Shironamhin - Topic

Shironamhin is a Bangladeshi rock band formed in 1996 in Dhaka by Ziaur Rahman Zia. Initially Zia formed the band with Jewel (guitarist) & Bulbul (vocal). They continued for 4 years with same approach which they couldn’t manage to do in course of time. Shironamhin tried to record their own compositions time to time in various studios that didn’t work in a result for a complete album. Tuhin Joined Shironamhin in 2000. He was from the same university (BUET) & same discipline (architecture) with Zia & they tried to carry the ship along with Farhan & Tushar who joined in 2003. Shafin was practicing drums, eager enough to prove himself as a musician joined Shironamhin in 2003. Diat (guitar) & Russel (keyboard) joined in 2010, 2011 respectively.
At first they used to jam & perform in the campus gossip areas & street crowd. In course of time, they started to perform in the campus stage live performances bringing in some inevitable changes in the use of instruments.
Shironamhin started their live performance journey by performing at the TSC auditorium, Dhaka University along with the stage drama performance of Podatik Nattyachakra in 1996 pohela boisakh. They started complete unplugged approach & have applied changes in course of time to describe their own nature & rock based color more. But they didn’t give up the acoustic approach.
They have played sarod in their live performances & they still do for the TV/FM radio lives. Farhan used to play sarod. After Icche ghuri, he left Bangladesh for higher studies that made Shironamhin think different for compositions.
In the album Bondho janala they have used silver flute & esraj in the compositions with the help of guest artists though Farhan played sarod in one song communicating & sharing thoughts with Shironamhin through internet, recorded his instrument in an Australian recording studio.
In 4th album- Shironamhin Rabindranath which was a tribute to Tagore changed the total approach in composition. 39 acoustic instruments were played in that album which they had to arrange from all over the globe. This passionate practice on acoustic instruments encouraged the young musicians to learn acoustic & classic instruments instead of using easy downloadable loops & cheap software based music.
Shironamhin effectively created a very complicated hepatic quality of lyrics by putting side by side contrasting allegory of urban myth, morose state of human soul and their expectation from life itself. They have tried simp

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