Technically, it's near flawless, but musically, it's a bit flat. It's more or less the same strict tempo and dynamic throughout.

Astonishing in every way. Thank you.

이 콩쿨영상은 전설로 남을듯합니다 항상 볼때마다 소름이 돋고 경외감마저 들게합니다

Wonderful! 🙏🏽

Did the audience not know the concerto? Since they started applauding already after the first movement? You could tell she was a little annoyed by that, but being such a great pianist and artist, at such a level, it doesn't matter. She's just enjoying playing this beautiful, celestial music of the master. Fantastic! 👍🏽 Just love her! ❤

El Concierto para piano n.º 23 en la mayor, K. 488, es una de las obras más célebres de Wolfgang Amadeus Mozart, compuesta en 1786 en Viena, durante un período particularmente productivo y exitoso de su vida. Esta obra se inscribe en el contexto en el que Mozart componía tanto música para el escenario como para los salones aristocráticos de la época. Composición y contexto histórico • El concierto fue terminado el 2 de marzo de 1786, poco antes del estreno de su ópera Las bodas de Fígaro. La obra refleja la madurez artística de Mozart y combina lirismo, profundidad emocional y virtuosismo técnico. • Fue compuesto durante una etapa en la que Mozart buscaba innovar el formato del concierto para piano, integrando las partes del solista y de la orquesta de una manera más equilibrada. • El manuscrito autógrafo revela que Mozart escribió originalmente la obra para un piano de cinco octavas, típico de su época. Estructura y características El concierto consta de tres movimientos: 1. Allegro (en la mayor) • Es un movimiento lleno de gracia y vitalidad, con una estructura clásica de forma sonata. • El piano se integra de manera fluida con la orquesta, destacando la interacción temática entre ambos. • Contiene secciones melódicas líricas que contrastan con episodios más enérgicos. 2. Adagio (en fa sostenido menor) • Este movimiento lento es especialmente notable por su carácter introspectivo y melancólico. • Es inusual que esté en una tonalidad menor, y en particular en fa sostenido menor, algo poco común en la época. • La línea melódica del piano es profundamente expresiva y dialoga con la orquesta en un ambiente de meditación y lirismo. 3. Allegro assai (en la mayor) • Un rondó final de carácter brillante y alegre, con ritmos animados y virtuosismo pianístico. • Tiene un aire casi operístico, reflejando el talento de Mozart para la música teatral. Instrumentación El concierto está compuesto para una orquesta clásica con: • Flautas, clarinetes, fagotes, y cuerdas (violines, violas, violonchelos, y contrabajos). • Destaca por la inclusión de clarinetes en lugar de oboes, una decisión que aporta un timbre cálido y suave a la obra. Recepción y legado • Aunque no se sabe con certeza cuándo fue estrenado, se cree que Mozart lo interpretó él mismo en uno de sus conciertos en Viena. • Es una de las obras más populares de Mozart, conocida por su equilibrio entre lirismo y virtuosismo. • Pianistas y directores la han interpretado ampliamente, y su segundo movimiento (Adagio) ha sido destacado por su profundidad emocional.

Yo yo ma

I always get bored when heard pianists play Mozart piece but Trifonov make it diff from others.

The best brilliantly played❤ I'd ever heard 🎉🎉See you again at MUSE Tokorozawa Jp next June

ダニエル自身　エチュードop25よりop10のほうが　楽しんで弾いているね。

トリュフォノフ何回かコンサートホールで聴いたよ。思い出した。右手　もう少し自由に開放して歌え。

¡FASCINANTE! LA DIÁFANA BELLEZA DE LA SONATA NO REQUIERE MA- YORES COMEN- TARIOS, TEMPO EXACTO: ESPLENDIDA EJECUCIÓN, NíTIDA, BIEN FRASEADA. DELEITANTE PLACER VERLA Y ESCUCHARLA ENRIQUE C. DE YCAZA D. Arql

Incroyable ! Merci

You will understand how a brilliant, talented musician will look while performing. This young man is amazing and feeling every key. Look at Ray Charles, Stevie Wonder and so many others. Don’t judge when you can never play like this.

Divine

The Pianist is sensational and on point. Masterful performance and truly a triumph for the piece. This is art 🎭 🎶!

Jfrkzvsyffcjvftfdfdjyyvjffurbjdgfzrlvfgfjhkgvjvggyofflldsrylgbkjhhgld

ずっと愛してます

I am italian, I love Mozart for ever, ❤ 😊

전에는 영상이 싱크가 딱 맞았었는데 무슨일인지 살짝 밀려서 안맞네요 😢아쉬워요

0:06 exposition 1:23 second theme 2:57 development 5:07 recapitulation 6:21 coda

Nostalgic😊😊

quelle merveille!!!

Schön gespielt! Die Veränderungen bei der Wiederholung sind dezent, geschmackvoll und stilvoll eingesetzt.

Wundervoll. Ein Genuss, es berührt unsere Seele! Vielen herzlichen Dank 😊🤗👍💛🙋‍♀️🙋‍♂️

Watching Daniil Trifonov perform this Mozart Piano Concerto K. 488, there seems to be a timeless embodiment of the Salzburg genius in those who draw on his musical legacy. Mozart is a symbol of artistic excellence and ‘a figure who lives on’, inspiring musicians throughout time. Mozart was fortunate enough to be passionate about music and, for those who love music in this way, time is eternal. The Piano Concerto No. 23 in A major K. 488 has three movements: * Allegro in A major and common time * Adagio in F♯ minor and 6/8 time * Allegro assai in A major and alla breve, rondo form There is something about the Piano Concerto No. 23 in A major K. 488 that provoked Mozart’s gothic passion. Right from the start, there is a simple, half-step sighing motive that immediately becomes a solemn sweeping gesture. The sighing motive never disappears, however, leaving the melancholic feeling in all its appearances. The first movement is in A major and is in sonata form. The piece begins with a double exposition, the first played by the orchestra, and the second when the piano joins in. The first exposition is static from a tonal point of view and is quite concise, the third theme is not yet revealed. The second exposition includes the soloist and is modulatory. It also includes the previously unheard third theme. The second exposition is ornamented as opposed to the first exposition which is not. The second theme has harmonic tension. This is expressed by dissonances that are played on the beat, and then solved by an interval of a descending second. This is also expressed in the use of chromatics in the melody and bass lines which is a source of harmonic tension, as the listeners anticipate the arrival of the tonic. The slow second movement, in ternary form, is somewhat operatic in tone. The piano begins alone with a theme in Siciliano rhythm characterized by unusually wide leaps. This is the only movement by Mozart in F♯ minor. The dynamics are soft throughout most of the piece. The middle of the movement contains a brighter section in A major announced by flute and clarinet that Mozart would later use to introduce the trio "Ah! taci ingiusto core!" in his 1787 opera Don Giovanni. We all know someone who’s said it-Mozart’s music is light, easy listening, simple. Of the many examples we could provide to disprove this theory, one that speaks so strongly and usually leaves us speechless -the second movement Adagio- of Mozart’s Piano Concerto No. 23. Luscious, minor-key slow movements are not a total rarity in Mozart’s grand works; the multi-movement structure calls for contrast. The third movement is a sonata-rondo. It is shaded by moves into other keys as is the opening movement (to C major from E minor and back during the secondary theme in this case, for instance) and with a central section whose opening in F-sharp minor is interrupted by a clarinet tune in D major, an intrusion that, according to Girdlestone, reminds one that instrumental music at the time was informed by opera buffa and its sudden changes of point of view as well as of scene. -Wikipedia

❤ Yeol Eum Son ❤

I completely agree with his interpretation, especially in second adagio movement

Magnificent: powerful + delicate = sadly optimistic …❤

OMG..... I am crying.....

T'es con!

omg I lov this music

Мой любимый концерт, особенно трогает до слез 2часть Потрясающее исполнение!!!

I can't get enough of this performance. Each night, I listen to it in solitude and my soul is enriched by it.

One of the greatest concerto ever composed played magnificently by Trifonov.

Merci ā Daniel et à l’orchestre philarmoniqued’Israel.Tout le monde ne déteste pas le peuple juif.

Trifonov is undoubtedly one of the best pianists of his generation. But trying to play as Chopin was supposed to play with reduced and ultimately inexpressive dynamics leads to a dull and lifeless performance.

オーケストラもピアノももの足りない。

Jae hong!!! Amazing ❤

00:47 baton drops

When the magic of the orchestra, its talent and its prodigious pianist play the music of God himself, we become small and we cry.

a fantastic pianist !!

Sarah is a very great pianist : a marvelous technique and a formidable musicality !

Прекрасный ансамбль:солист,дирижер,оркестр -Брависсимо всем!!!❤❤❤❤❤

Lo mejor que he escuchado en años.

Teşekkürler Murakami ❤

Absolute!

Hello… Ariel. I remember watching you as a child. I would love to see you play piano 🎹 in concert one day…

The zero " american pianist " should know that the best pianist are Russian pianist , but they don't any idea about Musik , Zero !!!!

No soul. It sounds like a computer.