glad you liked, thanks buddy!!

I think Slash used a modded JCM800 to record the UYI albums, so the tone is a little bit different.

@@yomitsik thanks buddy.. I normally dial the level around 12, tone at 2, add a little bit of gain and leave the toggle switch in the middle on mode 2 (it just adds a natural drive without compressing too much the tone).

Thanks buddy! Do you think a ge-7 can also make the amp sound like that?

@@yomitsik absolutely, I just added the Plumes to push the amp a little bit with a little bit of gain and mid/high frequencies.. I've been chasing his tone for a while, he used a modded Super Tremolo with an extra gain stage on the Appetite album, I noticed that all these Plexis are in the same ballpark, you just need to EQ them a little bit with the right frequencies.. the amp itself will get very close to his tone but it lacks that extra pre gain stage that pushes the amp to get that snarl sound, if you crank the master on a Plexi it gets farty and you lose definition, so his tone comes from that extra pre gain stage, he doesn't crank the master on his amp, he find the sweet spot on the master volume and pushes the amp with that extra gain stage, you can very successfully replicate that extra gain stage with a clean OD or an EQ.

Thanks for the informative answer! I actually have the sv20 and the sc20, both combo, but can’t get the exact same snarl sound 😕

@@yomitsik np man!!try using different speakers...do you use any attenuator? IRs? how do you normally connect your amp?

yes I have, the amp settings are exactly as shown in the video. I love the combination of the SD-1 and the drive of the amp, the SD-1 really pushes the amp hard and brings that snarl to the tone.

@@SajidWaikhom thanks buddy, glad you like it!!

thx buddy

@@erikthered9670 thanks buddy!! Sykes’ 87 tone is amazing!!!

Only that was a Boogie coliseum on that album

@@jameswoynilko7962 plugged in a Marshall cab

EarthQuaker Plumes is a TS type of OD.

Ok it is a distortion pedal and this is some fantastic sound! … if the guitar here is not doubled…

@@guitarlairwtf is “ TS?” 😑😝

@@TomSarracino it's NOT a distortion pedal, it's an overdrive pedal... TS stands for "tube screamer".

Yeh my sv20h if I've got too much going on in the loop it sounds a little messy.

I think it sounds good, I don't use too many effects in the loop, just reverb, chorus and delay, they all sound great!!

@@FreesassOfficial thanks bro!!!

@@FreesassOfficial thanks man!! This amp is super versatile!!

@@chandlerclement1365 thanks buddy!! Yes it is, panned 100% R/L … I’ve also quad tracked a few songs with it and it sounds HUGE!!!

yes, a Plumes overdrive to boost the gain..

haha true, the LP + Marshall combination is very distinguishable.

thanks buddy, I usually use the CE5 in the loop of the amp, settings are also very basic, level, rate and depth almost at 1o clock all 3.

Tenta mudar o cab que vc usa, 80% dos problemas de tone com amp se resolvem trocando o falante que vc usa, qual falante vc usa normalmente??

@@guitarlair eu troquei o V-type e coloquei um Greenback. Melhorou bastante, mas ainda fica com essa frequência que me incomoda. Tenho que tirar no equalizador ou no tone da guitarra.

@@ggguitarra puts aí não sei, pode ser tanta coisa...testa o amp com outros cabs, outras guitas, vai testando e vê o que funciona...

thanks buddy!!

@@guitarlair i'm trying to do the same. I'm using tone city golden plexi v2 or model m v2 plug into a bugera v22. I'm using a impulse ir loader pedal too using celestion v30 sim. And a boost.

Thanks for commenting bro!!!

thanks bro!! These little versions of the classic amps that Marshall released are amazing, you're not gonna have the same headroom of the big amps but you'll def be in the ballpark tone wise.. The secret is to use an attenuator or IRs... I have so much fun messing around with the amp, you can get so many different tones out of it, it's super versatile..

@@guitarlair cool man, I realized I didn’t complete my thought earlier. What I was trying to say is that because I can’t crank amps at home (I tend to ply later at night when kids are asleep) I have gone all digital. I use a kemper profiler amp and use a 1x12 kemper cab or a little desk amp that basically functions like studio monitors. I can get very good tones but never quite able to get that raw snarl of the real thing. Before I got the kemper I considered getting a cool little head like that, or maybe a Friedman (dirty Shirley or something) and then use attenuator or ox box, but all that was gonna cost a fortune and I was unsure how it would work in my space, so I went with the kemper. I’m sure I’ll get one eventually. How loud was that when you were playing? Like rock the house loud? Ha

@@slashtrio I think if you only play at home it's worth it investing a little more and getting these small amps..I usually use the SV20 with the master volumes around 4/5 and I use IRs with the Torpedo Captor... then I hear it through my monitors.

@@guitarlair hey man, I appreciate the information. While I have been playing quite a while I was never a gear head and always used little combo tube amps back in the day. I went down the digital rabbit hole over the last couple of years. So would you mind explaining what you mean by IRs? Is that impulse response? So you run the head through your captor and then out of studio monitors or small cabs? Yea, I play only at home and often play along to backing tracks or music.

@@slashtrio yeah, Impulse Responses are like digital cabs, you load them on your computer and out of studio monitors, you don't need to use small cabs because the IR already is the cab itself. I love the York Audio IRs and the Celestion SpeakerMixPro too.

I think it is worth it… it sounds more organic than other IRS, just download the trial version and try it out, I think you’ll like it!!

Hey man, great tones you’re getting 🎸. Just following up from our other chat. So you have this amp going into captor x, using the cab simulator and all that that comes with the captor, but what are you hearing on your end in the room? What type of speaker are you using in the room? Are you using studio monitors ? Does what you hear in the room sound pretty much exactly like what is being recorded directly? Just curious about how this kind of set up would work in a home playing environment. I have a kemper and have slash profiles and while what I hear through my monitor or cab sounds very good, it just doesn’t sound like that growling barking tone you got in your slash tone video. I’m just curious if it only sounds that great recorded vs in the room at lower volume ? If so I guess this type of thing would not be worth it for me. Thanks 🎸👍🏼

@@slashtrio I don't use what comes with the captor, I use York Audio IRs and the Celestion Speakermixpro software. I don't like the two notes wall of sound that comes with the captor to be honest. I play through regular studio monitors, you can use Yamahas, Rokit it depends on your preference, you can use headphones, it's up to you..The tone comes from the combination of amp+ guitar+ cab... it's the right amp settings + the right cab + a good Gibson LP... which is basically what Slash uses, but I think it's important to EQ the amp the way he does, Slash's tone is very mid rangey with screaming high mids, also he doesn't use too much gain, so that's all part of the process.

@@guitarlair thanks for all the info man. I appreciate it. I didn’t really consider you could things like this. My typical set up is a kemper profiler amp (digital ) going through a Yamaha THR10 modeler amp, with them amp on flat mode, which basically turns it into studio monitors (doesn’t color the sound much). When I got the kemper I originally also got Yamaha studio monitors but thought that the kemper sounded way better coming out of the THR10. I also have a powered kemper cab for more amp in the room vibes. But it sounds like I can achieve a similar thing with an actually tube amp head, attenuation, and my THR10. I also have great headphones but I don’t tend to like using headphones that much. Regarding slash tone, I have long been down that rabbit hole ha. While I like that tone I also like the less harsh plexi tones and stuff as well for playing blues and stuff, and the slash tone can be a bit harsh. But I love the way the real amps get that raw growl man. Here is a link of my playing slash type stuff with the kemper. And yea, I also love LPs and have a few too many ! kzbin.info/www/bejne/g2bEg2Owj8h_odUsi=tnveDDr2zwjWe6KT

@@slashtrio you channel is cool bro, very good lessons on licks, nice tone too. I agree with you in regards of Slash's tone, I love his tone but it only works for him, it's a very unique tone but it's very harsh sometimes if you want to play smth else, I'd rather go for a more Zakk Wylde/ Sykes type of tone instead.

🤘🏻🤘🏻🤘🏻🤘🏻🤘🏻

Sounds great

I’m using a torpedo captor 🤘🏻

thanks buddy

V30s..one mic’d with a sm57 and the other one mic’d with a condenser

get it bro, this amp is so versatile but there's a detail that ppl forget to mention, the cab and speaker you use can make this amp sound completely different... I use a software by Celestion called speakermixpro, they use DSRs and have different speakers( it's some sort of IR but with more dynamic).. for this Slash tone I used two celestion V30s one mic'ed with a sm57 in the center and the other one with a condenser mic off axis I believe... but if I switch to greenbacks it's harder to achieve this sound, if you watch my other video(boosting with the SD1) I'm using greenbacks and you can notice the tone is heavier and has more low end. So depending on the speaker you use you can go from classic rock tones to metal with this amp.

It's a Gibson Les Paul Standard 50s

Thanks brother!! Cheers!!!

thanks for the comment bro!!

thanks buddy!! Yeah, its a software from Celestion in which you can use cabs and speakers, for me it's the best one I've used so far, it's not IRs it's some sort of dynamic IR, it's called DSR, to me it's sounds more organic because they use some technology that makes the IR not static, so you get the dynamics of the speaker, it's pretty cool, there's a trial version!!

@@guitarlair sounds awesome, I must check it out - thanks.

Thanks buddy, cheers!!

thanks buddy, this little guy is killer!!!

Very nice sound of it ! I have the same one but compared to My orange it sounds a bit muddy when I use attenuator such as captor x. I have a small room so I can’t crank it up I have to use attenuator anyways. Any suggestion to get good sounds out of it before I will have to think seriously to sell it thanks in advance

@@Olican71 do you use real cabs or do you use IRs?

@@guitarlair I use captor x and it’s cab sims to get as close as real cab sound since I can not play with real cabs in a small room surrounded by sensitive neighbors here in Hong Kong, I could not get the real potential of this amp however my Orange 20 W was almost flawless with captor x and Ir’s.

@@Olican71 man honestly I have the torpedo too and I think the cabs on the wall of sound are all garbage... just buy IRs from YorkAudio or buy the Celestion Speakermixpro, they have WAY better cabs that sound way more real than the wall of sound cabs.

thanks buddy

thanks buddy!! I love this amp, very versatile

thanks bro, yeah it's a 2022 Standard.. never changed anything on the guitar, I think it comes with Burstbuckers.

@@guitarlair Standard 50's or 60's?

@@custommelody7091 50s!!

valeu man!!! Isso, brasa!! Tu tem um JCM800 studio neh??

@@guitarlair Tenho o JCM, o Plexi e o Jubs. Excelentes amps!

@@DelReiRock irado, qual tu curte mais dos 3??

@@guitarlair Te confesso que sou de lua… cada dia prefiro um, embora ache a essência de todos bem parecida. Mas no geral minha tendência é preferir o Plexi. Mas ele é o menos versátil de todos. Pra tocar em banda eu prefiro o jubilee, é prático, tem dois canais e ganho extra… resolve tudo… rs.

@@DelReiRock Eu testei o Jubilee qd comprei meu Plexi, não curti ele muito não, achei a estrutura de ganho dele meio fizzy e magrelo..no entanto o clean dele é excelente. Mas o plexi é foda, tem um som muito orgânico, eu gosto muito da estrutura de ganho dele e do JCM800 (ainda vou pegar um tb), e eles são plataformas de pedais incríveis, tu coloca um overdrive empurrando ou um equalizador e tu consegue timbrar qualquer coisa se vc combinar ele com o falante certo + os pedais certos... tu timbra Page, Slash, Zakk, John Sykes, Frusciante, na vdd tu timbra qualquer coisa anos 70/80 facil.

indonesia

@@guitarlair good amp good player

@@LEARNINGOOD-07 thanks for watching buddy!!!

no issues at all… mine is super quiet.

it is an amazing amp!! I love its mids, it cuts through the mix like butter

+trey azagathooth superior drummer 2.0 man

+Alex Duritsky então cara usei simulação de gabinete do mercuriall mesmo, impulses do pacote dele

Rafael Carvalho ta curtindo man?? foda né, melhor plug in de marshall que já toquei...aliás único plug in mid gain legal que já usei.