Excellent, bravissimo!

Click bottom right for the full video

If you want to see the FULL video, click on the icon LOWER RIGHT KITTEL #willemvantwillert Johann Christian KITTEL (1732-1809) The last student from J. S. Bach, composed 16 Präludien for organ in outstanding quality. These works are not as popular as it should be in my opinion. Kittel was born and died in Erfurt. He first studied with Jakob Adlung. He moved to Leipzig in 1748 where Kittel was a favorite - and the last - student of Johann Sebastian in the last two years of Bach's life. In 1751 Kittel was appointed organist and teacher in Langensalza, 1756 Kittel returned to Erfurt to become organist of the Barfüßerkirche. In 1762 Kittel moved to the Predigerkirche in Erfurt. Kittel refused many generous offers and stayed in Erfurt for the rest of his life. In 1790, Kittel received an invitation from Duchess Anna Amalia of Saxen-Weimar to travel to Italy, but Kittel stayed in Erfurt for the rest of his life. He played many evening recitals there and became famous as a virtuoso organist, which you can hear in his Preludes, one of which has now been uploaded to KZbin. Goethe, Herder, and Wieland all went to his concerts to hear him play. Kittel made a concert tour to Hamburg in 1800. He stayed in Hamburg for a year to work on the chorale book for Schleswig-Holstein. Kittel was influenced by the contemporary gallant style. In that gallant style, the emphasis was on melody. It is extremely fascinating to listen to this Präludium inC major, where Kittel masterfully captures this Galant ideal.

Barok op een echt Barok orgel hier wordt ik blij van 🎉

Wenn Sie das VOLLSTÄNDIGE Video sehen möchten, klicken Sie auf das Symbol UNTEN RECHTS

Where is this organ?

Божественно!!! ❤❤❤❤❤❤

Rechtsonder klikken voor de volledige video Dit is een van BACHS meest geliefde composities #willemvantwillert #promotionorganprojects #willemvantwillertshorts #willemvantwillertbach #willemvantwillertbach #willemvantwillertbarokorgelmuziek De Fantasia in c mineur [BWV 537] is een klaagzang. Het werk opent met de laagste noot van het orgel. Daarboven ontwikkelt zich een thema dat begint met een kleine sext, het meest emotionele interval. In deze fantasie lijkt het erop dat Bach rouwt om een ​​verlies. Er is diepe emotie en dan komt de fuga. In Weimar J.S. Bach componeerde enkele van zijn grootste en bekendste orgelwerken, waaronder de Toccata en Fuga in D mineur [BWV 565], de Prelude en Fuga in E groot [BWV 566 [en waarschijnlijk ook deze FANTASIA et FUGUE in C mineur [BWV537]. Het kan ook zijn dat Bach deze Fantasia en fuga in 1723 in Köthen componeerde.

Click bottom right for the full video This is one of BACHS most beloved compostions #willemvantwillert #promotionorganprojects #willemvantwillertshorts #willemvantwillertbach #willemvantwillertbach #willemvantwillertbaroqueorganmusic The Fantasia in c minor [BWV 537] is a lament. The work opens with the lowest note of the organ. Above that, a theme develops that begins with a minor sixth, the most emotional interval. In this fantasia, it seems that Bach is mourning a loss. There is deep emotion and then comes the fugue. In Weimar J.S. Bach composed some of his greatest and most famous organ works, including the Toccata and Fugue in D minor [BWV 565], the Prelude and Fugue in E major [BWV 566 [and probably also this FANTASIA et FUGUE in C minor [BWV537]. It may also be that Bach composed this Fantasia and fugue in 1723 in Köthen.

Rechtsonder klikken voor de volledige video Dit is een van BACHS meest geliefde composities #willemvantwillert #promotionorganprojects #willemvantwillertshorts #willemvantwillertbach #willemvantwillertbach #willemvantwillertbarokorgelmuziek De Fantasia in c mineur [BWV 537] is een klaagzang. Het werk opent met de laagste noot van het orgel. Daarboven ontwikkelt zich een thema dat begint met een kleine sext, het meest emotionele interval. In deze fantasie lijkt het erop dat Bach rouwt om een ​​verlies. Er is diepe emotie en dan komt de fuga. In Weimar J.S. Bach componeerde enkele van zijn grootste en bekendste orgelwerken, waaronder de Toccata en Fuga in D mineur [BWV 565], de Prelude en Fuga in E groot [BWV 566 [en waarschijnlijk ook deze FANTASIA et FUGUE in C mineur [BWV537]. Het kan ook zijn dat Bach deze Fantasia en fuga in 1723 in Köthen componeerde.

Click bottom right for the full video This is one of BACHS most beloved compostions #willemvantwillert #promotionorganprojects #willemvantwillertshorts #willemvantwillertbach #willemvantwillertbach #willemvantwillertbaroqueorganmusic The Fantasia in c minor [BWV 537] is a lament. The work opens with the lowest note of the organ. Above that, a theme develops that begins with a minor sixth, the most emotional interval. In this fantasia, it seems that Bach is mourning a loss. There is deep emotion and then comes the fugue. In Weimar J.S. Bach composed some of his greatest and most famous organ works, including the Toccata and Fugue in D minor [BWV 565], the Prelude and Fugue in E major [BWV 566 [and probably also this FANTASIA et FUGUE in C minor [BWV537]. It may also be that Bach composed this Fantasia and fugue in 1723 in Köthen.

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#willemvantwillertshorts #improvisetta #willemvantwillert #promotionorganprojects IMPROVISETTA stands for a short improvisation on a free theme. This time this IMPROVISETTA was also to find out how fast I can play on this organ because the organ has no tracker action. With the right articulation and 'leggiero' play. The result: the organ is very nice to play!

If you keep playing them so well they will become popular!

If you want to see the FULL video, click on the icon LOWER RIGHT Johann Christian KITTEL (1732-1809) The last student from J. S. Bach, composed 16 Präludien for organ in outstanding quality. These works are not as popular as it should be, in my opinion. #willemvantwillertshorts #promotionorganprojects #willemvantwillertbaroque #willemvantwillert Johann Christian KITTEL (18 February 1732 - 17 April 1809) was born and died in Erfurt. He first studied with Jakob Adlung. He moved to Leipzig in 1748 where Kittel was a favorite - and the last - student of Johann Sebastian in the last two years of Bach's life. In 1751 Kittel was appointed organist and teacher in Langensalza, 1756 Kittel returned to Erfurt to become organist of the Barfüßerkirche. In 1762 Kittel moved to the Predigerkirche in Erfurt. Kittel refused many generous offers and stayed in Erfurt for the rest of his life. In 1790, Kittel received an invitation from Duchess Anna Amalia of Saxen-Weimar to travel to Italy, but Kittel stayed in Erfurt for the rest of his life. Kittel played many evening recitals there and became famous as a virtuoso organist, which you can hear in his Preludes, one of which has now been uploaded to KZbin. Goethe, Herder, and Wieland all went to his concerts to hear him play. Kittel made a concert tour to Hamburg in 1800. He stayed in Hamburg for a year to work on the chorale book for Schleswig-Holstein. Kittel was influenced by the contemporary gallant style. In that gallant style, the emphasis was on melody. It is extremely fascinating to listen to this Präludium in C major, where Kittel masterfully captures this Gallant ideal.

Ich kenne ihn . Gut aber etwas kurz . Was soll das , ein paar Sekunden von einem Meisterwerk hier hochzuladen ? Bekifft oder Blasphemie ? oder schlimmeres . Einfach nur arm . Lieber lassen als sowas zu machen . Wem soll das hier was bringen ??

Zadok the Priest, or to most people, the Champions league

Wat razend knap en prachtig 🙏❤️

I keep coming across your KZbin videos. Your playing is perfection as is your registration. Great improvisation skills!

Your playing is magnificent! Great articulation. Lovely registration!

Gottfried August HOMILIUS was born in Rosenthal bei Königstein, Sachsen, on 2 February 1714. Johann Adam Hiller, a student of his - Cantor from Thomaskirche, Leipzig, and Gerber, in his "Tonkünstlerlexikon", and Forkel (Bach biography, 1802) tells us that HOMILIUS studied with Johann Sebastian Bach. This is doubted because Bach did not write the important recommendations when in 1741 Homilius applied as organist to the position of organist of the Saint Peter's church in Bautzen. The recommendation was not sent by Bach but by a student of Bach, Johann Schneider. Homilius was rejected. In 1742 he became organist of the "Frauenkirche" in Dresden. (Wilhelm Friedemann Bach also applies for this position) Homilius was involved in the planning for this famous instrument made by Gottfried Silbermann, with a disposition of 43 registers, inaugurated by Bach himself, in 1736. In 1755 he was appointed Cantor of the "Kreuzkirche" and also music director of both churches, plus the "Sophienkirche". HOMILIUS was greatly appreciated for his good taste. Moreover, he was generally recognized as a great composer and he was also famous as an organist. Homilius enriched the organ literature with some beautiful choral preludes for organ solo. The now recorded, 'Hilf, Herr Jesu, lass gelingen' has become one of the most beautiful and original choral preludes of his time. The left-hand plays the choral melody, while the right-hand plays a fast [contra] musical line. HOMILIUS died in Dresden on June 2, 1785, and left a great oeuvre, including for organ 67 choral preludes and various trios. #willemvantwillertbaroque #willemvantwillertshorts

NEDERLANDS #willemvantwillertbaroque #willemvantwillertbach Gottfried August HOMILIUS werd geboren in Rosenthal bei Königstein, Sachsen, op 2 februari 1714. Johann Adam Hiller, een leerling van HOMILIUS - Cantor van de Thomaskirche, Leipzig en Gerber, in zijn "Tonkünstlerlexikon", en Forkel (Bach biografie, 1802) vertellen ons dat HOMILIUS studeerde bij Johann Sebastian Bach. Dit wordt door sommigen betwijfeld omdat Bach de belangrijke aanbevelingen ten gunste van Homilius niet schreef, toen Homilius in 1741 als organist solliciteerde naar de positie van organist van de Sint-Pieterskerk in Bautzen. Die aanbeveling werd namelijk niet door Bach maar door een leerling van Bach, Johann Schneider verzonden. Homilius werd trouwens voor die functie afgewezen. In 1742 werd hij organist van de "Frauenkirche" te Dresden. (Wilhelm Friedemann Bach solliciteerde ook naar deze functie) Homilius bemoeide zich met de planning voor dit beroemde instrument gemaakt door Gottfried Silbermann, met 43 registers, ingehuldigd door Bach zelf, in 1736. Nadat hij zijn prominente status had behouden, werd hij in 1755 benoemd tot Cantor van de "Kreuzkirche" en tevens muziekdirecteur van beide kerken, plus de "Sophienkirche". HOMILIUS werd gewaardeerd om zijn goede smaak. Bovendien werd hij als componist algemeen als een grootheid erkend en ook als organist was hij beroemd. Homilius verrijkte de orgelliteratuur met enkele fraaie koraal-preludes voor orgel solo. Het nu opgenomen 'Hilf, Herr Jesu, lass gelingen' is een van de mooiste en origineelste koraalvoorspellingen van zijn tijd geworden. De linkerhand speel de koraalmelodie, terwijl de rechterhand een snelle [contra] muzikale lijn speelt. HOMILIUS stierf te Dresden op 2 juni 1785 en liet een groot oeuvre na. waaronder voor orgel 67 koraalbewerkingen en diverse trio's.

If you want to see the FULL video, click on the icon LOWER RIGHT #willemvantwillert #willemvantwillerbaroque Johann Christian KITTEL (18 February 1732 - 17 April 1809) en.wikipedia.org/wiki/Johann_Christian_Kittel Kittel was born and died in Erfurt. He first studied with Jakob Adlung. He moved to Leipzig in 1748 where Kittel was a favorite - and the last - student of Johann Sebastian in the last two years of Bach's life. In 1751 Kittel was appointed organist and teacher in Langensalza, 1756 Kittel returned to Erfurt to become organist of the Barfüßerkirche. In 1762 Kittel moved to the Predigerkirche in Erfurt. Kittel refused many generous offers and stayed in Erfurt for the rest of his life. In 1790, Kittel received an invitation from Duchess Anna Amalia of Saxen-Weimar to travel to Italy, but Kittel stayed in Erfurt for the rest of his life. Kittel played many evening recitals there and became famous as a virtuoso organist, which you can hear in his Preludes, one of which has now been uploaded to KZbin. Goethe, Herder, and Wieland all went to his concerts to hear him play. Kittel made a concert tour to Hamburg in 1800. He stayed in Hamburg for a year to work on the chorale book for Schleswig-Holstein. Kittel was influenced by the contemporary gallant style. In that gallant style, the emphasis was on melody. It is extremely fascinating to listen to this Präludium inC major, where Kittel masterfully captures this Gallant ideal.

wow.. this looks.. and feels ancient )

You must have excellent recording microphones. In such a good acoustic the sound is still very clear and powerful with no muddy sound. Thanks for sharing. Great playing and an outstanding pipe organ.

Nice playing. Outstanding acoustics! The clarity of the stops and the contrast is very pleasing.

lovely hair style!

Heel mooi.

NEDERLANDS De bekendste CANON is geen echte Canon. Dat maakt niet uit want Johann Pachelbel (1653-1706) componeerde een waar meesterwerk. Registrant, Marien Stouten. Kijk eens op en.wikipedia.org/wiki/Johann_Pachelbel Dit is een arrangement voor orgel. #willemvantwillert #promotieorgelprojecten #willemvantwillertshorts #willemvantwillertbarok

The most famous CANON is not a real Canon. That does not matter because Johann Pachelbel (1653-1706) composed a real masterpiece. Registrant, Marien Stouten Check, en.wikipedia.org/wiki/Johann_Pachelbel This is an arrangement for organ. #willemvantwillert #promotionorganprojects #willemvantwillertshorts #willemvantwillertbaroque

Altijd mooi deze koraalbewerkingen.

This intro is timeless in its charm

The old type of stops. How cool

Beautifully articulated and registered

Precioso ❤❤❤

heel mooi!!

Heel mooi!!

NEDERLANDS #keesvaneersel #promotionorganprojects Kees van Eersel improviseerde in 2006 op uitnodiging van Willem van Twillert, op zijn eigen vrije thema's, een MODERNE SUITE. Kees van Eersel heeft meer dan gehoor gegeven aan deze uitnodiging. Vooral het Bätz-orgel in Harderwijk inspireerde Kees. Kees laat een schat aan vormen van improvisatie zien. Hier hoor je hoe origineel Kees ook met de vorm om kan gaan. Kees staat bekend om zijn vermogen om in elke stijl te improviseren. Dit orgel uit 1827 van Batz inspireerde Kees van Eersel. Later zei Kees: "Improvisatie op dit orgel was bijna vanzelfsprekend voor mij." Dit keer geen koraalmelodie maar een vrije vorm. De diversiteit en contrasten van de vier delen blijven fascineren; zelfs na meerdere keren geluisterd te hebben. De diversiteit en contrasten van de vier delen blijven me fascineren; zelfs na meerdere keren geluisterd te hebben. [Willem van Twillert]

#keesvaneerselwillemvantwillert Kees van Eersel improvised in 2006 at the invitation of Willem van Twillert. Kees improvised on his own free themes, a MODERN SUITE and a galant Suite. Kees van Eersel has more than responded to this invitation. The Bätz organ in Harderwijk particularly inspired Kees. Kees shows a wealth of forms of improvisation. Here you can hear how original Kees can handle the form as well. Kees is known for his ability to improvise in any style. This 1827 organ by Batz inspired Kees van Eersel. Later, Kees said, "Improvisation on this organ almost came naturally to me." This time no chorale melody but a free form. The diversity and contrasts of the four parts continue to fascinate; even after listening to it several times. The diversity and contrasts of the four parts continue to fascinate me; even after listening to it several times. [Willem van Twillert]

A famous composition by Johann Sebastian Bach #willemvantwillertshorts

Erik Satie composed very famous pieces for piano This is aan arr. for organ #willemvantwillert

IMPROVISETTA is a short improvisation on an own, free theme. #improvisetta

IMPROVISETTA is a SHORT improvisation on an OWN free THEME #willemvantwillert #improvisetta

I love it !

Nice !

Mooi!!

Maestro, como siempre belleza. Maravillosa música.!!!!❤❤

@WillemvanTwillertOrganist 0 seconden geleden #willemvantwillert BRANCHES OF SINGULARITY was initially composed for symphony orchestra. After that, I made an arrangement for organ solo that differs somewhat from the symphonic work. The Symphony with orchestra has been recorded by the label Parma Recordings and can also be heard on Spotify. Check, open.spotify.com/track/390BQTUHEALwzE63WAPNAy?autoplay=true #willemvantwillert nl.wikipedia.org/wiki/Willem_van_Twillert de.wikipedia.org/wiki/Willem_van_Twillert

#willemvantwillert BRANCHES OF SINGULARITY was initially composed for symphony orchestra. After that, I made an arrangement for organ solo that differs somewhat from the symphonic work. The Symphony with orchestra has been recorded by the label Parma Recordings and can also be heard on Spotify. Check, open.spotify.com/track/390BQTUHEALwzE63WAPNAy?autoplay=true #willemvantwillert nl.wikipedia.org/wiki/Willem_van_Twillert de.wikipedia.org/wiki/Willem_van_Twillert

Brilliant ❤