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@gerardjosephrooney3093 18 күн бұрын
Thank you
@gerardjosephrooney3093 Ай бұрын
Thank you
@stevejones3662 3 ай бұрын
This has been incredibly helpful to me! Thank you so much. You teach with such clarity and the exampes are very clear and concise, too.
@kika921 4 ай бұрын
❤
@emmamorley1836 4 ай бұрын
How do we move from one gesture to another without doing the gesture? Like in a scene if I have 3 gestures…
@rzcrzc1449 5 ай бұрын
Love your videos! thank you so much for sharing your knowledge and teaching!
@kika921 6 ай бұрын
❤😊
@emmamorley1836 6 ай бұрын
This might not be the best place to ask this but I’m not sure if Lisa’s channel being active… but could you ask her something? Mala Powers in one of the workshops spoke about people struggling with the center device because they try to create it, rather than experience it as something already existing and themselves sort of relaxing into it. I was hoping if Lisa could, if she had any personal experience of Mala or Anthony Quinn perhaps, speaking more on the technique of center. I do not understand the practical standpoint of this “impulse” business that happens, that we need to imagine beforehand. I feel it’s a very neglected part of the technique and I feel it’s either because people do not understand it enough to teach it, or they haven’t explored it enough. I feel maybe the method as frequently explored may not be the same application of the center as someone like Mala Powers would have used. I do wish she could maybe have more to say about it
@kika921 6 ай бұрын
TanQ man❤️
@commonsensecorner7275 7 ай бұрын
I found this by searching for Rob, a coworker told me a little about him, because he knows I’m interested in Voiceovers.
@kika921 7 ай бұрын
You haven't talked about the archetypal action of want yet?
@jthomakos 7 ай бұрын
I personally disagree with Leonard Petit's take on "Want" as an archetype. I think since all good acting is based on a relationship of want and need and want is really a manifestation of the will-force which is covered in Chekhov's Trinity of the Psychology (Thinking, Feeling, & Willing), it is just plain to vague of an idea to express archetypally in this way. When are you not wanting something in acting?
@emmamorley1836 7 ай бұрын
Can you give some tips about how the centers work when they’re moving? I’m not sure how Chekhov uses them, especially when the center is outside and is moving shifting and changing; sometimes jumping into the chest or flying out & he described one instant “the character is chasing her center”. Not sure how I should move from a center which is also moving
@TheInspiredActor 7 ай бұрын
To be honest, this is really hard to describe only in words. The only think I can say is if you think of a center as a focal point to which all of the character's energy is directed, you might find that the idea of chasing one's center deeply informs the psychology of the character. If the center is outside one's own body then all the character's energy is focused to a point where they forget their physical self perhaps to their own detriment.
@arundhatidev9048 8 ай бұрын
Thank you so so much it was so helpful.. ❤ But why are you not making videos now? Anyway, Lots of Love from India ❤
@michaelpaoneofficial 8 ай бұрын
This is great!
@tushardutt9 9 ай бұрын
This is very insightful but you should not have added background score throughout the video it is annoying because what you are explaining is quite interesting.
@TheInspiredActor 9 ай бұрын
Yes, it was one of my earlier videos. Ugh. totally agree with you.
@LittleTimmyO 9 ай бұрын
This is actually fantastic. Probably the best breakdown of an objective I’ve ever learned.
@cynquel757 10 ай бұрын
Your videos are so thoroughly informative. Thank you so much for sharing your expertise! These are helping me so much. Thank you, thank you, thank you.
@arvindsatish4249 11 ай бұрын
I am Indebted to Michael Chekhov for his method of acting & to you Mr.Jeff,I have gone through all of your videos in detail,learnt,practiced & incorporated & improved a lot,,, because of this my acting skills have gone to next level,,Itz amazing,worthful, with loads of concepts explained with ease, simple & highly effective ways in more than 40 videos of brisk 10 minutes acting class videos.🙏❤🙏
@TheInspiredActor 11 ай бұрын
Thank you so much!!!!
@arvindsatish4249 11 ай бұрын
If esch line in a dialogue demands different AG's,,,,then each time do I have to ask my image about the Gesture, slow or fast & what quality of movement etc? Then for each AG'S do I have to practice the exercise of losing then PG/AG followed by Winning or viceversa
@TheInspiredActor 11 ай бұрын
I don't think you "have to" do anything. If just using the gesture is enough, then go no further. If however, you are stumped or want to go into even more detail, then go right ahead. The great thing about Chekhov is that it is flexible to your needs in each given situation. Don't wear yourself out trying to work with gesture the "correct" way.
@arvindsatish4249 11 ай бұрын
@@TheInspiredActor thank u so much,😍
@nikolasmarti7113 11 ай бұрын
Good!
@subbtopp Жыл бұрын
thank you so much for this. x
@annabethelston8101 Жыл бұрын
SO CLEAR AND HELPFUL. thank you
@TheInspiredActor Жыл бұрын
Thanks!
@4thWallDownProductions Жыл бұрын
Really, well done. Loved the higher/lower self for monologues. Nice to see a fellow Mighigander actor. :)
@raquelcapelo10 Жыл бұрын
Very helpful. Thank you ❤
@andreasweiss8195 Жыл бұрын
Thank you very much. It is a great source of inspiration for me, that I can explore for the rest of my life. I also teach this to my students. Some of them are childrens and teens but I think they also understand it
@andreasweiss8195 Жыл бұрын
I really like your videos. I teach some children- and teenagergroups. I hope I can find a way to make the Chekov Methode understandable for them.
@mathieub9113 Жыл бұрын
Hi , I've been a big fan of your videos for a while now. thank you again for all your incredible (and short:)) videos. . the link to a written version of the exercise: doesn't not worK. can you help?
@StephenGeorge Жыл бұрын
Superb interview. I really appreciated the candidness.
@Mohitsolunke2004.d Жыл бұрын
What will be the center of Chekhov sir's character? 🧐🧐
@vaquezartup365 Жыл бұрын
When you mwntioned form i got lost I have tried to search it on the inyernet n can get an answer Is there anyone who understood it
@TheInspiredActor Жыл бұрын
In reference to The Four Brother (Beauty, Ease, Entirety, and Form), we primarily are referring to "The Artistic Frame (Preparation/Visualization, Action, Sustain/Radiation, Stop)" and "composition of the performance". CoP includes the three main laws of composition: Triplicity, Polarity, and Transformation. But also includes other laws of composition such as Pause, Rhythmical Waves, and Rhythmical Repetition. These can be found in the book On the Technique of Acting, Chapter 8. Sinead Rushe's book, Michael Chekhov's Acting Technique, A Practitioner's Guide also has a pretty good chapter on Form you should also read.
@vaquezartup365 Жыл бұрын
@@TheInspiredActor Thankyou for that Could you explain more on use of form as an actor
@vaquezartup365 Жыл бұрын
I did not understand wat you ment by👉👉 Actors use of form Having a strong sense of form Anyone who got what that ment
@Mohitsolunke2004.d Жыл бұрын
This exercise can help you develop a deeper connection with your emotions and your chest, as per Michael Chekhov's principles. Remember, practice is key, so feel free to repeat this exercise regularly to further strengthen your artistic center and emotional range. I am right Sir.
@TheInspiredActor Жыл бұрын
YES! It was originally taught by Stanislavski and Chekhov developed it further.
@Mohitsolunke2004.d Жыл бұрын
And one doubt sir, Michael Chekhov said that the ideal center of every person can be at different places on different body parts?
@TheInspiredActor Жыл бұрын
@@Mohitsolunke2004.d “The imaginary center in your chest will also give you the sensation that your whole body is approaching, as it were, an “ideal” type of human body.” - To the Actor, Pg. 8
@davidhouston-luck5071 Жыл бұрын
Hey man, just wanted to say a really BIG THANKS for everything you post, its' all so valuable and much appreciated. Thank you!!
@TheInspiredActor Жыл бұрын
Thank you so much. I'm sorry I haven't had the time to post lately. Started a new theater company and it's taking up all my time.
@nirbhayjain0071 Жыл бұрын
Hey First of all, Lots of love from India. You are an amazing teacher ❤️🤗 I have been following your sessions from a long time but i am not able to find any video on Gravity and Levitation. Please help us with that also.
@TheInspiredActor Жыл бұрын
Hi, I'm unfamiliar with the terms "Gravity" and "Levitation". I am guessing here, but our terminology over here might refer to what you are thinking of as Rising, Falling, and Balancing? Some also refer to it as Floating, Falling, and Balancing. Is this what you mean, maybe?
@ajish4377 Жыл бұрын
Thank you for this video and all your videos! I am learning so much!!!
@mohitsolunke5058 Жыл бұрын
What can we get as an actor by doing radiation exercise?
@Mohitsolunke2004.d Жыл бұрын
How to use in a work law of triplicity
@Mohitsolunke2004.d Жыл бұрын
how to use thinking, feeling,willing in our charactor?
@Mohitsolunke2004.d Жыл бұрын
😊
@Mohitsolunke2004.d Жыл бұрын
I don't understand, where do I start?😞 please sir give me one by one topic 😊
@Mohitsolunke2004.d Жыл бұрын
Sir do you have any Whatsapp Group for Acting?
@Mohitsolunke2004.d Жыл бұрын
radiating means pick up the line and speak after the AG
@TheInspiredActor Жыл бұрын
No, Radiating means sending your energy out with your line. The purpose of PG is to gather a certain kind of energy which you use to send your line to the "other" in the scene with you. The kind, quality and strength of your radiation is created through the gesture.
@Mohitsolunke2004.d Жыл бұрын
@@TheInspiredActor Thanks sir 🫶
@emmamorley1836 Жыл бұрын
when I want to do like 2-3 gestures within a single take.. I don’t get how we can switch from one to the next without physically moving
@TheInspiredActor Жыл бұрын
Once you have ingrained the gesture into your body physically, then you can veil and allow the gesture to live solely in your imagination. The gesture is there for you as a rehearsal tool. The audience should never see you doing a gesture (although there may be some subtle remnants left in your physicality).
@Mohitsolunke2004.d Жыл бұрын
Should I read Michael Chekhov's book before starting all this?
@TheInspiredActor Жыл бұрын
I've been doing this primarily for beginners who may or may not be interested in pursuing this further. Reading the book is a valuable step, but does not necessarily need to be your first.
@Mohitsolunke2004.d Жыл бұрын
How many times practice this AG?
@TheInspiredActor Жыл бұрын
Hi Brothers Gamerz, there is no set number of times, of course, but you should practice until the movement feels natural and you are able to repeat it at will.
@Mohitsolunke2004.d Жыл бұрын
@@TheInspiredActor thank you
@Mohitsolunke2004.d Жыл бұрын
The first way to start with psychological gestures is the archetypal gesture?
@TheInspiredActor Жыл бұрын
For beginners, I think starting with AG is the best way to approach PG. But as you become more adept and know what a PG should feel like, then you may skip that step and find a different approach PG.
@Mohitsolunke2004.d Жыл бұрын
What is difference in psycological gesture and archtypal gesture? Please explained?
@TheInspiredActor Жыл бұрын
Psychological Gesture = Archetypal Gesture + Quality. In other words, Archetypal Gestures serve as movement templates onto which you consciously add a quality (Molding, Flying, Flowing, Radiating, emotion, or other state of being).
@dramaimpact Жыл бұрын
All of your videos are amazing thank you
@TheInspiredActor Жыл бұрын
Thanks!
@ErmesCarapezza Жыл бұрын
Staccato and legato are Italian words 😄
@Harish34689 Жыл бұрын
Can you please make a video about thinking, willing. Feeling. How to choose for the character and another aspects of that
@TheInspiredActor Жыл бұрын
I will. I'm finally coming up for air after starting a theatre company so I will add it to the list.