Thank you very much! :)

Thank you very much! :)

Thanks & that's the great keyboardist/composer Jonathan Wolff on the original key bass groove :)

Thank you! :)

Thank you! :)

Thank you! :)

Thank you! :)

Thank you very much! 😊

Thank you very much! 🙂

Thank you & Happy B-day to your friend :)

It looks to be a Ken smith

@@meapo5553 thank you 🙏

Thank you very much & it's an old Ken Smith Burner 5 :)

@@richglassBA55 i appreciate it, keep playing! 😁

Ken smith burner 5 i have a ken smith burner 4 in black!

Yes it's an old Burner & Thank you! :)

Luv it! Thanks for sharing the music & story! :)

@@timothydukeman7619 I’m playing it in F not E here

​@@richglassBA55My bad. The studio version's tuning is slightly off, isn't it? Then, slide C up to D! 😂

@@timothydukeman7619 I'll stand by my work. I listened hard again to my source material (slightly out of tune studio rec'ding), and there is no sliding into those notes, IMO. Of course, you're welcome to your opinion and interpretation. Btw, I wasn't using any live recording or (old or new) vids as primary source material, and I'm not trying to play it exactly like Geddy (I would use a different bass and spend more time on the bass tone and his unique RH attack if so). I thought it was a cool riff and an excellent short study that I could put in F. That was my goal in this vid. Thanks again for your consideration :)

Awesome God - Fred Hammond *it's in the title btw lol :)

@@richglassBA55haha! Thanks

I wish I knew :)

Raphael Saadiq is awesome :)

Yes, it's a fretless Pedulla Pentabuzz & thank you :)

Thank you very much! btw, I'm a student of your playing too :) (your book is great!)

I wish you were wrong! :) FD is a battle everyday :)

Thank you very much! :)

Sounds great! 👍🏻 🎸

@@cristhomas5683 Thank you! :)

Thank you :)

Thanks!

Ha! :)

Thanks! Jaco was a genius :)

Thank you & yes, it's an incredible tune :)

Yes, it's a MTD USA Kingston 534

Thank you and I'm playing an older MTD Kingston 5 😁

I have several Nashville colleagues who've owned many, many P-basses over the decades so they would have a better handle on your question. IMO though, I've found that although you can group them into eras that each bass is pretty much unique. It's the player's talent, experience, expertise, and technique that can draw out the sweetness (or bitterness! lol) of a bass. Thanks! :)

Thank you! I will try to update this vid in the future too :)

Thanks! Anthony's playing is a blast to study, learn, and incorporate into your own playing, IMO :)

@@richglassBA55 Exactly! That hemiola with the major tenths ascending in minor thirds…I use that still. Great stuff.

Thanks! :)

Thank you! :)

Thank you for checking out the vid! To answer your question, I didn't learn my RH technique from a book. It's evolved from decades of practice and a myriad of the other complex factors.

Thanks! :)

Thanks a lot!

Thank you!! 😁

Thanks! :)

Thank you! :)

I tend to use different strings for different basses. In this vid, it's most probably DRs light gauge. Thanks for listening! :)

Thank you very much! :)