yo thank you! your animations are cool af, i have yet to explore your discog but excited to hear your work!

mysterious

thank you, that's v kind + cool stickers!

thank you, happy to hear from a fellow listener

happy to hear it!

i agree

Scaredy Shrooms 🔥

I always used snow pea, fume, and puff

I do when Dave selects it for me

LXR is sequencing Typhon with track 5, which has the same timing as Snare/Voice 4, but different notes. MIDI thru on Typhon is sending Clock/Transport control to Tracker. Tracker is playing empty patterns in song mode until vocal parts start.

Thank you for being here

I played this by ear, I would suggest downloading the video and playing at .5 speed or slower if you want to learn it!

@@enoodle oh ok, thanks!!

Yeah this Digital Sound class was a cool intro to creative coding. I'm going to start learning Pure Data for my senior project as I'm more interested in the open source community~

@@enoodle sounds so cool...definitely wanna start making my own stuff in Max too...just need to find the time🙄

always, yeah. it definitely helps when it's for a grade, kinda have to do it haha

The filter sounds suuuper warm and the VCOs definitely add some character imo. They don't have as much high end even when the filter is fully open, almost like they have a rolloff around 10-12k. Starsky Carr has a great video comparing it to the Prophet 5 since they use the same filter. If you're looking for a less technical breakdown, Jorb has an inspiring overview that got me to pull the trigger on investing in the synth as my first analog poly. I'm not versed in playing keys, but even as a module the TAKE 5 is inspiring to program because it has a good balance between depth and simplicity. The mod matrix is wonderful to use and I appreciate the immediacy of it's design. There's not an overwhelming amount of parameters for any one setting which helps me a lot as someone who deals with analysis paralysis when dialing in too many options. I tried out a Hydrasynth Explorer last year for it's size and versatility, but it felt needlessly complex, and tbh the digital aspects weren't really inspiring for me because I wanted to get away from feeling like I was using a VST when using hardware. TAKE 5 is the best of both worlds for me with its capabilities and limitations. If you're okay with 2 LFOs and 2 (loopable) envelopes, it's absolutely a joy to work with.

Mind if i but in? Just got one 2 weeks ago. Its a great tool for creativity! The only drawback as your first poly is the 5 voice limitation. Well worth the investment. Do it.

And yes. Even though theres some digital aspects to it, it does have that analog vibe. Listen to it through some big speakers. I chose this over the new Teo 5. I have several other analogs but Im very pleased with the addition of the Take 5.

thanks andee!

Yes, half the tape copies are available for UK/EU folks over @Welcome to Clydebank. Thanks for checking it out!

@@enoodle nice!!!

thanks andee, i wrote the assignment comments / description while i was turning this in at 2am before working at 7am haha, you know how it goes

yeah, i posted it on gumroad but haven't used the site for anything else, so that sample pack is only linked under the COFFEE.PEAK video: kzbin.info/www/bejne/onzCiaOtrLytipY

@@enoodle thanks for the link! Will check it out!!!

thank you marti kind sir

@CNTRRNDM i'm gettin a Take 5 for my birthday and I want to try more stuff like this. i recently discovered Casino vs Japan and i would love to make some washed out patches as i enjoy those sounds especially during the cold seasons.

@@enoodle yup, love these washed out soundscapes as well...especially in winter...dunno, when I heard Aphex's 3 for the first time, I was like "whoa...what's that?"

Thanks! even better in stereo but the video got summed to mono on accident 🙀 just means I'll have to make more to release together 😸

thanks, i actually just traded the KO to a friend, now the funk is in their hands