Excellent work. R&J, written early 1594, has a passage (4:4) where 'logs' are spoken about in rather a strange way (as if to draw attention). Napier was developing the first logarithms at exactly that time - what are the chances? "I have a head, sir, that will find out logs"
@thatshakespearelife22 күн бұрын
Wow, that's fascinating. I will have to look into that. Thank you for your comments :)
@knicksfuleАй бұрын
He proves by algebra that hamlet is his own grandfather
@trooblave6173Ай бұрын
CASSIDY hope you are doing well. Did Shakespeare wear a codpiece? Nearing completion of my own custom Shakespeare costume, and wondered if I had to include one. From what I can gather, they went out of fashion in the 1570s, so little Will would have not have been old enough, and by the time he was a young man codpieces would have been out of style. What do you think?
@thatshakespearelifeАй бұрын
@@trooblave6173 hello! Thank you! Please share pictures of your finished Shakespeare costume when it is completed! My opinion is no, Shakespeare probably would not have had a codpiece. We have an episode on undergarments that includes addressing the codpiece and Shakespeare, with clothing historian Sarah Bendall. I direct you there for more information on why I don’t think he would have had one. www.cassidycash.com/undergarments-farthingales-poofy-shorts-16th-century-sarah-bendall/
@trooblave61735 ай бұрын
I'm sorry, but Shakespeare was not quite a gentleman (although he paid to make his father one). He doubtless would have carried a dressy dagger, but sumptuary law and customs would not have permitted him to carry a sword. I know that Shakespeare owned a swept hilt rapier, very fancy with encrusted silver, which he bequeathed in his will. However this does not mean he wore it as not only would it indicate he was comporting himself as somewhat above his station, it would quite possibly provoke unwanted aggression from young London gentlemen who were frequently intoxicated and had the benefit of years of formal training in the lethal use of a sword. Shakespeare's humble beginnings were not likely to include this kind of upper class instruction. Carrying a sword would imply a man's ability and willingness to use it.
@thatshakespearelife5 ай бұрын
Firstly, thank you for watching the channel! Secondly, you don't have to apologize. What I was able to research for this episode (including what I've discussed with scholars that have done years of research into this topic) contradicts what you're saying here, and supports what I've presented, but I'm always open to new information. By all means, please share your sources and/or cite the primary documents that have lead you to your conclusions. If you're interested, here are some podcast episodes we've done on our show that helped inform this episode. Swords of Shakespeare with Joseph David Martinez www.cassidycash.com/ep-166-casey-kaleba-and-elizabethan-street-fighting/ Costuming Shakespeare www.cassidycash.com/ep32/ Fencing Masters in Shakespeare's England with Jared Kirby www.cassidycash.com/ep-88-jared-kirby-and-fencing-masters-in-shakespeares-theater/ Elizabethan Street Fighting with Casey Kaleba www.cassidycash.com/ep-166-casey-kaleba-and-elizabethan-street-fighting/ Thank you again for taking the time to comment. I hope you enjoy the show and that you learn something new about the bard.
@trooblave61735 ай бұрын
@@thatshakespearelife Wow, great comeback! Thank you, that's probably the best reply I've ever gotten. I will enjoy looking at these sources. Your channel rocks!
@AlistairGoddon9 ай бұрын
This is a great video! we loved it. Very well researched. We just had some things to add which may be of interest though: 1. John Shakespeare's social and financial downfall had very little to do with religion or religious laws but had everything to do with the fact that he illegally lent money (loan sharking). Moreover, he was also terrible at it! so not only did he get tried in the very court he presided over as judge at the time, but he also lost all his money, as he seemingly lent to people who could never pay it back. The social downfall of this was catastrophic to the Shakespeare family, and he lost his position in the town council (he was the equivalent of mayor). His position came with free school places for his children, which he then lost when he lost the title, and didn't have the funds to further William's education due to the bad loans, so William had to leave. Tragically, the schoolroom shares a wall with the court and, in the quiet of the schoolroom, young William would have heard every word when his Father was read the riot act for his crimes. 2. The schoolroom in which William attended is part of the Guildhall. The Guildhall is the space in which travelling players would have performed in front of the council to gain a licence to perform in the town (it was a form of censorship). It is likely that John Shakespeare would have invited the boys into the adjacent room to watch the plays. So not only did Shakespeare read the plays, he also would have regularly seen professional actors perform them (which isn't typical of Tudor education). As you mention in the video, anyone can still come and see his Schoolroom and even the desk on which he learned to write! A Goddon - Operations Manager - Shakespeare's Schoolroom & Guildhall
@thatshakespearelife9 ай бұрын
Thank you so much! How fun to have your input on our episode. I appreciate all this wonderful history!
@Tristanrex Жыл бұрын
Wow AMAZING opening music! 😂👌🏼🎷🎶 I have no doubt Billy boy will have lobbed his inkwell & quill over his left shoulder at hearing this, danced around for a while juggling at least 3 pencils, before discovering a dismayed looking family member in the doorway holding a tray of food for him covered in ink. Whereupon he leaps to his writing desk and scribbles a great new idea in graphite! Thanks for the cool research. Love the way you called around 👌🏼 Research worthy of such music. P.s I really want to know who/what this music is so I can do exactly the same as Shakeyboy as above. Possible to share here? Or PM very welcome, pretty please 🙏🏻 Grateful - like as to when a harsh surface bearing sufficient friction, dost travel upon fellow surface of exacting same disposition, forcefully and rendering all filled up with such phenomena. Yet in my sense, as opposed to this, for me most pleasing be it. In advance, thank you.
@thatshakespearelife22 күн бұрын
So sorry for the late reply! (Extremely late reply!) I used a public domain song for this opener, and I do not have the mp3 title with me anymore. Thank you for the compliments!
@simonbamford1007 Жыл бұрын
excellent, insighrful and well informed video - agree 100 % you should have a higher following. Kudos to you for showing the Bard to the world.
@keepthefaith6909 Жыл бұрын
I feel the non publication was primarily due to commercial reasons. No copyright laws meant literature was rife for filching. Any possible repeat of an old Shakespeare play during his lifetime would be rendered otiose if other companies were performing his old plays and merely adding their name to the title page (there are examples of this). Self preservation was the principle motive. We know Shakespeare was keenly aware of the literary business model by his various shareholdings and other financial manoueverings in the theatre. Shakespeare knew the written word wasn't lucrative without performance so maintaining his position as the writer of performed pieces exclusively shown in HIS space must've been a primary concern. He had an interest in the whole business: the best actors, the best space, and the highest quality writing that must be confined to a box office he had an interest in. He was an extremely shrewd businessman who knew that selling his text once to an acting troupefor a small stipend was a sure way to the poor house. His invesment portfolio shows that he was no mug in the business world. Actors were deliberately only given their lines to learn rather than full copies of a play for this reason. They couldn't have the complete product. This explains, imo, the difficulty in piecing together complete faithful texts both during his lifetime and posthumously. Giving the actors and others in the vicinity of the theatre a copy of a full, complete play - that is essentially owned by nobody - would mean you'd rendered up a huge opportunity to make a few quid for any unscrupulous person who was willing to sell the latest talk of the town to the local booksellers. It's the modern day sneakinga camera in the cinema and then selling the discs on the market. Dickens was absolutely livid about American publishers stealing his work in the nineteenth century, and he was a wealthy individual. We do have examples of Shakespeare getting his long narrative poems and Sonnets published during his lifetime.I believe his first serious publication was published by a man from his home town, which imo implies that Shakespeare probably initiated this transaction. This probably happened in the various periods when Shakespeare was shielding from the plague: box office concerns would no longer be on the immediate agenda so any small cash injection for extra curricular writing would've been welcome. Oh yes, here we are: www.stationers.org/news/archive-news/literature-in-lockdown-2
@thatshakespearelife22 күн бұрын
I want to apologize that I didn't reply to this sooner. Apparently, I do not have notifications enabled, but I do now! There are many complications when it comes to piecing together the past. I have heard from recent scholars that some of Shakespeare's works were published during Shakespeare's lifetime without Shakespeare's permission. I agree with you on several points here, except to compare Shakespeare to Dickens. The entire concept of publication/ownership was completely different for Dickens than Shakespeare. (You might like our plagiarism episode, too). HEre are some podcast episodes that touch on this topic that you might enjoy: The First Folio with Chris Laoutaris www.cassidycash.com/new-discoveries-about-the-first-folio-ep-270-laoutaris/ The First Folio Physical Construction, with Adrian Edwards www.cassidycash.com/what-was-the-first-folio-made-from-adrian-edwards-ep-287/ Collaboration and Influence on Shakespeare's Plays with Darren Freebury Jones www.cassidycash.com/collaboration-and-influence-on-shakespeares-plays-darren-freebury-jones-ep338/ Thomas Kyd and Shakespeare with Darren Freebury Jones www.cassidycash.com/thomas-kyd-inspires-a-young-william-shakespeare-to-write-plays/
@amnamanzoor6872 Жыл бұрын
I read somewhere that 18/37 plays in first folio weren't published before that, then what''s the exact figure that was published during his lifetime (before 1616)? 19 plays?
@thatshakespearelife Жыл бұрын
That’s a great question! The First Folio (1623) contains 36 of Shakespeare’s plays. We’ve discovered two more plays that are attributed to Shakespeare that aren’t in the First Folio, so in total Shakespeare is believed to have written 38 plays. Of the First Folio’s 36 plays, 18 had never been published before 1623. During his lifetime, we know that 18 of Shakespeare’s plays had been published- so half of what was in the First Folio. Does that help? Here’s an article from the Folger that explores more details. www.folger.edu/explore/shakespeares-works/the-publication-of-shakespeares-plays-from-the-folger-shakespeare-editions/
@amnamanzoor6872 Жыл бұрын
O Thankyou so much:) that actually helped! so, what about the rest of 2 plays that were neither a part of first folio nor published in this lifetime? were they published after 1623?@@thatshakespearelife
@thatshakespearelife Жыл бұрын
@@amnamanzoor6872 the two other plays are Cardenio and Edward III. E3 was published in 1596, but anonymously so it wasn’t until later that E3 was attributed to Shakespeare (collaboratively- he wrote this with Marlowe and I think Heywood but I’m not certain about that. Heywood wrote the third in the Edward trilogy). Here’s an article that looks st Edward IIi further shakespearedocumented.folger.edu/resource/document/edward-iii-first-edition Then Cardenio was performed in 1613, the same year the Globe burned down but that’s unrelated to Cardenio. Anyway, it wasn’t published officially until after Shakespeare’s death. Here’s more on Cardenio: lostplays.folger.edu/Cardenio
@firstleafmusicpublishing9735 Жыл бұрын
The humble pencil can be the vehicle for genius. Plays, novels, symphonies can be written with a mere graphite stick, thus I like this theory very much.
@thatshakespearelife Жыл бұрын
Thank you! I thought it was really cool to imagine Shakespeare was creating his work with the same instrument I have available to me, too. Thank you for watching!
@elhaouarisidahmed6152 Жыл бұрын
Thank you, miss; you have clarified an interesting thing in the history of Shakespeare.
@thatshakespearelife22 күн бұрын
Thank you!
@RustyguyTx Жыл бұрын
Awesome video, coming up with cool ideas for a small start-up producing my own ink
@thatshakespearelife Жыл бұрын
Great to hear!
@qazxcvy2 жыл бұрын
This is very helpful thank you!
@thatshakespearelife2 жыл бұрын
Thank you!
@radiorecording2 жыл бұрын
Great video Cassidy. Thank u. Where would you suggest newcomers to Shakespeare start? Film/play recommendations?
@thatshakespearelife2 жыл бұрын
Hey there! That's a great question! The first place I recommend you begin is to see all of his plays performed on stage (certainly before reading them). Now, going to the theater to see it live is always the best (and so much fun!) but if you can't get to the theater, watching it on the tv is the next best thing. BritBox has all of them available there (not affiliated) but I have put together a list of places you can see all of them performed and each performance is available free on KZbin. I ask that you join my mailling list to get the list, but it's pretty cool. I built in checkboxes so you can keep track of what you've seen and what you have left to go. Send me a screen capture of your list when you finish and I'll share it on social media to celebrate with you. cassidy-cash.ck.page/81fc064eb5 If you have any issues with that list or need help, just let me know. Thank you for watching and for exploring Shakespeare's plays! I think you will enjoy them.
@JPDoucet-ArtVisualRecognition2 жыл бұрын
I have just just found your very nice video! You might be interested by the following short study even though it is not about earring. kzbin.info/www/bejne/gGWWmHuMms6Hd6M
@mike1313132 жыл бұрын
Is it possible that Susanna Shakespeare also had a son by the name of John Hall?
@thatshakespearelife2 жыл бұрын
I know that Susanna and John Hall had a daughter named Elizabeth Barnard (interesting person in her own right). It is my understanding that Elizabeth was their only child. I don't know of any records of additional children that she had.
@thatshakespearelife2 жыл бұрын
@@mike131313 That is a fascinating genealogy you've tracked down there. How tantalizingly close! Of course I hate to be the bearer of bad news, but even if Elizabeth Hall had children, they wouldn't have carried the name Hall. Hall was her maiden name. She was married to Thomas Nash and then after his death, she remarried John Bernard, changing her last name in both instances. Any children would also have had their father's surname. However, in both marriages Elizabeth Hall Nash Bernard did not have children, so your ancestor would not be descended from this Elizabeth. However, the Hall family more generally could have a connection to your family in there somewhere, and from what you've found here it sounds like there is a branch that would connect them. Are you in England? You might check out Abington Park Museum, that's the family home of Sir John and Lady Bernard, now a museum. They might have information for you there which could prove useful in your search. I wish you success on that journey, and do let me know if you find the connection!
@davidedwards5042 жыл бұрын
What an excellent idea for a youtube channel!You deserve more viewers.p.s.the original game of football is still played in Derbyshire and there are youtube videos of it.Thanks from an Englishman.
@thatshakespearelife2 жыл бұрын
Thank you, David!
@thatshakespearelife3 жыл бұрын
Thank you to everyone that watched live with me! This was fun to play.
@garlicandglitter12863 жыл бұрын
love your videos, keep up the good work!
@thatshakespearelife3 жыл бұрын
Thank you so much! That’s so encouraging. Thank you for taking time to comment. I’m glad you enjoy the videos!
@DaisyOh3 жыл бұрын
Loved this video, Cassidy! I am somewhat new to Shakespeare and really hooked - your videos are great! Love what you do :)
@rosencrantz31333 жыл бұрын
2018?
@thatshakespearelife3 жыл бұрын
Ha! Yes- I should have re-edited that ending. I made this episode back in 2018. I re-release it periodically because it’s such a good topic but I didn’t update the ending.
@loganosmolinski44463 жыл бұрын
Boop
@teucer9153 жыл бұрын
Bernard and Bernerd would have been pronounced the same in Shakespeare's dialect, and let's remember those spellings are a lot closer than the various ways we know the Bard spelled his own name.
@thatshakespearelife3 жыл бұрын
Oh absolutely! The spelling of the time period was quite fluid. We go over early modern spelling and I have a free spelling download available inside Ep100 of That Shakespeare Life with David Crystal: www.cassidycash.com/ep-100-david-crystal/ That’s a great resource if you want to explore spelling further. In this episode, I was just wanting to help you know how to type it into Google and get to the right place for anyone who might try to research Elizabeth Barnard further, particularly for the first time. I hope that helps! Thank you for watching :):)
@teucer9153 жыл бұрын
@@thatshakespearelife I love Crystal's work on Shakespearean English, and have even corresponded with him and Ben to learn original pronunciation for myself.
@thatshakespearelife3 жыл бұрын
@teucer915 they are great! Ben’s been on our show before, too to talk OP. Hear his take on OP and Shakespeare here: www.cassidycash.com/ep008/
@apollocobain83633 жыл бұрын
Printing in 1590 - 1623 London was not that casual. There was no "public domain" in printed works and understanding of the dynamic of how printing was controlled will help us understand how the Shake-speare works get printed and reprinted. Formed in 1403 and given royal charter in 1557, the Stationers' Charter codified its legal monopoly on book production in England to ensure that once a member had asserted ownership of a text or "copy" by having it approved by the Company, no other member was entitled to publish it, that is, no one else had the "right to copy" it. Censorship is also rolled up in this stationers' monopoly which is aka "Worshipful Company of Stationers and Newspaper Makers" and located next to St Paul's. Jonson goes to prison for performance of Isle of Dogs for example, so no one would be in any hurry to print works which put them at legal risk of libel or alleged lewdness. The way to avoid such problems was to go through the printing monopoly (which seems to be what Jaggard did between 1619 and 1623). The Stationers were legally empowered to seize "offending books" that violated the standards of content set down by the Church and state; its officers could bring "offenders" before ecclesiastical authorities, usually the Bishop of London.
@thatshakespearelife2 жыл бұрын
Thank you for watching the episode, Apollo! I'm sorry it took me this long to reply. I wasn't getting my comment notifications for some reason, but they are back online now. Anyway, there was actually a great deal of borrowing from writers and even straight copying from other works that happened in this period and we know that from many sources, but definitely from the works of Shakespeare himself. My point is that the publication industry today is quite different from Shakespeare's lifetime. You bring up some great points to explore and I hope other viewers will dive deeper into the history, too. Thank you for watching and for sharing your thoughts!
@k.a60233 жыл бұрын
I liked your explanation 💚👍👍👍👍👍 from lraq
@thatshakespearelife3 жыл бұрын
Thank you!
@DaisyOh3 жыл бұрын
I really really enjoyed this, Cassidy!! Thanks for the video!
@thatshakespearelife3 жыл бұрын
You're welcome! :)
@ShelbyLovesShakespeare3 жыл бұрын
I'm SO EXCITED I found your channel Cassidy! I'm a big Shakespeare nerd myself. And your intro video is STUNNING!!! 😍🙌 You have a new subscriber. Looking forward to watching your videos!
@thatshakespearelife3 жыл бұрын
Hello Shelby! Welcome!!! So glad to have you! I hope you enjoy the videos.
@lelita653 жыл бұрын
First video I watch from your channel and I love the passion you put on it :) I'm one of the people that believe that Shakespeare did not write Shakespeare's works, but I will explore your channel. Saludos from Chile
@thatshakespearelife2 жыл бұрын
Hello! I am so sorry it took me so long to see your comment! Thank you so much for exploring the channel. I'm glad you liked the episode!
@muskndusk4 жыл бұрын
There's absolutely no evidence that he wrote in pencil and no reason for you to conclude that he did, other than you want to.
@thatshakespearelife3 жыл бұрын
Thank you for watching the video, and for leaving a comment! That's very kind of you to take time to write to us. You are correct that knowing anything specific about Shakespeare the man which can be proven beyond any doubt is difficult since he didn't write an affidavit (that we know about) saying "I definitely wrote with a pencil!" So, obviously, knowing what Shakespeare personally did definitely is, as William Sutton commented several years ago, "inconclusive." The spirit of our show both here on KZbin, and on the podcast, That Shakespeare Life, is to explore what life was like during Shakespeare's lifetime and explore how he, and others in England between 1564-1616 would have lived, what they would have had available, and the kinds of things they would have experienced. Taken from that perspective, it is true that many people in the 16-17th century England wrote with graphite pencils, and by extension, pencils were available to Shakespeare irregardless of whether or not we can prove beyond doubt that he used them. The Derwent Pencil company had a monopoly on pencil production in that area, and globally, for a long time. It's incredibly plausible to think Shakespeare might have written with a graphite pencil and in the episode I do present verifiable historical evidence to back up my thesis for the episode. While I completely recognize that I am only one human historian doing her best to explore Shakespeare's life, and remain subject to both error and mistake (which I do appreciate followers pointing out for me), in this instance, there's a great deal of evidence to back up what I'm proposing. If you're into history and want to see some of the additional evidence for the idea that Shakespeare could have used a graphite pencil, you will probably like our episode with Tiffany Stern from Shakespeare Birthplace Trust. You can listen to her interview with us here: www.cassidycash.com/ep26/ At that link (the show notes), there is a great deal of links and learn more resources provided, which I hope you enjoy. Thank you again for being here, and taking the time to comment. I hope you will stick around and watch more!
@muskndusk3 жыл бұрын
@@thatshakespearelife I'm both interested in history (though my studies are more of modern history) and Shakespeare. My knowledge of the Tudors comes from my studies of the authors of the period, such as Shakespeare. As you've said, only very basic things are known about him, such as his birth, his father's occupation, his marriage, and the fact that he wrote his plays without having been at university, which meant he was shunned and mocked by the university bards. And we know he left his second best bed to his wife, Anne. This bequest has always puzzled me: was he slighting her? They can't have been particularly happily married, with him mostly in London, while she was in Stratford I used to live in Stratford. I went to the college of FE there to do my A levels, and lived down the road from Hathaway's Cottage.
@thatshakespearelife3 жыл бұрын
@@muskndusk during Shakespeare’s lifetime for home owners the best bed was reserved for guests. The second best bed was the marriage bed, the one they had slept in together. By many historians his mentioning her by name in his will (not often done for women) as well as leaving her something so personal to the two of them is seen as a hugely romantic gesture by Shakespeare. What I’ve read, the distance between London and Stratford wasn’t a difficulty on their marriage. It was normal for men to travel to a big city for work. In fact, I’ve had some historians on our show explain that staying in Stratford to raise the children was probably Anne’s choice since she a) could’ve gone to London but didn’t and b) it was safer for a family than London.
@muskndusk3 жыл бұрын
@@thatshakespearelife I gather that you don't live in the UK. Stratford is still several hours journey by train from London, and vice versa. By horse-drawn coach, this would have taken a day, then staying over at an in, and the rest of the following day to travel. Probably not a journey undertaken lightly on Elizabethan roads. Interesting info about the bed. After he bought New Place he may have had room for a guest bedroom. I don't disagree that Anne would have willingly stayed to care for her children, but she must have resented that he moved to London. Many of the plays and Sonnets suggest that he took at least one mistress. This, and the geographical distance, must have caused a certain coldness. But marriage was a different beast then; less romantic. It is thought she was pregnant before marriage, so not a great start. There was also the large age difference between them.
@thatshakespearelife3 жыл бұрын
@@muskndusk i think you will enjoy our channel! We cover several of these things you mentioned on the show and on our podcast. Have a look around at www.cassidycash.com and I’m sure you will fit right in. I’m glad you’re here!
@muskndusk4 жыл бұрын
He wouldn't have written in graphite for the simple reason that it would have been too easy for someone else to correct his pens. Iron gall ink is permanent. This would have been the case even though he was writing working scripts for actors and these would have changed during rehearsals etc.
@thatshakespearelife3 жыл бұрын
If you're interested in how scripts worked during Shakespeare's lifetime you might enjoy this episode on That Shakespeare Life where we discuss a book by Tiffany Stern called "Shakespeare in Parts" www.cassidycash.com/ep-126-shakespeare-in-parts-with-tiffany-stern/
@muskndusk3 жыл бұрын
@@thatshakespearelife I'll take a look at the link. While at uni I did a course in Renaissance Drama, which was basically Shakespeare, Shakespeare and more Shakespeare!
@brutusalwaysminded4 жыл бұрын
Interesting. The mini-series, Shakespeare (1978 British tv), with Tim Curry as the bard, suggests that Shakespeare apprenticed with Christopher Marlowe - and that the English history plays were among the first he wrote. The series can be found here on YT. Thanks!
@thatshakespearelife4 жыл бұрын
Hello Brutus! Welcome to the channel :) Thank you for subscribing. I'm glad you enjoyed the episode, I'll have to look into that mini-series. It is wild to me how many early modern playwrights worked together. There are several plays from Shakespeare's lifetime that were pieced together by several people. Like theater today, it was a dynamic industry.
@brutusalwaysminded4 жыл бұрын
@@thatshakespearelife Thanks, Yes, the piecemeal plays came much later in his career. Though no one knows for sure, Shakespeare (as the series I alluded to suggests) seemed to be especially proud of his sole authorship work. But he was certainly an astute businessman and took advantage of the trends among writers (and audiences) with his latter projects.
@Leo-kn5uo4 жыл бұрын
my teacher wanted me to look that up, very interesting thaanks 😊
@hasmokar57604 жыл бұрын
6:55 for y’all looking for the answer
@LumocolorARTnr13194 жыл бұрын
thx for history
@thatshakespearelife4 жыл бұрын
You're welcome!
@RoyalRoots654 жыл бұрын
That’s so cool! And I saw my name. 💕🖋
@danielstride1985 жыл бұрын
Shakespeare was an A-Grade plagiarist. There's a number of old history plays floating around that Shakespeare looted wholesale - The Troublesome Reign of King John, King Leir, The Famous Victories of Henry V, and The True Tragedy of Richard III. Romeo and Juliet was taken from Arthur Brooke's poem, Romeus and Juliet. I don't hold it against him, of course. He was a genius, just one with a tendency to build on what was already there.
@thatshakespearelife5 жыл бұрын
It is a fun topic to explore, particularly in light of today's standards related to plagiarism. There were not many of the copyright laws we have today when Shakespeare was writing, and quite the opposite was true--once something was written down, it was fair game in terms of an artist copying it in their own work. (Some scholars give this situation as one reason Shakespeare himself does not seem to have authorized the publication of his plays during his lifetime) In fact, some historians even suggest it was considered something of a compliment to the original author that a subsequent author would try to copy his work. I think that's another reason Shakespeare's copying of other works is as prolific as you find it to be, because it was an industry standard practice in the 16-17th century where Shakespeare was working. Odd as it sounds to the ears of today's artists, showing off how much he copied from others demonstrates Shakespeare's professionalism of his day.
@varvarvarvarvarvar2 жыл бұрын
Leo Tolstoy thought that not only he stole the plots, but that he botched them up. In his essay, he takes King Lear, compares it to King Leir and rips it apart.
@Richardwestwood-dp5wr22 күн бұрын
@varvarvarvarvarvar tolstoy was terribly jealous of Shakespeare, for him to say that Shakespeare was a mediocrity because he wasn't "didactic" or "preaching" the Christian morality in his plays is both laughable and stupid. Tolstoy even abandoned literature in his fifties and became some sort of a pamphleteer and preacher, which clearly shows that he was a self defeating artist; unlike the great Goethe who was trying new poetic forms in his late seventies. Tolstoy was a victim of his own narrow and rigid moral views.
@kimrene21205 жыл бұрын
Secret patron? They did give her private performances at her palace I think? Great topic.
@bamagaming30075 жыл бұрын
One of my great relatives married one of Shakespeare’s daughters. His name was Thomas Quiney
@thatshakespearelife5 жыл бұрын
How fun! How did you discover you were related to Thomas Quiney?
@dianank5 жыл бұрын
Excellent video!
@thatshakespearelife5 жыл бұрын
Update! It's actually $180/year for an all access pass to Masterclass. Still a great deal, but I said that wrong in the video :)
@PegLegCraig5 жыл бұрын
Ok try this one. According to the same source you cited The UK Independent Large parts of Henry VI parts one and two are attributed to Christopher Marlowe and as was stated in the article "They do not believe it was a collaboration" all of that was available at the time you made this all over the place rant. You should do more research before misinforming people. Also there is a difference between borrowing and adaptation. Marlowe's Faustus was an adaptation of a popular German story. Ben Johnson's Volpone was a direct copy paste plot and story for Christopher Marlowe's The Jew of Malta there is again a huge difference between derivative and intellectual theft. Shakespeare's The Merchant of Venice is almost the exact same type of intellectual theft from Marlowe's The Jew of Malta. There is almost no difference between Shylock and Barabas. Same situation same moral, but with a less tragic ending. That's so blatant all the word jumbles you can throw at it will just fall off like Teflon. The method of gauging old literature for clues to author and plot origin come from a discipline called "Stylometry". It measures word usage, styles, frequency of terms used, sentence structure, rhythm, emotional dialog, and special features (Coined phrases, Iambic Pentameter, ect). It's not roping eight or nine words to form an opinion. It can not be dismissed for the prejudices of hero worship.
@thatshakespearelife5 жыл бұрын
Hello there PegLegCraig, Thank you so much for taking the time to watch my video! I am so happy you were inspired by the video to do more research into Shakespeare's history, and that you further shared it here with us. That was kind of you. That's exactly what we hope to encourage--I hope you learn something new about the bard. Just as a point of clarity, this video was not strictly about doing a word for word comparison of texts to examine collaboration (which is the reason why we didn't go as in depth on those subjects as your note implies) Instead, today's episode is about the state of book publishing in the 16-17th century, and to draw attention to the fact that culturally, there was a different relationship between the written word and the author than we expect looking back from today. In terms of who owned what with printed information, the author was often not in control. The history I share here is a defense of Shakespeare, and his contemporaries like Marlowe, that weren't plagiarizing to use or borrow from other printed works. Instead, that behavior was largely seen as complimentary to other writers when taken in historical context. As you might imagine, when using a format like KZbin, there's always a wealth of history we could explore (indeed many of our guests on the podcast have spent their entire career--many times 40 years or more---studying concepts like this one). I could have brought in a detailed look at Stylometry, but decided to stay on topic--which was to address whether Shakespeare plagiarized and to do so as succinctly as I felt reasonable. Collaboration is a well established play writing practice from the 16-17th century, and is a topic we cover separately from this video both on the podcast, as well as in other KZbin videos on this channel. I hope you will look around and continue to learn with us! If you're interested to explore further, one great place would be the interview I mentioned in this youtube episode where we talk with Ben Crystal on Original Practice techniques. You can listen to his episode here: www.cassidycash.com/ep008/
@ame87105 жыл бұрын
Twelfth night!
@thatshakespearelife5 жыл бұрын
Way to go! You got it :)
@dianank5 жыл бұрын
Love that mug! Hope I'm the lucky one to get it :D
@thatshakespearelife5 жыл бұрын
Apologies, but I'm not familiar with JackFilms. This question was submitted to me and I thought it was interesting so I tried to give a good answer. I hope you learned something new about the bard! :)
@Jeffhowardmeade5 жыл бұрын
The record at Holy Trinity is actually a copy made about 1600. The original records are lost. In it, John Shakespeare is identified as "Johannes" instead of the proper Latin "Johannis".
@thatshakespearelife5 жыл бұрын
You are correct! Thank you for that information! Here is what Shakespeare Documented (From Folger Shakespeare Library, quoting Shakespeare Birthplace Trust) has to say about the parish entry housed online at Shakespeare Documented, and the original in Stratford Upon Avon: Although dated 1564, the entry, and all other entries before September 16, 1600, are in the hand of a professional copyist who transferred them from an earlier register that no longer survives, in compliance with a 1598 regulation that parish authorities should acquire new parchment registers and copy all existing entries into it. The copyist either miscopied "Johannis" as "Johannes" or copied a mistake made by the original scribe. Read more about the record here: shakespearedocumented.folger.edu/exhibition/document/parish-register-entry-recording-william-shakespeares-baptism
@dianank5 жыл бұрын
I absolutely agree with you on how we cannot study authors without any regard for historical context. No one is free from economical, political, religious, historical, personal etc. influence. And you don't even have to go back to the 17th century for that. Charles Dickens's books are full with references from his time. And some of them are quite tricky.
@josephmacdonald83385 жыл бұрын
Impressive. Special note of mathematics in the plays, as noted in your studies, and in general. Be watching Part 2 tomorrow. Thank you.
@gustavomotacarvalhaes84645 жыл бұрын
Loved watching this one as well. Even though I already knew that the bard didn´t go to College, there were few aspects you´ve shared that I was unaware. Thanks for sharing all this videos, Cash!
@gustavomotacarvalhaes84645 жыл бұрын
Hey, Cassidy! Whenever possible, I try to watch your videos on Shakespeare. It´s been fun and useful to increase my knowledge on our dear friend from Stratford! Congrats for the nice job!
@thatshakespearelife5 жыл бұрын
Thank you Gustavo! I'm so happy you're enjoying the episodes. :)
@Jeffhowardmeade5 жыл бұрын
But how did he get away with naming the bad guy in Othello "Iago" (español for "James") without offending His Majesty?
@thatshakespearelife5 жыл бұрын
Well, this episode is about Macbeth, so that's why we didn't address Othello here, but this is a very intriguing question! I had not considered that Iago was Spanish for James. Maybe we can investigate that on a future episode. :)