Bro.... your channel is a goldmine of information! Glad I stumbled on this channel. Thanks for putting this together! This is the type of music history I eat up.

None. The crap you make is not worth keeping.

I have no idea how you got vexengo span in there

9:30

i’ve watched over 1000 KZbin audio tutorials. Just discovered your channel and you explain things very well

2:10 That’s exactly what a compressor does

0:49 that graphic was cool

Question: How is this granular synthesis if it doesn't treat the grain as an oscillator? I know - in audio terminology "oscillator" tends to just mean "sound source", but what about actually using it as a literal oscillator - a periodic fluctuator? This seems to function just as a sampler (with some cool modulation, which good samplers also have). I want to use a single cycle waveform to create a patch. Can Absynth not do this?

I noticed this from six years ago, but I just subscribed 2024 just found nebula. I am truly amazed.❤❤❤

This looks and sounds like a college presentation delivered by Hero Hei

Been using audiotool for years. This is the best understanding of phase modulation I've ever had. Thank you.

17:03 multitrack analog tape recording 18:42 Studer J37 4-track 1" tape Beatles EMI

Is it possible to assign one instrument to a group of keys and the other instrument to another section of the keyboard?

Is it true that the Beatles recorded their first song on a piece of wet toilet paper?

I’ve become pretty obsessed with no - hit wonder obscure bands of the mid 60s, mainly North American bands who were trying to be The Rolling Stones, The Kinks, etc. Typically from small towns but of course also metros lol. Any niche of a genre has plenty of duds, but the good examples of this are really raw and wild-sounding, like, EVEN BETTER than 70s punk rock, which is where I come from, lol. Googling the subject of what a typical mom and pop studio in Burfurd, Nebraska, the types of studios these bands used, I’m curious about what tape machines, what mixers, what mics, what outboard gear etc one would typically find in the studio where Booger and The Mugwumps (fictional for effect lol) of Grudsville, TX recorded their rude and crude, rebellious 2-chord songs. This specific info is weirdly elusive. I figured if anyone knew more details re this than I seem to be able to uncover online, it would be you. Thx tons, should you bother to respond, lol. Great post. I can’t get enough of this kind of stuff; good one.

Also I think maybe you could approach physical modelling in the way of lets make something sound new not old idk imagine physics being different in a world what would it sound like?

I dont think its necessarily that we will never be satisfied with the quality, we just obviously compare it to our ear which is really high definition recording device. When we reach that point in recording where its either recorded and played out in a lot more definition by technology we (or perhaps future ai) builds or somehow we record directly what we hear (I dont know how you would do that but I dont see how that would be impossible) and until then we wont be satisfied, but my theory is that its not impossible to record and play back things in our heads, make a computer that works like us.

Underrated great tutorial

Hey man ,where i can download this incredible vst dron-e now in 2024,is still possible ,please help me,thanks sooooo much,i need it.from Treviso Italy Cattarin Luciano

So, are saturation and excitation the same? I have my eyes on an exciter plugin , but I don't want to waste my money on it if I can accomplish the same thing with a saturator plugin. I have a few saturator plugins already.

This sounds harsh to me compared to the mellow Tyrell.

What the hell does it plug into???

I cringe when i see people having sidechain conpressing at 100% the quickist way to destroy your good dynamics plus you can hear, it.... 83%wet is my go to then id adjust depending on which compressor im using, Molot is about 93% l, Molot is very good and is supposed to a bus/mastering compressor snd you want the colour, cleaner glue compressors are horrible at 100%, you can litterary hear when it compresses and cos there is not saturation your losing too much of tour dynamics and saturation adds dynamics! Songs with little dynamics sound crap and powerless. Dynamics= snap crackle and pop which gives your tracks so much more punch and power, stop making lound songs and start making great sounding tracks.

Can anyone please tell me if the Nebula 3 library runs on Nebula 4?

Thank you!

Dude, you are the entire source for my computer hardware project. Thank you so much

The sample needs to be in a specific note? (Like C)?

First!

I knew how I came across this video. We have to clarify what kind: classical (church/cathedral), or theater (the precursor to the electric/electronic ones). In this case...the video's title speaks for itself. Additive synthesis = electric organ. The same nastiness is behind the sound, but the sound is buried in effects. Only the in its original form, were electric organs able to achieve (traditional) sounds. The rotary speaker ruined everything, when it was introduced in 1941. You went from Toccatas to "O Sole A Mio" or "Oh Happy Day."

Usually, a decent sampler will have a zero point function so that you don't have to annoyingly zoom and and find it. For example, Cubase's sampler track, you can enable the zero point crossing button, which makes it so easy to create loop points. I was thinking about buying this VST, but not sure now.

This video seems to start in the middle. Where do you explain the basics of the plugin - what it does and how to get started with it?

I cant get the actual application to pop up on my screen all I have is the plugins. What am i supposed to do? Thank you.

Hello I have an Alyssa's special edition. And while playing at any given time, the whole drum set has a volume spike to the point. We have to rip out our In ear monitors because it's ballistic very frustrating, but also very damaging to the ear. I hope you can help me with this is it And internal problem with the module. Have you ever heard of this? And what can you do help?

Thabk you so much for this comprehensive summary. I found it very useful for an essay I'm writing about the history of mixing consoles. You've got a new subscriber

The LP and the 45 were designed to replace 78s. The 45, developed by RCA, could be sold either individually or as part of a multidisk set in a binder, called an album (just like 78s). However the 45 was smaller and more rugged than a 78. One new feature of the 45, facilitated by the large center hole, was the automatic disk changer, which allowed you to stack several 45s on the player so that they would play without intervention. RCA said "now you can listen to an entire album of 45s in whatever order you prefer." Meanwhile, Columbia's replacement for 78s was the LP. With the LP, you could get an entire album on one disk. Not to be outdone by RCA, Columbia made an automatic LP changer which had a clamping arm to keep the stack of small-center-hole-disks stacked on the changer spindle.. Before long the familiar marketing of using 45s for single releases and LPs for album releases emerged, at which point both manufacturers started producing both 45s and LPs.

Hey great video but i have a question How to bounce automation on instruments or vst.

Transla in to bengali verson

Thanks for this. One of the few explanations on this sampler that is nicely explained.

What about saving this as one new instrument, so you dont' have to go through this process over and over each time you want to mix 2 instruments. Is there a way to save it as a combined new instrument?

Man a dx7 for $200 us a dream..

decent patch at the end there

great course

good lecture

1:21:54 naughty man

outstanding course!🏆🎛🏆🎛🏆 whoever makes it here and sees this, you have a solid head start.

if you're seeing this, you deserve to know about the airwindows dark dither

from now on I'll call it MJuice too

one thing to add is to experimenting with EQ on the parallel return, especially cutting off some of the mids to prevent a boxy effect, so that you can add enough to make an impact

I think the pre-delay works normally in oldskoolverb, and he means that if the predelay is very short, since the early reflections are very similar to the source sound, they will be more prominent by being layered on top of it.

For some reason, records made after WWI really suck compared to WWII and before recordings.