I. Allegro moderato (0:12) II. Menuet - Trio (4:10) III. Adagio (8:02) IV. Menuet - Trio (11:30) V. Allegro (Presto) (14:04)

Man, I really love SCT. Thank you so much for sharing this lovely work! I was curious and procrastinating on some other work, so I looked into the wonky credits - especially since it seemed so ironic not to be able to credit the bassist on a channel designed to feature bass music! Information I can find through the New York Public Library says Craig Brown was the double bassist for _Coleridge-Taylor: Chamber music_ released by Centaur in 2004. On Presto, the same album lists both Fadial and Orenstein as having played the clarinet quintet, and Fadial the African Dances. Perhaps one or the other accidentally got listed for the Nonet, as well. [There's also another KZbin score video of the Nonet put out by the channel "University of Rochester 3D Audio," which appears to be associated with Harley himself, as it links to his UoR faculty page featuring numerous other videos from the same account. In that video description, not only does it list Brown as the bassist, but Fadial as the violinist. And if that account is truly Harley, I'd probably trust him to remember who he played with!]

Thank you very much for sharing!

Слушаю очередной раз,дифирамбов петь не буду,но как хорошо....блженство для души....

Изумительно..как хорошо исполнено...вроди бы простенькая вещь,а как приятно слушать!!!

I. Introduzione (0:12) II. Tema (3:00) III. Variazione I (4:22) IV. Variazione II (5:51) V. Variazione III (6:41)

Это очень,очень здорово....великолепно,заново открываю Глинку и восхищаюсь...

I. Allegro moderato (0:12) II. Menuetto (4:21) III. Andante (8:10) IV. Rondo (11:08)

thank you for the upload :D

I. (0:08) II. Prière d’une vierge dans la Tonart mixolydique (0:56) III. (2:08) IV. Kanon (zum Schießen) (3:15) V. Broken Melody (4:13) VI. Marsch der Löwenreichswehr (Oberst W. gewidmet) (6:21) VII. Lied (8:25) VIII. Die Gebetsmühle im Schwarzwald, Charakterstück (9:32) IX. Ein Tänzlein (10:53)

This is one of the pieces that Martin composed during the early/mid 1930s, when he was deeply immersed in a study of Schoenberg's 12-tone theory, to find out what its implications might be for his own music. Along with the contemporary Trio for Strings, this is the work with most extreme harmonic astringency in his catalogue. Martin's characteristic lyricism nevertheless often emerges, as does his sense of humor.

What a delightful and well-written piece. I particularly like the two violas, but everybody has jam.

I. Allegro (0:16) II. Andante (9:25) III. Scherzo (Tarentelle) - Allegro vivace (17:02) IV. Finale (19:19)

Répertoire très intéressant !

While I'm not a horn player, some of those bits for the horns look like murder. The players on this recording handle them all cleanly.

Это как раз то ,что мне нужно ,как можно меньше предсказуемости старых мастеров.....

Splendid performance! Up to now I had only been familiar with this early work via the sheets on IMSLP but to hear it is lovely. Already in the opening bars we hear Poulenc's faux-rococo that he'll employ later in Les Biches. The valse is the most Satie-esque. The "Madrigal" also appears in his five impromptus (#3) for piano. For the ambitious there's much to reap in transcribing his score for a short animation titled Sleeping Beauty (search "Alexandre Alexeieff - Sleeping Beauty" on youtube). I'm guessing the original parts are long-gone. In the Final mvmt of Gendarme we can hear the same motif enfantine employed in the closing dance scene of Sleeping Beauty.

Hey there! I'm the host who put together the audio you're using (and trombonist in the last movement)! If anyone seeing this likes the music, I highly recommend checking out our original video (linked in description), which features some art my friend Luke made that I think is a great fit for this quirky little suite. And since this is a score video, it's worth mentioning that there are minor differences between the score here and what we played. They aren't major, but there are occasional discrepancies between the score and parts in this set on IMSLP, and also with what I've heard from performances of the original play this suite came from. With engraving help from dpMusicman (who also performed some of the percussion parts), we assembled what I guess you could call a critical edition of this piece, trying to select whichever option seemed most internally consistent wherever discrepancies were present. Little details like 8th-8th vs dotted 8th-16th, or mute changes. Anyway, I hope you enjoyed the performance! Poulenc's music is always a delight, and while this is clearly an early work, his irresistible charm comes through so clearly.

I. Ouverture (0:12) II. Valse (3:38) III. Madrigal (5:00) IV. Final (6:48)

Incredible! And thank you so much for the score! I hope to play this quartet one day with some friends.

Всего два музыкальных инструмента,а какая красота непостижимая,великолепное звучание,особенный колорит,мастерство автора и исполнителей витает в воздухе....браво!!!

Imagine actually marching on this music

The Scordatura is somewhat confusing...

I. Allegro moderato (0:16) II. Adagio - Poco andante (5:56) III. Andante con Variazioni (9:40)

Dissonant music truly is an experience to listen to.

Меня всегда завораживают: виолончель,и особенно ворчун контрабас....очень,очень достойное произведение и виртуозное исполнение.Благодарю Вас!!!минуты наслаждения и восторга....

That bass part is fire🔥

Яркое,мелодичное произведение,на меня произвело впечатление....спасибо Вам,было приятно встретиться с почти неизвестным автором

I quite like how the wind and brass take the melodies here, with the strings giving color with ostanatos.

Thank you very much!

Благодарю за удовольствие,предоставленное мне,это высшее наслаждение!!!единство инструментов,исполнителей и произведения...очень достойно....

Ноты бы еще найти...

Или просто судьба не распорядилась....Лахнер,я люблю твою музыку,восхищаюсь тобой безгранично....

Отличное произведение,даже очень,и возникает вопрос,почему Лахнер мало известный композитор,что не так в его творчестве?

Very nice playing

I. Allegro (0:12) II. Andante (4:38) III. Rondo (6:37)

¡Muchas GRACiAS!

I. Allegro (0:12) II. Andante - Romance (4:32) III. Rondo (6:59)

How can I get this separate score with the piano and bass?

I. Allegro (0:12) II. Andante (4:44)

Can you imagine the ability to compose six sonatas at 12 years old ?

I. J’attends (Se fue sin decirme adiós) (0:12) II. La misma pena (Bonsoir) (3:47) III. Saint-Louis en L’île (dédié à Yves Baquet, mon ami) (6:40) IV. Guardia Nueva (9:13) V. Adios Nonino (12:30)

Excelente, gracias

Why am i hearing this music for the first time - it’s a crime against nature…

I. Allegro (0:16) II. Andante (9:44) III. Scherzo - Tarentelle (18:25) IV. Finale (20:50)

I am interested in many pdfs of this account, who can send them to me?

Pdf plsssss

Pdf?

Wonderful upload! Thank you..

I. Adagio (0:08) II. Rondo - Allegro ma non tanto (2:16) III. Finale - Un poco piu allegro (6:55)