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Пікірлер
@istvanbracz Сағат бұрын
How can you list something without giving the performer credit information top and center. You are riding on this person's work without giving them proper credit. It blows my mind.
@DmitryTimofeev 14 сағат бұрын
Babbitt was talanted
@cronano 15 сағат бұрын
electric and visceral piece! beautiful timbre and orchestration.
@UtsyoChakraborty Күн бұрын
Fantasy + Invention = Enchanted!
@abilikesboba 2 күн бұрын
5:04 11:20 39:46
@Stern_Kind 2 күн бұрын
The hate on this production is insane. The fact you guys are putting Jonas Kaufmanns prefomance away as not heroic and small is so misinterpretated. He comes in the midst of the heat and he is frightened, I believe everyone who would be in Lohengrins shoes would be. But as soon as he sees Elsa and she speaks out her love for him you can see him change into this brave knight. The stage looks amazing as if the waters where Lohengrin floated on took over the castle where Elsa lives and I also love that they made Elsas character present herself als self doubting and anxious beyond measure where as to shes being accused to be mad. Hell I would be the same in her position. Love the dept! And hey if its not your cup of tea be nice about something where others worked so hard for to accomplish
@pikachuchujelly7628 3 күн бұрын
This is what anxiety sounds like!
@arturiapendragon9642 3 күн бұрын
So the fast section is 120 in cut time (2/2), which is why, even while written as quarter notes, it’s so fast. For those who might not know this bit about music theory, cut time (2/2) is when all the values of a note are cut in half, hence the name. Instead of a whole note getting 4 beats, it gets 2, a half note gets 1, and quarters get 1/2. There’s your music lesson for the day, folks.
@ramin.amintafreshi 4 күн бұрын
14:47 The build-up here towards the fascinating intensity of 15:06 is incredibly beautiful..!! Also, 15:41...!!
@k_i_r_i_l_l__a 4 күн бұрын
Beautiful ❤
@subplantant 5 күн бұрын
Thank you for introducing me to this - can't believe I had no idea it existed!
@danyelnicholas 6 күн бұрын
I think the guitar is sightreading.
@machida5114 6 күн бұрын
sodelicious............................
@machida5114 6 күн бұрын
sodelicious................................
@galinapirogova6118 7 күн бұрын
4:37
@williammcghee863 7 күн бұрын
If you're still here listening after five minutes, I salute you.
@ContemporaryClassical 7 күн бұрын
Try this one? kzbin.info/www/bejne/r2iadn2gpL-ihcU
@Michael-f7i9b 7 күн бұрын
Nice.
@ГалинаБельская-л9х 8 күн бұрын
Ожидание или предчувствие грандиозных перемен. Может быть ожидание любви, которая все сметет на своем пути. Кажется я не ошибаюсь.
@Ellingtonia 8 күн бұрын
I am sure music lovers will be forming queues to hear this when performed!
@calebhu6383 9 күн бұрын
24:35
@ScottStaples-w8w 9 күн бұрын
Bradford Mill
@VioletKama-x2k 9 күн бұрын
O'Connell Stravenue
@robkeeleycomposer 10 күн бұрын
Sweetly triadic.
@MorganHayes_Composer.Pianist 10 күн бұрын
More triadic than any other Babbitt I know....2:54 for instance :) can't imagine Boulez allowing that.
@BrianJosephMorgan 11 күн бұрын
Brilliant.
@shark_username 11 күн бұрын
this is when registers are used and you hear the registers
@MorganHayes_Composer.Pianist 11 күн бұрын
possibly my favourite piano piece by Babbitt.
@porcinet1968 10 күн бұрын
same! it could be the performance but it has a kind of clarity and verve I like
@gillan5 11 күн бұрын
Lohengrin as a coward who crouches on the floor- fantastic-Lol. -either you hate or love Kaumann.
@UtsyoChakraborty 11 күн бұрын
Scintillating is the first word which comes to mind on listening to Babbitt’s late music.
@PhilipDaniel 11 күн бұрын
Unironically.
@JimmyHeight 2 күн бұрын
Dummy
@georgenorris2657 11 күн бұрын
twelve tone often leaves me cold but, true to form, stravinsky always makes it work. utterly convincing.
@marinadela1361 11 күн бұрын
This is not what I was looking for!
@ContemporaryClassical 11 күн бұрын
What were you looking for?
@machida5114 12 күн бұрын
sodelicious...........................
@machida5114 12 күн бұрын
quite delicious.....
@maestromina 12 күн бұрын
Where did I find this score??
@central9823 15 күн бұрын
Monumental works! After listening lots of serialism pieces and the New Complexities, this got way more accessible to my ears than it used to be. Now I can enjoy this satisfyingly!
@driangx 15 күн бұрын
5:08
@pilotkarpenko4389 15 күн бұрын
Heavy Metal players: We play really heavy riffs! Shostacovich: just take my beer! Second movement please!
@LeightonElroy-h6j 15 күн бұрын
Delphia Fields
@chloroxiphite 16 күн бұрын
Who is the performer?
@es_ist_unmoeglich 16 күн бұрын
Lachenmann himself.
@pianoplaynight 17 күн бұрын
I was privileged to listen to him play this live. Unforgettable!
@emilawad7074 18 күн бұрын
Thank you, thank you for sharing.
@TobiasIannotti-l7s 19 күн бұрын
Lindgren Mills
@elandII 19 күн бұрын
Can somebody explain what is this
@ContemporaryClassical 19 күн бұрын
The description under the video is helpful. I would add for someone not familiar with 60s experimental music that is a piece using "extended techniques", including unusual ways of producing sound, and also including the performer's voice. The composer Berio wrote a whole series of such pieces for solo instruments called the Sequenzas, where techniques are extended for the particular instrument. You can find them on KZbin if you're curious.
@heart_locket2 19 күн бұрын
0/10, i just wanna move a 🅱️ean vruh :|
@dylanmcdermott1110 19 күн бұрын
As someone who prefers chamber music to orchestral works, I'm excited for this series!
@davidaldridge9341 19 күн бұрын
The kind of music you can only produce when your parents have stupendous amounts of money.
@UtsyoChakraborty 19 күн бұрын
Which is why composing is not my primary profession! 🤪
@mm-dn6oe 19 күн бұрын
If it's good music, then it's good music. At least a few people seem to think so for this piece.
@ContemporaryClassical 17 күн бұрын
I'm not sure I agree with you. While Carter was fortunate to have a private income, I imagine he earned a living also from his music, performed by many of the foremost classical ensembles in the world, and receiving constant commissions. In any case, he was 84 when he wrote this, so definitely pensionable!
@mm-dn6oe 14 күн бұрын
@@ContemporaryClassical well, I think I do agree a bit. Carter's economic privilege definitely allowed him to travel to europe, have the freedom to compose early on in life without needing to take a full-time teaching job or take commissions for much of his young adulthood. The thing is that *IT DOESNT MATTER. the commenter is implying is that this makes his music illegitimate or bad, *which it doesn't. Mozart also had a lot of privilege, but that doesn't stop people from appreciating his work. Good music is good music.
@Michael-lm6gl 20 күн бұрын
just great
@川口健太郎-m5e 20 күн бұрын
ウルズラ・ホリガーに献呈
@UtsyoChakraborty 20 күн бұрын
‘Jazz from another planet’
@UtsyoChakraborty 20 күн бұрын
Carter at his most lyrical
@danb2622 20 күн бұрын
Impressive! This could not be easy to perform.