Yes. Since KZbin dissallows links in comments Google Serb from Kordun Wordpress, when inside search for the text titled "BWV 232, moj brajko" where this thumbnail has its own (very short) backstory.

Short tempered, mean, alcoholic and very aggressive too, but (!) he sublimated and showed his less abusive intellectual side! Still, don't forget, he was a mean son of a bitch. Talented, genial, "one of the rare filmmakers that can be rightfully called an artist" (B. Norman) but a mean son of a bitch too!

Yes, the abusive, sadistic, alcoholic, irresponsible drug addict. Goodness, the man made a few truly great motion pictures, I enjoy the work on various levels, but his fans, biographers, scholars, have a very odd parasocial, sycophantic relationship to the MAN.

Peckinpah is very aggressive, short tempered, pouring whiskey while being interviewed, couple that with his unquestionable artistic genius where he is above the all encompassing cinematic mediocrity and you get a highly defensive man that isn't only defending but biting back too, often those who were "innocent" and didn't have it coming. But he is a genius of film art, of writing/rewriting, of dialogues, of casting, of on set improvisation, of inventing drama in real time or in cutting room. Above all he is one of the rare directors who is master of film form and film's visual language. All his film are both exciting, approachable, commercial and auteur pieces that are tackling the most fundamental, darkest, forever controversial themes about human nature and our violent interaction on this planet - individual, group or state to state. He was in the midst of it, it produced so immense conflict within that he couldn't "shake it off" and obsessively returned to it. Among many tackled and recurring subjects pledge of friendship and betrayal were seen in many of his films. Stab in the back by those who were trusted the most. His film oeuvre is referring to human existence, it is important oeuvre that shows to the young kids truth about human existence. It isn't sugarcoated but it's pretty brutal. And cinematically beautiful and seductive. Norman had to survive this character that tends to suck you in and annihilate you. I guess it wasn't easy. Yet Peckinpah was in the end so interested that he wanted to continue. "Don't stop". A shame BBC TV schedule stopped it - "world should stop for Sam", there's irony in that, but there's truth also. Messy human internal focal point in an uninterested universe where we are little specks.

Sam was a con man who directed most of his movies black out drunk and/or high on cocaine, despite that he made some great films. Something like 'Alfredo Garcia' is much 'trashier' and mean spirited than the Texas Chainsaw Massacre could ever hope to be in reality (and the rare film Peckinpah had final cut on). There was something much darker and sadistic happening in the mind of Sam Peckinpah than that in Tobe Hooper's. It's really sad, Sam would take a cheap and ignorant shot at another filmmaker. Though, It was nice to hear he was excited to start shooting 'Convoy', another opportunity to get wasted and triple the budget, as Sam would say, "It's a privilege to work on films."

I agree, but it seems that it's a kind of "sacrilege" among Brucknerites. This 3 movements "unfinished" form works perfectly and Bruckner, as an experienced composing and scholarly "wolf" concerned with the form, knew it. The closing section, which follows this climax (one of the best "peaks" ever), is also one of the musical peaks of western classical music. A perfect closing for one's life opus too. By composing Bruckner is "spiritually" alive even when sick and bed ridden. The finale that cannot be made was possibly one of his self imposed "unsolvable" problems he wanted to resolve, just like he had to "complicate" with 3 subjects of the sonata form and when that was not enough he had to use the 4 motives material from the introduction of the 5th to work, throughout the symphony, with so much building material. No one "forced" him to complicate further by adding all this material to the contrapuntal finale. But he did it and the resolution is magnificent. If my speculation above is right, his obsessiveness-compulsiveness blocked him, but now the blockage wasn't of the "technical" nature but much deeper, emotional one because he dedicated the piece to the "Dear God". He effectively "blocked" himself by his own perfection seeking nature. He is one of the strangest, most original and one off personalities. I'd say considerably crazy too (love him to bits!)

@@gorankatic40000bc In fact, Bruc kner composed most of the finale and only the coda was left unfinished . The surviving music to the finale is extraordinary , and as far as I am concerned. William Caragan , a Facebook friend of mine has made a. highly probable completion of the finale . I am no lomger satisfied with performances and recordings of the first three movements. without.a. completion of the finale .

Absolute humbug, the finale is excellent (hi miro! Tis captgouda24)

@@nicholasd.5017 Oh, hi there. Haven't seen you in a while.

Mari-Kler Alen je jedna od najboljih, u vrhu sa Valhom.

Hahaha

I was wandering the same …

@@azeliecouderc131& @OneSliceNation because the music fits these two! He's a Serbian turbofolk singer and this is his wife. He's a bit primitive. This movement probably accurately depicts childish events happening in his brain. Yet he's successful in stacking cash.