tonebase Cello

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@gladiothedadio6979 Күн бұрын

Mrs Moses! I had a masterclass with her!

@manubishe Күн бұрын

Great point there

@willxaviercheng Күн бұрын

Good tutorial.

@goodluckchilerens 4 күн бұрын

intonation changed😂

@IsaiahCelloBrown 6 күн бұрын

🤌🤌🤌

@rubyjoyevasco5506 6 күн бұрын

Are you using a full size cello? Or something smaller? I'm trying to figure out what cello size is good for me. I'm also a petite asian woman. I'm currently practising on a full size, but wondering if a 3/4 would be better. Thank you for your input.

@Barbtuck 7 күн бұрын

I’m a cellist and it’s funny but when she said so I’m gonna try D and she put her finger on a

@adityaabraham2242 7 күн бұрын

What is he playing at 0:47?

@mregamer416 8 күн бұрын

Bro was already mewing 🤫🤫🧏🏻‍♂️

@loricellolady 8 күн бұрын

You sound amazing

@Phd521 15 күн бұрын

Beautiful, he sounds so great!❤

@CelloGang01 16 күн бұрын

What concerto is this? Absolutely beautiful

@celloguy 16 күн бұрын

Schumann cello concerto

@celloguy 16 күн бұрын

Last movement

@cimmyjarter 14 күн бұрын

This is what I *think* I sound like.

@tangjia5327 16 күн бұрын

What a beautiful tone ans vibrato!

@gaven4349 16 күн бұрын

nicee

@paoladeafcellist 16 күн бұрын

That’s awesome

@apoi__7607 16 күн бұрын

Oh yeah, nothing's difficult ! I forgot about that ! *proceeds to play la ronde des lutins flawlessely with a left handed 3/4 violin while playing one in three notes in col legno*

@apoi__7607 16 күн бұрын

And btw it's not only inconveniant if you can't do that unless you train for it for decades. Like sure having to walk a few kilometers to a place bcs you don't have your car is inconveniant. But if it takes 10 years to do so, it's difficult ("going around the world by foot is a little inconveniant")

@princessofsensuality 24 күн бұрын

Majestic 👑

@josephsdsu1 28 күн бұрын

Does Ms. Schween call the G string a C string at 3:27 ? Sounds that way to me; am I missing something? Thanks!

@ponyonoodles6568 29 күн бұрын

How much vibrato do we want? Maisky: Yes.

@RichardVasquez-q3t Ай бұрын

Sweet

@n1iwr Ай бұрын

What a cool way of changing ur mindset and it has already helped me in my playing!!! Thank u!!!

@johnrobinsoniii4028 Ай бұрын

The “Fifth Unaccompanied ‘Cello Suite In C-Minor”by J.S. Bach(opening bars of the Prelude)

@mrssibelius Ай бұрын

Speedpractice has great advantages

@WHCcccc Ай бұрын

Hey, Gary - why so angry?

@arahkoh Ай бұрын

첼리스트 개리 호프만. 34년전 한국에서 마스터 클래스 하셨었지.

@lisadaniels9688 Ай бұрын

May I meet you?

@paoladeafcellist Ай бұрын

Thank you for sharing ❤

@snails9505 Ай бұрын

Great interview thanks, and if there's a link to crowdfunder to buy you some books, please share

@mrssibelius Ай бұрын

Thst is how proprioception works. Go to the sound in your head, not a place on the cello

@davidwilson7476 Ай бұрын

what's your name and im not understanding something about the "from the natural to the in tune" concept

@davidwilson7476 Ай бұрын

scottish girl from ireland ...or irish girl from scotland

@jessiewu5360 Ай бұрын

It”s important that you never call something difficult!👍

@colinmaclean26 Ай бұрын

Our intermediate adult cello class is studying Just Intonation and Pythagorean Tuning.... Your exercises are great and I'm wondering how you incorporate intonation training into those various double-stop exercises?

@Lamturnik Ай бұрын

Thank you!❤

@Ryan.Rivera Ай бұрын

Um yeah, that was sick.

@christiankininga1363 Ай бұрын

The title of this piece

@stevenl378 Ай бұрын

It's amazing how good she is

@palkyaw8756 Ай бұрын

Great master me❤❤❤❤

@palkyaw8756 Ай бұрын

❤❤❤❤❤like

@InstrumentalistElle Ай бұрын

She looks like she's playing some tragic, heartfelt, Rachmaninoff piece but she's just playing an exercise with pentascales lol

@mylesjordan9970 Ай бұрын

Whichever side of the improvisation question you come down on, there’s plenty of musicological evidence to support you. The musical conviction Matt Haimovitz brings to the last phrase of the D minor Prelude is actually the most persuasive argument in favor of eliminating improvisation over the chorale structure-as it also is for its stylistically-informed embellishment. A widely-held impulse to settle on “the definitively correct” approach, like the Urtext movement itself, is of course anachronistic to all this music, but the human conviction of the performer, on the other hand, will never be-because it’s the source of all beauty. A superlative artist like Matt Haimovitz could just as convincingly have persuaded the listener of the opposite point of view.