Arthur Carmonário

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@CarmenReyes-em9np 6 күн бұрын

Al nino. que recibio El Santo Grial. 😅

@eirini1501 12 күн бұрын

Masterpiece!

@SniaViscosaToxSwag 24 күн бұрын

Qui si trova la vera magnificenza dell'opera Wagneriana! Locchi, nella sua magistrale ed aurea opera su Wagner e Nietzsche: Quel che noi chiamiamo qui, per definizione, «muisca europea» costituisce nella prospettiva wagneriana un TUTTO la cui vita va da Bach a Wagner. Bach e Wagner non rappresentano in questo discorso limiti cronologici STRICTU SENSU, bensì poli di riferimento: Bach ha avuto precursori e, ancora dopo Wagner, la «musica europea» ha continuato ad iscrivere sulla sua parabola splendidi, affascinanti capolavori (e basti, a tale proposito, pensare ad Anton Bruckner e Richard Strauss). In virtù del suo carattere proprio, la musica europea pone, in modo immediato, un fondamentale problema, quello della sua UNICITÀ, da tutti sentita e spesso riconosciuta anche da coloro che peraltro hanno rifiuterebbero all'occorrenza il SIGNIFICATO di cui la prospettiva wagneriana l'investe.

@RealPreCinema Ай бұрын

1590 THE COLOUR ORGAN SOUND IN A VISUAL MEDIUM GIUSEPPE ARCIMBOLDO (1527-1593) Arcimboldo was the earliest to attempt to match pictures with sound long before the 19th century pre cinema pioneers. The term Colour Organ denotes a mechanical device built to embody sound, specifically music, in a filmic or pictorial medium. In 1590, Arcimboldo defined this as creating “colour music,” embracing a radiance or glow. Mechanical Colour Organs first debuted as physical instruments in the 18th century, modelled after both the pipe organ and piano. 1725 French monk Louis Bertrand Castel (1688-1757) suggested his concept of an Ocular Harpsichord. It was a notable cultural phenomenon of the European Enlightenment, meant to play ‘colour music’. Castel asked why people didn’t make harpsichords for the eyes as well as for the ears. It was then known as the Clavecin Oculaire. 1877 The Bainbridge Bishop Colour Organ for "painting music" on a semi-circular-shaped screen was displayed at the Phineas T. Barnum Museum in New York in 1877. Bishop started working on his Color Organ two years prior. [ en.wikipedia.org/wiki/Color_organ ] The instruments of light were designed for a pipe organ that could project coloured lights onto a screen, synchronised with the playing of the organ. Bainbridge patented his Colour Organ in 1877. Bishop had three of his Colour Organs built however none survived because of fire including one that was in the home of the circus man himself. No photographs of the instrument are known to have been taken.

@StudSupreme Ай бұрын

Interesting. Wagner's use of atonality is quite adventurous, anticipating later composers by a good 50 years and more. Von Karajan's direction is absolute mastery. None have been as amazing either then or since.

@gmggmg7743 2 ай бұрын

Père tout-puissant ! Daigne abaisser vers moi ton regard ! Je t'implore, agenouillé dans la poussière ! Ecoute ma prière ! Le pouvoir que je dois à l'effet merveilleux de ta grâce, ne le réduis pas encore à néant ! Tu m'as réconforté, tu m'a donné le pouvoir souverain. Tu m'as accordé le don insigne d'ouvrir à la lumière les esprits avilis, de relever ce qui rabaissé dans la poussière. Le peuple étant dans la honte. Tu l'as fait souverain en lui donnant l'éclat, la majesté ! O mon Dieu ! Ne détruis pas ton ouvrage ! Car il témoigne de Ta Gloire. Dissipe, ô Seigneur, la nuit profonde Qui obscurcit encore l'âme des hommes ! Laisse descendre sur nous l'effet de ta puissance qui dure pour l'éternité ! Mon Seigneur et mon Père ! Daigne abaisser vers moi ton regard ! Toi qui règnes dans les Cieux ! O mon Dieu ! Toi qui m'as donné le pouvoir souverain, Je t'implore ardemment ! Exauce ma prière !

@schaerffenberg 2 ай бұрын

This piece sounds especially funereal on organ. Wagner transcribes quite naturally to this instrument.

@viktoriabentham8664 3 ай бұрын

Love that opening trumpet.

@peterpreston877 3 ай бұрын

Excellent recording from RCA Red Label and not the more recent Tel Arc. Very hard to find.

@ctr2090 3 ай бұрын

Richie? Number One.

@Alberich4752 4 ай бұрын

a marvelous performance by the Berliners under von Karajan!

@MrSnoid-sj7fd 6 ай бұрын

Wagner es lo máximo.!!!

@ligiacerqueira1721 6 ай бұрын

Thank you so much!

@isolda980 7 ай бұрын

Stunning, leaving me breathless!

@ishan6241 7 ай бұрын

This is the right tempo I feel. Most pianists play this far too fast.

@hectorbravo6862 8 ай бұрын

Curioso que nunca lo haya escuchado antes y eso que estudié en Angol y tuve oportunidad de ver en varias oportunidades actividades del regimiento. O acaso es posterior a los años 70?

@valerietaylor9615 9 ай бұрын

Is there more to the ad shown at the top? It’s an ad for Liebig’s Meat Extract, and at the bottom, it says “Wagner as student, a lesson with Cantor Weinlig, at Leipzig, 1831.” Cantor Weinlig was the music director at the Thomaskirche, or St. Thomas’es Church, meaning he had J.S. Bach’s former job, and he gave the young Wagner the little formal instruction he ever had.

@paulferguson8749 10 ай бұрын

This is great, but the last 17 seconds are missing!

@garrisoncluff5367 10 ай бұрын

There's so much pain and anguish that goes into this movement of the symphony. What horrors did Tchaikovsky go through to lead him to write this wonderful yet thought-provoking symphony?

@GiorgioRabusin Жыл бұрын

Grande emozione

@JanLah-n8o Жыл бұрын

Masterpiece! Does anyone recognize the melody from 4:25 on from the smurfs or am i the only Smurf fan here? :)

@sabineb.5616 Жыл бұрын

Not my cup of tea. It is far too slow! That's btw a huge problem of many Wagner performances in the last few decades. Wagner himself would probably not like it. He told his conductors constantly to make it faster because otherwise the audience would fall asleep 😊

@joseluisdearteaga1643 Жыл бұрын

Todo iba bien, hasta que salió Jeshua ben Josué y amigos.

@electroniceyes1408 3 ай бұрын

one is open one is close

@SK-lu3se Жыл бұрын

Wagner hat ein stil erfunden und ist unvergleichbar.

@Dylonely_9274 Жыл бұрын

1:40

@Dylonely_9274 Жыл бұрын

1:28

@Dylonely_9274 Жыл бұрын

10:23

@Dylonely_9274 Жыл бұрын

Old but gold.

@JWP452 Жыл бұрын

It's very odd that Richard & Cosima, despite Parsifal, are two of the most disgusting racists ever put on earth.

@nickway4693 Жыл бұрын

The rising chords over the falling bassline from 17:02

@aticbg01 Жыл бұрын

Pas de mots pour qualifier une telle musique!!!

@pablom.g-m Жыл бұрын

22:30

@justinv9413 Жыл бұрын

Barbarbarbarbar I know why the Latin world called us Barbarians

@rokosituohozoyeh Жыл бұрын

So when you hear strings in the beginning you say it's Hans Sach's nachdem David war redlich

@franz5289 Жыл бұрын

Fabuleuse et juste alliance entre cette musique de Wagner et les gravures de Gustave Doré ! Le 19ème siècle fut traversé par un engouement passionné et fantasmé pour les temps dits du "moyennage" , par un besoin de retour au mysticisme, aux mythes non gréco-romains. On appela cela "Romantisme" et ce fut un courant traversé par de tragiques pressentiments de rupture fatale entre l'Homme, Dieu et la Nature, conséquence de la Révolution, du siècle dit des Lumières et même des bouleversements antérieurs de la "Renaissance". Un des courants picturaux de cette Réaction s'appela le "Préraphaélisme" (antérieur à Raphael), pour signifier que la quête était celle d'un idéal de pureté et de transcendance supposé appartenir notamment à la Chevalerie du moyennage. La musique de ce Parsifal exprime aussi la douleur d'un temps idéal perdu et la quête éperdue des racines du christianisme. Le Graal à lui seul condense cette quête d'absolu et de rédemption. Merci pour ce très beau travail d'association !

@체리-r3n Жыл бұрын

11:53

@keouine Жыл бұрын

Jon Vickers is the best Siegmund ever. I wish governements would find young talents and raise and train them to become great Wagnerian voices. just as Russia and China train Olympic athletes. I mean, even if the kids don't wanna do it. We need those voices.