When is part 2 coming? This was genius!

This was amazing

When is the part 2 coming out?

Very insightful. I will use this framework from now on as I learn about works of art.

Jiraya

Visual Arts, 10th grade

Que buen video muchas gracias ❤

很受益，謝謝。

This video is so insightful. Maybe the best I've seen.

Thank you for sharing your knowledge with such incredible visual explainers

Amazing and well explanation in a systematic way, eagerly waiting for part 2

when is part 2 coming out?

dis great but isn't marc quinn still alive? (i think the part at 6.01 is a bit off oops)

You are overintectualizing a process that was genuinely organic to her

It is soooo helpful! cant wait longer for part 2!

Hi, did you remove "Analyze Art with Colour Theory (Beginner)"? I found the video from other youtuber(kajal art).

amazing channel. do they still make videos? i would like to support the channel

this is sooOOo helpful. grinding for As

Abstract sculptures are characterised by the organic forms and understated elegance, inspired by metaphors, of nature such as plants, seeds and fruits. Her sculptures tend to demonstrate a strong sense of symmetry, patterns and balance, signifying the vitality of life. Sai Por chose an abstract approach for her sculptures in order to bring emphasis to their formal qualities such as its textures, interplay of space and intricate linear patterns, and bring emphasis to the material of the sculpture, such as the smooth classical marble that exudes beauty and high standards of excellence, and the coarse and hard granite that exudes a commanding yet quiet physical presence, bellying resilience and strength. By allowing the formal and material qualities to shine, Han Sai por can communicate intangible subject matter that she is concerned with, such as the vitality of nature’s energy, nature’s lyrical and nurturing qualities, pessimism towards rapid urbanisation that has led to continuous deforestation, the estranged relationship between man and nature in urban environments, and the inescapable duality of life and death. Sai Por wants to signify the denatured, divorced consequences of substituting nature with artifice, that is the clearing away of the messy rainforest and reconstruction of schematised landscaped gardens She observed that the extensive built-up environment in Singapore has adversely affected the continuing survival of native wildlife and plants, many of which have become endangered or extinct. Indigenous species are replaced by imported ones in order to create the Singapore vision of a well-manicured Garden City. Plants are unrooted from their historical wellsprings, leaving many location names that are associated with plants with no signs of plants in sight, such as Sembawang, Tampines, and Orchard, creating profound estrangements and severe dislocations. Sai Por felt that the new urban environment is very alien, thus wanted to respond to this mass destruction of wildlife and childhood memories. This could be the reason behind the look of her public sculptures: familiar yet alien. They invite urban dwellers to reconnect with nature, yet raise awareness of the highly artificial environment that they are living in today. She uses a variety of natural materials, most of which are stone and marble to emphasise the relationship between nature and man. These materials contrast the physical presence and materials of urban landscape such as concrete and steel which has shaped the efficiency driven urban behaviour. The contrasting materials remind viewers to slow down and reconnect with the natural materials that have been veiled by modern materials and contemplate on how we have been living. Sai por's works are interactive as she invites viewers to touch the surfaces and feel the textures, heat, mass and overall raw presence, a way to compel viewers to reinvigorate their relationship with nature, live harmoniously with it and contemplate on how we are living now against the speed of modern life. The choice of materials also reminds viewers to be environmentally conscious. Every material has its source, and to remove such a monolith requires large acts of violation: digging, drilling and blasting. The violence entailed removing these materials. Brings the viewer's attention to the incipient violence. In human actions in manipulating the landscape. To what end must nature be sacrificed for humanity’s progress? She will first study the environment where the sculpture will stand before deciding on what material. She will then sketch the concept on paper before converting them into a 3D mockup in clay. Then, she works directly on the material of her choice. She usually chips and carves the material, using power tools to handle large ones. When she hammers, chisels and drills hard stone, heat, energy and waves of sounds are created as though the material’s inner soul is freed. She believes that her sculptures have an inner life force struggling to get out, and her carving method helps them to be released. The immediate contact is physical, allowing her to understand the character of nature and develop an intimate and sympathetic relationship with the materials. She gains a deeper understanding of the material, such as its surface texture and whether it is hard or soft. This knowledge guides her to develop the work, and helps her keep the materials’ original identity. The resulting sculpture is a consequence of this, creative physical exchange of man and nature symbolising a harmonious balance between the two. She finishes the work with painstaking polishing, exuding smooth, sensual lines that are engaging and tactile. Influences is inspired by her childhood memories of playing the tropical landscape of Singapore that once existed. She hopes to inspire many to see and appreciate the often overlooked beauty of nature, and wonder about its place in our lives. She is also inspired by the Chinese philosophy: humans are part of nature, the environment is important for their survival. In an attempt to inspire urban dwellers to reconnect with nature, she gains inspiration from nature, such as the dense, dynamic and mystical qualities of tropical trees and the beauty of fluid lines and shapes seen in flowers, seeds, roots and leaves. She then translates what she sees into distinctive organic forms, resulting in nature-inspired motifs whose forms are of elegance, beauty and quietness. These formal qualities can easily be found in Chinese ink paintings of natural landscapes and flora, showing the strong influences of Chinese culture. She is also influenced by weston sculptors, such as Michelangelo whose sculptures are made of precise carving in generating sensual and beautiful lines, and Brancusi whose abstract sculptures exude poetic simplicity. Her sculptures are organic, natural in shapes and possess a tangible presence. Positive and negative space evolve when intertwined with light, and light and dark areas are juxtaposed to create interesting visual effects. Her works tend to be gentle and soothing, never harsh. The fluid lines are seamless and evoke a contemplative and mellow reaction. These lines are dynamically opposed to the hard material used to create these lines, evoking the dual qualities of nature: rhythmic elegance and powerful vitality. The constant movement of the sculpture's form and texture is a nod to nature’s constant evolution and growth, a nod to the energies of the planet constantly in eternal motion through time. While some sculptures are white and emulate the beautiful and elegant life force, catching the attention of unassuming passersby, others are black, signifying death and decay of bleak landscapes. They bring a stark reminder of the rapidly shrinking natural landscapes that could have an irreversible effect on the climate, and how we are part of nature that we are destroying, not apart from it. That's one long script huh? There's so much to learn goodness gracious.

Very useful and insightful, thanks for sharing, waiting for the 2nd part

thank you 🙏🙏🙏

I loved this method for examining art, thanks for sharing.

This is an outstanding video. Thanks very much.

I just stumbled upon your channel. I’ve learned so much in the 3 videos I’ve seen so far. I know there are lots of complaints about the ai, but when the information is this great, I feel like it’s easy to get past that.

We need part 2!

Engaging and very well done video. I learned more from this video than I did taking humanities classes 30 years ago. The narrator was fantastic. Thank you.

Sooooo good! As a new one who's trying to study art history for work's need, that video just help me a lot. Thanks!! And hope the part2&3 will come soon~thanks for your work again!

This is really amazing contents in this video, thank you so much for this making lovely video. MD abdus sabur

this video has really helped me with my art work

Aaaaawesooome thanks for the very clear and systematic lesson! I look forward to the next parts! 🙏🏼🙏🏼🙏🏼

This needs so many more views!! Hoping for a part 2!!

Éblouissant de beauté et très émouvant ! Il arrive à nous faire rentrer en interaction avec ces personnes tellement les émotions affleurent, c est magique et magnifique ♥️ ✨

FA2-HTM1-04

Thank you for this video, it was very useful, I would like to know if you could provide me with the bibliographic sources on which these principles are based? Thank you so much!

I like the video, but Ai has really destroyed alot of the art concept, I recommend using your own art (I saw on a comment that says you do stop motion, you could use that to still convey the video, and frankly be more unique.) But decent video regardless.

Thank you very much for this I really needed more knowledge for my A level art

This video is perfect, thanks.

Great video 😮 Thank you very much! ❤

❤❤❤

This is really helpful, thank you

Thank you

I love these videos, and as an artist learned a lot from them in just a couple minutes. Very intellectual. The commentors however, are not. Why is it that every single video in the comment section features somebody complaining their head off about the "voice" or the 'ai' or the music? Wtf? It's like a bunch of 10 year olds from reddit are actively bombing these videos. It's pretty disrespectful. Dudes. Chill tf out. It's a learning video, not a call of duty game. Gtfo, and just watch the videos without bellyaching. We might to turn off the comment section.

Awesome work man! What software did you use to make it tho?

Wow, this is one helpful and informative video. Knowledge was presented in an organized manner, the script provided informative content for beginners, narration and voice-over was clear, and the video and editing quality complemented the script. Thank you so much for making this and sharing this with the world! :)

Excellent video.Thanks!

Love the video! easy to watch with direct info about the topic, a nice and clean voice for the narrator to hear. It's nice that you guys changed with the feedback in the previous videos, happy to see. Thank you for the hard work!

Hmm I imagine people used to watch paintings like we watch videos...that thought changes my perspective on looking at visual art. I'll try to remember it the next time I look at or watch a painting.

Thank you! Greetings from Germany ❤

Please make modern art video 🙏🏻

There is NOTHING about that Picasso painting to indicate the child is starving - OTHER THAN THE TITLE. In fact, it looks more like she’s mixing something.