscillations per second.

You know someone is good when is able to do what he wants to teach but this man knows even how to do mistakes on purpose. Amazing

Thank you❣️🙏

This teacher is so knowledgeable and so clear in his explanations! Really a jewel that KZbin algorithm brought to my attention. Looking forward for future videos

Ual que video sensacional

Great video, Josh! These exercises are really helpful for improving vocal range and technique. Thanks for sharing!

HELLO COUCH, I LIKE YOU TO BECOME MY TEACHER FOR SINGING LESSONS

very interesting

That hour glass is interesting. I had found out instinctively too that while transitioning from chest to head one should not try harder for higher notes but instead almost "collapse the energy" on the transitioning point in some vague way until once head voice dominance found. Then can use more energy energy without however striving for broadness and loudness. It's here more to sustain the note. Well, at least for me and for now.

Excelentes ejercicios 🤩🤩🤩 muchísimas gracias por compartir. Mucho éxito en tu canal!!!👏🏽👏🏽👏🏽

Great now I can laugh with beat

I am 85 years old and with the help of a voice coach my vocal range has stretched from D4 to at least E5. Singing dramatic tenor at C5 depends upon the approach to the sound. My sound is generally better than yours and when I sing On My Own (soprano) I hit the C5 almost exactly as famous soprano's. This is litter than a dramatic tenor.

Thank you, keep up the content sir!

Me watching the video: How hard it can be just sing one note? Me actually try: Accidentally sound from a duck, goat, cows, immature drakes, lizards, to a rabbit....

Thanks

Oh my, i know rite? I have (probably stupidly) fallen into running this kind of exercise as part of my singing practice, though I have not been instructed to do so, or how. I really feel uplifted and happy when I lock in to the note and crescENDOOOO but then backing off from it, I lose my entire energy and it's best described as my voice wanting to disappear and hide as quick as possible, and I guess that carries through to what energy I feel I have to donate to my voice. Argh. hope I get some tips. lol f/contralto I'm opting out of matching your exercises 😢

Very useful, tnx

So amazing