I'm loving Sol Shapiro's Yiddish style fiddle!

I wonder if they used a mobile recording studio for this. Thanks for the post.

It's amazing to know that this record is a hundred years old

Too bad some of these accustical recordings weren't electrically recorded.

Harry Langdon ❤

Such an awesome song ...sounds great..thank you ❤

Burmese colored needle ! Wow !

Amazing

Miles said that on a Down Beat blindfold test, can’t remember the year.😊

Lu Watters and His Frisco band where I first became familiar with this tune

An essential tune of the Roaring '20s -- certainly the hottest version of it! Thanks for the upload!

Me too, I meant. Not “me tone”. Sorry. Great record🎉

Miles Davis loved Joe Smith’s tone. Me tone.❤

Really fabulous sound! And thanks once again for the mention of BCNs!

🔹🌹🔹🎶🔹🎺🔹🎺🔹🎶🔹🌹. This is Great !! ❤ 🔹🎺🔹🎶🔹🌹 Celebration Day 🌹🔹🎺🔹🎶🔹

Thanks for posting this one of my all time favourites of Ted Lewis

Thanks for sharing this vintage recording, and nice job on the retrofitted player....

Wonderful 🌟💃

Great tune…nice version

My father was thirty-five years of age in 1927. When I was a child in the 1950's he taught it to me. He had also written a couple of songs on his own in the late 1930's.

Very uplifting 😊

The eight titles Lyman recorded for Brunswick Feb 1-2 1926 in Chicago are exuberant - VERY hot stuff, the band really tears into the tunes - my favorite is "Shake That Thing," recorded the same day as this. This is also a sample of Brunswick's troublesome and goofy electrical recording system (their "Light-Ray" system) which neither Victor nor Columbia elected to use (thank goodness) and which gave Brunswick engineers no end of difficulty the second half of 1925 while they tried to figure out how to use it and get consistent results. Basically (and you probably already know this, so forgive me), a powerful beam of light is centered on a minute crystal mirror (weighing one two-hundredth part of a milligram) very much smaller than the head of a pin. This delicate mirror, which is held in place by a magnetic force is vibrated by sound waves and will respond to the slightest whisper. The mirror reflects the powerful light playing upon it, and as the sound waves vibrate, the mirror of reflected light dances to and fro. This dancing beam of light acts upon an electric magnetic wire, and a weak electrical impulse is set up. This electrical impulse is carried over wires to an amplifying unit, and thence to a cutting device which cuts the wax. Sounds cool, yes? Not really. The Brunswick engineers could never get consistent results, take after take, and nearly all of their recording sessions from August-December 1925 were scrapped. The few marketable Brunswick electrically recorded titles that weren't a total loss from 1925 sound abominable, but by December 1925 the quality of the records improves (albeit with lots of heavy distortion), and these early 1926 titles DO sound much more vibrant, but that might be due to the Chicago venue instead of the usual New York venue. Hard to stay. Brunswick stuck to the Light-Ray process for most of 1925, I think, before ditching it and converting to condenser microphones. Thanks, as always, for sharing your wonderful collection!

🍀🌹🍀🌹🍀🌹🍀🌹🍀🌹🍀 One of my favorites !! 🌹🍀🌹

What a splendid record..Very charming

Fantastic!

Sounds pretty good for a recording from over 100 years ago!

beautiful

Love MacDowell...thanks

A beautiful piece of music. Thank you for posting.

Wonderful 😊❤ thanks

The BEST jazz ever played without a doubt !!

No better version than this...thank you !!

LOVE IT !!! This song and music from this year , especially Whiteman's Orchestra . Thank you !!

Awesome !! Love it !!

Thank you!!

Good morning

Is this a cylinder or disk machine? Can't tell

This is superb.

Terrific side! So many talented people--singers, dancers, comedians--performed live and on record in those days, and yet never became stars. Just accomplish performers providing joy to audiences throughout the country... Thanks for remembering these two.

This is so entirely cool. We are visiting the late 20s before the Great Crash. Heavenly!!

Exelent

😊awe, the lovely stroll down memory lane ❤

Well, interesting ... not really to my current taste, old fashioned style, but ok

This is a good music from the civil war

I have this selection by Waring's Pennsylvanian's on Victor.

100 Hz one has a little bit of what sounds like a rattle on some of the lower notes

Kahn had an interesting life, much of privilege (came from a wealthy family) He had his own band at age 18 in 1925 and started cutting records that year. What he didn't have was longevity as he died at age 54 in 1962. I enjoyed his work as I have this and some other 78s of his songs. The flip side of this one (George Olsen's 'Do Do Do") is also a good number.

Paul Biese died in 1925.

I'd like to know the identity of the vocalist. The orchestra sounds great and better than the Paul Whiteman version on Columbia. Bing Crosby was the vocalist on that.

Thanks ! I like Roy Smecks version also .