Thank you so much! I‘m starting work on the next (I won‘t say big) thing on the wavestate. Attempting to strip things back and see how interesting I can make it with as little fanfare as possible 🙂

sound exciting

This means so much to hear/read, and I can't express anywhere near enough gratitude for it. Thank you very much for coming by, and I'm really glad to know that these extended sessions have an impact on you. These series will absolutely continue. Building these patches gives me a sense of calm and just... it makes me happy, so no worries at all, there are plenty more to come. 😃

@@dani_raudvikExcellent! I just got my Wavestate desktop version in and am tempted to expand to the “trio” (and add Modwave and Opsix). These are great synths indeed. I like how you build your patches and then use them musically. Most videos on YT are just “gear talk” and not focused on a performance. Your music conveys a lot of emotion and has touched me in many ways. Thanks for your reaction. And thanks for sharing your art.

I‘ve never been much into talking about what something I have can do. I’d rather learn it inside and out and then demonstrate it. Plus, I do better with something like that if I have a specific aspect to talk about rather than just going on about a thing in general. Also, I can‘t recommend the opsix and modwave enough. They‘re both outstanding pieces of gear. Thank you again for coming by and for sharing how what I do has made an impact on you 😊

Thank you so much for stopping by and I‘m happy to hear that you enjoy what I’ve been making. 😃 I have another deep space session coming later with the wavestate, so I hope you may get a chance to check that out too

@@dani_raudvik I will

@@dani_raudvik I also compose ambient/dark ambient music. Check on KZbin "The NiMF - Haer Borthiu"... It's an old trak but it is my favourite one among those I wrote. Let me know what do you think... 😊

I‘m always on the hunt for new people to listen to. I will check that out a little later on 🙂

@@dani_raudvik thank you 😊

Thank you so much! I‘m really glad I found somewhere to put the ring light so I could give this a try. This session in particular I could feel myself just getting more in tune with the sound itself and there was less tension on my part than in the daylight sessions. Thanks a ton for the lighting suggestion 😃

Happy to see (hear) you experiment and expand your set up's ambience.....

Thank you so much and I'm glad that something I've made can serve as an inspiration with your new modwave. I hope your new synth can take you down some interesting roads 😊

@@dani_raudvik it really does. I love ambient among other things. This synth is crazy. A lot to learn. Keep having fun doing what you do

My biggest recommendation is just to play with your envelopes and try routing them through and to… well pretty much anything you can think of 🙂

Dziękuję bardzo! 😃

Vielen Dank! 😊 Ich freue mich drauf, zu hören, was du davon hältst, nachdem du dir diese Session in Ruhe anhören kannst

Das ist richtig schön zum Träumen 🙂

Vielen Dank! Ich will mit dem wavestate etwas Ähnliches machen aber mal sehen, wann oder ob das geschieht. Danke, dass du vorbeigeschaut hast und es freut mich, dass dir dieses neue Experiment gefallen hat. 😊

@@dani_raudvik 🙂

Thank you so much for the great feedback and thanks for checking out one of my sessions 😃 The wavestate is truly an excellent instrument. Takes a while to wrap your head around it, but the rewards are endless 🙂

Thank you for checking out the video, and I'm very sorry for the unpleasant frequencies 😔 As for the "chatter", that was one of the noise samples with a square LFO affecting the amplitude at 100% and at an oscillation rate precisely matching the Vela Pulsar's rotation speed. Once you have that, mod to your heart's content and make it weird 😊 Thank you again for stopping by!

Thank you so much! I‘m really happy you appreciated that layer because the entire patch was pretty much hinging on that layer working. That was my attempt to build the Vela Pulsar on my wavestate, and I think it went quite well 🙂 Thank you again for stopping by!

@@dani_raudvik You are very welcome! I have not heard of the Vela Pulsar, I'll have to check that out.

Thank you for coming by and I‘m glad you enjoyed this session! 🙂 As for the change in environment, I‘d love to still be down where I had been doing these, but the air has gotten increasingly damp and musty on that level and it‘s been making it difficult to breathe. I‘ve been enjoying making new sounds surrounded by my little collection of houseplants though 😃 Thanks again for stopping by!

I understand......perhaps a night session with a couple of candles, in this space would be cool..........(just a suggestion - I love what you do, but feel it really benefits from an appropriate zone)

By the time I have a new patch ready, I can probably make that happen

Looking forward to it

Thanks a ton, good sir! I miss your face

Vielen Dank! Im Fall von diesem Patch haben wir dem Vela-Pulsar zu verdanken, da er die ganze Inspiration dafür war 😃

@@dani_raudvik Echt super 🙂

Thank you very much for the feedback and for your interest in my sounds! My plan with my sounds is to put them up for sale once I use them on my own albums. The recording process will begin soon, and sound bank releases will follow. I'll make announcements on this page about all of that when it happens. Stay tuned for that! 😃

Thank you so much! 🙂 Working on the next one at the moment. It ought to be an interesting trip

Thank you so much for checking this out and for the feedback! There were keyboard splits to keep layers B-D (pad/choral sounds) separate from layer A (deep bass saw wave). In addition to various envelopes happening at different times and at different rates, I had an x-modded square amp LFO modding one of the pad layers so it would jump in and out or pulsate depending on the randomized oscillation rate of the amp LFO. My goal was to try to blur the line between whether the listener was hearing a randomly-triggered envelope or whether the sound pulsing was due to the LFO. 😊 This was a lot of fun to build. I have some other tricks up my sleeve for future sessions, but I definitely want to do similar patches to this with lead/melody layers as well. Thank you again for stopping by and checking this out! 😃

@@dani_raudvik this is incredible. I couldn’t be more impressed!

Thank you very much, genuinely. It always means a lot to hear that something I've done is striking to another person in one way or another

Thank you for the subscription! 😃 This set of sounds was a lot of fun to put together and to play with. I'm really happy that you enjoyed this!

Thank you for stopping by and checking out this video. I'm glad that you enjoyed this session with the wavestate 😃

Thank you very much! I have some new tricks from this session for getting the sound to shift in more interesting ways that I'll definitely be using going forward. Thank you for checking out this video and I'm happy you enjoyed it 😃

Danke sehr! Es freut mich sehr, dass dir der Sound gefällt 😃 Die Gleichung ist nur ein Platzhalter, weil mir zur Zeit der Aufnahme gar kein richtiger Titel eingefallen ist 🙂

Thank you very much! I‘m glad you‘ve enjoyed everything you‘ve checked out. I‘ll have more new material soon 🙂

The wavestate is a "softer" synth compared to the modwave I think, but that just has to do with the way that wavetables are. As far as how I use the modwave itself, having each oscillator be split between two wavetables, and then having the position on those wavetables being modified by random LFOs creates the jumps through their harmonic content, which is what gives them an edge over the sounds on the wavestate. I love both of these synthesizers, but I'd never think that I could force a modwave-type sound with all of that digital edge out of the wavestate. That said, the MS-20 LPF does give more of an edge to the sounds from the wavestate, but that will only go so far. Thanks for stopping by and checking out this video! 😊

@@dani_raudvik yes I thought something similar but the difference is quite subtle at least through my tablet's speakers through which I mostly listened so I thought maybe I'm just imagining it, thanks for your answer!

Vielen Dank! 😊 Reine Wellenformen in der Sample-Bahn und der MS-20-Tiefpass sind eine gute Mischung, die ich mir wegen diesem Patch gut gemerkt hab. Ich wollte sehen, ob ich den Sound des wavestates ein bisschen... schmutziger bzw. wilder machen konnte

@@dani_raudvik Das ist dir gut gelungen 👍

Thank you so much! I never thought to approach the wavestate as a means to make faster-paced music. I like the presets that are built in to it that have that feel, but I definitely see my use for it as being solely for huge, slow, atmospheric sounds. The challenge of it all is to make the sounds morph to a high enough degree to be interesting - to me at the very least - but also slowly enough that it makes sense within the scope of the atmosphere I'm attempting to create. Thanks for stopping by and for the comment 🙂

The samples I‘m using are all stock samples, but the patches are all built up from scratch starting at the Init Performance, with heavy amounts of randomization. Thanks for checking this session out 🙂

Guten Morgen und danke sehr! Einen schönen Tag noch! 🙂

Vielen Dank! Ich arbeite schon am nächsten wavestate-Patch 🙂

@@dani_raudvik Du schaffst echt viel 👍🙂

Thank you so much and thank you for stopping by again 🙂

I'm glad I seem to have succeeded at creating that feeling of floating very slowly near this particular celestial body. Thank you very much for stopping by 😊

You do a great job of keeping the focus ultra ambient and minimal....rare and relaxing.....

Thank you so much for saying that 😃 That may never make it into a video (but there's always a chance) but I have a plan to let them shine together on future albums. I'm almost intimidated by the idea, but yeah, it's something that is definitely worth trying. I foresee the opsix playing a role with either the modwave or the wavestate as well 😊

Vielen Dank! 😃

@@dani_raudvik 🙂

Thank you so much for subscribing and I'm happy you enjoy what I do! Seriously, it means a lot to hear from people that my single-synth noodling is actually engaging for other people to listen to. I find just using one at a time and aiming to stretch them beyond their capabilities a little bit allows my creativity to flow in a better way, plus I truly learn to master them. Thank you so much again for stopping by and for this comment 😊

Thank you so much! Between the randomized LFO on the filter, the bitcrusher, and that super-thick chorus, this was actually quite a challenge to keep in check and prevent it from peaking through my interface. There were a couple lost takes of this session because of exactly that problem 😛 Thank you again for coming by and sharing your thoughts!

Thank you very much! I'm happy to see that you stopped by again 😊

@@dani_raudvik 🙂

Vielen Dank! Ich brauche in letzter Zeit auch die möglichst kalten Sounds, weil es hier so unfassbar heiß gewesen ist. Jeden Tag 40º oder höher 🥵

@@dani_raudvik Das ist eindeutig mehr wie hier in Frankfurt a M

Wenn ich doch nur zurück in Hessen wäre! Ich vermisse diese Gegend Deutschlands so sehr! Naja... hier in der gefühlten Hölle rettet mir und den Synths die Klimaanlage das Leben 😜

Thank you so much both for the feedback and for subscribing 😊

Thank you so very much! Funny you should say that about albums. I'm just waiting on an audio interface that's on backorder and then album recording will be getting underway. I have enough material for ummmmm... over 20 albums 😂 I also intend to start making sound packs of my patches once they feature on albums, so stay tuned for ALL of that in the near future. Thank you so much for stopping by and I'm really glad that you enjoyed what I've been coming up with. That was such a lovely comment and genuinely made my evening.

Thank you so much! 😊 It's an early experiment and I really look forward to working with the sequencers more and seeing where else this synthesizer can take me

@@dani_raudvik 🙂

Thank you so much! As of right now, my plan is to start making sound packs of my patches once I record albums with them. I will make some kind of an announcement on the channel about sound packs once I start making them available. Thank you so much again for stopping by as well as for your interest in my work 😊

Thank you so much! I'm glad to see you stop by the channel again and that you enjoyed this session 😊

Thank you so much! I am constantly astounded by what the wavestate is capable of. Now that I’ve been able to transfer that knowledge to the modwave‘s sequencer though… I’m not sure which one is the bigger powerhouse, honestly. I‘ll be sharing my early modwave sequencer experiments very soon, so stay tuned! 🙂

Vielen Dank! Das war ein neues Experiment mit dem Sequenzer und ich glaube ich hab einen neuen Pfad für weitere Patches mit dem wavestate

@@dani_raudvik Das freut mich sehr für dich 🙂

I find that limiting myself to one piece of gear allows me to create things more consistently that I actually enjoy. When I attempt to stretch an idea over multiple instruments, it just becomes a mess. Thanks for coming by to check out this session!

Yeah, me as well....I like to get to know each piece of gear in it's full detail/complexity.......a rewarding challenge

For this particular session, I used a Korg modwave and a Roland Go-Mixer Pro X. That‘s all. Thanks for checking out the video 🙂

Thank you so much! Glad the wave sequencing lanes all cooperated and gave that as the randomized opening salvo to this session 🙂

Thank you so much for stopping by and checking out this session! The next idea for the wavestate is slowly taking shape 🙂