Magari solo uno slow, tutto qui, musicato dal grande Mantovani che amava il nostro Paese: anni in cui l'Italia, modestamente, brillava non solo per il turismo. Bel tempo andato che speriamo torni almeno un po'.

Armando Sciascia e la sua Orchestra & Coro * * * “Good-bye Venezia” * * * Original title : “Lazy Gondolier” * * * Music by Pedro Manilla (pseudonym of Annunzio Paolo Mantovani) & Georgio Forli (pseudonym of Frank Lee) Original English lyrics by Johnny May Italian lyrics by Giuseppe Pittari - - - There was a bit of confusion ! An Italian source, perhaps incorrect (or partially incorrect), indicates Mantovani and Carlo Alberto Rossi as co-authors of the Italian text, and Mantovani as the sole composer of the music. On some labels of FONIT 15104, and FONIT 15749 (song sung by Umberto Da Preda e la sua chitarra ), Manilla - Mantovani - Pittari are listed as authors of “Good-bye Venezia”. * * * Recorded in Milano, c. October 1955 * * * mx. 81126 * * * FONIT 15104 * * * * *

Barcarola 😄

There's a second version without singing. I have a such one on Polydor record. Great! Thanks for the video!

Dankeschön für's Hochladen 🤗🙋‍♀️

Sehr schön 🤗👍

Herrlich 😁 vielen Dank für's Hochladen 😃🤗

Jeu magnifique du violoniste Toubas, premier prix du conservatoire de Paris en 1922 !

Cosimo di Ceglie e i suoi Assi del ritmo [Sergio Quercioli (clarinet, altosax), Giovanni Ferrero (violin), Angelo Giacomazzi (piano), Pompeo Tiani (vibraphone), Cosimo Di Ceglie (guitar), Giorgio Poli (bass), Claudio Gambarelli (drums)] * * * “Good Enough to Keep” * * * Music by Benny Goodman, Charlie Christian and Jimmy Mundy. * * * “Good Enough to Keep” was the original title of the famous swing composition "Air Mail Special". In fact, various sources indicate the great guitarist Charlie Christian as the only, or in any case the main, composer of the piece, but it was registered in the name of Goodman, Christian and Mundy (the arranger of the song for Goodman's band). The first studio recording is by Benny Goodman's Sextet (with Charlie Christian), June 11, 1940 * * * Recorded in Milano, May 1945 * * * mx. CB 11303-2 * * * COLUMBIA D 13170 * * * * *

Hollywood Dance Orchestra (Sam Lanin's Dance Band) (refrain by Irving Kaufman) * * * “Sam, the Old Accordion Man” * * * Music & Text by Walter Donaldson * * * Recorded in New York, December 20, 1926 * * * mx. 5470 (new Eaglephone matrix) mx. 7005-2 (original matrix number) * * * EAGLEPHONE C 5535 (Italy) (also previously issued on EAGLEPHONE C 5469) * * * Originally issued on BANNER 1907 (U.S.A.) * * * * *

Dankeschön für's Hochladen 😊🙋‍♀️

Geminis adelante

Saludos gustavo

🤣 holldrio und dullijööö.. heute ist Feiertag 🍺🥳👨‍🌾

upload jodeln

I added the interesting lyrics of the song, but KZbin deleted it 6 times... Now I try for the 7th time :

The most famous song by Eugenio Mignone. At the time of its release it had great popularity and was recorded by some of the most famous interpreters: three times by Daniele Serra, then Gabrè, Miscel, Enzo Fusco, Piero Cluberti and Guido Agnoletti. We also have several instrumental versions. This one is by Lorenzo’s Orchestra a Columbia studio orchestra conducted by Lorenzo Molajoli (1868-1939), well konown in the field of opera. The name “Naja” derives from “Naga” which designated the seven-headed serpent of Hindu mythology. The song’s lyrics, written by Peppino Mendes (Catania, 1892 - Napoli, 1978), tell the dramatic story of a planter who is abandoned by his woman, the mysterious Naja, but is unable to resign himself and meditates revenge... Between the end of the 19th century and the beginning of the 20th century, novels (of varying quality) with exotic settings were very widespread in Italy, in particular those by the famous Emilio Salgàri. These novels later inspired many songwriters. * * *

Lorenzo’s Orchestra (dir. by Lorenzo Molajoili) * * * “Naja !” * * * Music by Eugenio Mignone Text by Peppino Mendes * * * Recorded in Milano, 1928 * * * mx. B 2089 * * * COLUMBIA D 5874 * * * * *

The most famous song by Eugenio Mignone. At the time of its release it had great popularity and was recorded by some of the most famous interpreters: three times by Daniele Serra, then Gabrè, Miscel, Enzo Fusco, Piero Cluberti and, indeed, Guido Agnoletti, a light tenor very active mainly in the field of operetta. We also have several instrumental versions. The name “Naja” derives from “Naga” which designated the seven-headed serpent of Hindu mythology. The song's lyrics, written by Peppino Mendes (Catania, 1892 - Napoli, 1978), tell the dramatic story of a planter who is abandoned by his woman, the mysterious Naja, but is unable to resign himself and meditates revenge... Between the end of the 19th century and the beginning of the 20th century, novels (of varying quality) with exotic settings were very widespread in Italy, in particular those by the famous Emilio Salgàri. These novels later inspired many songwriters. * * *

Guido Agnoletti / Orchestra * * * “Naja !” * * * Music by Eugenio Mignone Text by Peppino Mendes * * * Recorded in Milano, 1928 * * * mx. 88264 * * * EDISON BELL M 42 (also on EDISON BELL M 515) * * * * *

The KZbin algorithm inexplicably deleted my long comment 4 times...

The KZbin algorithm inexplicably deleted my long comment 4 times...

Best banjo player ever!

👍Samba.. 🥁💋💃🎷

Genau richtig für den Mittwoch Abend 😊

Herrliche Zeiten ❤

Wunderschöne Version! Vielen Dank fürs Vorstellen!

🌹

Habe in meiner Kindheit in den 70er Jahren auch so manche Schallplatte, ob Schellack oder Vinyl vor dem Sperrmüll gerettet. Auch aus dem gesamten Familienkreis. Ebenso hat sich glücklicherweise die Graetz Phonotruhe 178W erhalten, die sich meine Großeltern Weihnachten 1953 anschafften, den Mitte der 60er Jahre gegen einen modernen Musikeckschrank ausgetauscht, einem befreundeten Ehepaar schenkten, und die Frau mit die Truhe dann nach über 50 Jahren zurückgab.

Giuseppe Lagorio, music teacher in Milan, was the author of several fairly successful compositions. In particular, one of his tangos from 1927 “Notturnino veneziano” had considerable popularity also through several recordings not only in Italy, but also abroad. This other tango, “Rose e violette” (1928), did not achieve the same popularity. However, it is documented by some 78 rpm recordings, in both instrumental and sung versions (Grande Orchestra da Ballo dir. by Raffaele Stocchetti, Ines Talamo, Daniele Serra and Aldo Toscanini). * * * Lorenzo’s Orchestra (dir. by Lorenzo Molajoili) * * * “Rose e violette” * * * Music by Giuseppe Lagorio Text by Tomaso De Filippis * * * Recorded in Milano, 1928 * * * mx. B 2088 * * * COLUMBIA D 5874 * * * * *

Fantastica!!! Poi Peppino che canta in “inglese” è la ciliegina sulla torta 😬😬😬 si può ascoltare l’altro lato? Rinnovo anche io i complimenti per la stupenda collezione

Eccezionale il modo in cui passa dal rock, barocco e swing. Un arrangiatore unico per stile e capacità trascrittive. È stato uno dei migliori violinisti del secolo scorso. Nella sua musica ha inserito il clavicembalo quasi per non dimenticare la musica classica acui proveniva con ottimi risultati.

“Il giovanotto matto” : one of the best known and nicest little songs composed by the equally nice pianist (and conductor, presenter, actor, etc.) Lelio Luttazzi, from Trieste. It came out in 1943 and is still widely performed today. After the First World War, as with some other Italian songs of the time, an English version was created, particularly aimed at the large number of American, Canadian and British soldiers present in Italy. * * * Orchestra Cosimo Di Ceglie refrain by Peppino Sacchi * * * “My Bella Signorina” * * * original title : “Il giovanotto matto” * * * Music & original Italian text by Lelio Luttazzi (1923-2010) English text by Deani (pseudonym of Piero Leonardi) (1897-1959) * * * Recorded in Milano, c. June 1945 * * * mx. CB 11325 * * * COLUMBIA D 13170 * * * * * Some recordings on 78 rpm records : - - - Ernesto Bonino / Orchestra dir. Carlo Zeme - CETRA AA 385 Eraldo Romanoni, pianoforte / acc. ritmico - CETRA DC 4356 (in medley) Lelio Luttazzi, pianoforte - CGD PV 1445 (in medley) Sergio Lulli / Orchestra dir. Cosimo Di Ceglie - COLUMBIA D 13158 Wolmer, fisarmonica e Ritmi - COLUMBIA D 13230 (in medley) Natalino Otto / Sciorilli e la sua Orchestra - FONIT 12143, FONIT 12811 Nevio Guarise / Orchestra - FONOTECNICA D 4421 Carlastella * (refrain) / Quintetto del Delirio - ODEON TW 3170, ODEON P 821 Ruggero Ricco - PHONO ELECTRO E 4335 * * * * *

Please someone, give the lyrics

Sino la canta el ruiseñor de París, el resto es silencio...

Is this record for sale if do ask?

da singt Liselotte Malkowsky

Bellissima versione riarrangiata( alla grande) della canzone 'il giovanotto matto"di Lelio Luttazzi..Una pietra militare della musica jazz italiana e non solo..Complimenti per la fantastica e vastissima collezione!

Aldo Maietti. Excelent.

Superbe! bravo! merci

ich finds wunderbar <3

Aufgenommen am 7. Juli 1913, Kelly nennt als Interpreten "Harmonie-Orchester (Seidler)".

Sehr präzis + charmant! Gruß, der NR - Goosmann

❤️

Sehr schön!!

Wurden die Polydor und Brunswick-Matrizen nicht von USA-Originaltonbändern in Deutschland neu geschnitten?

wunderschöner Schlager, sehr gut gespielt und vorgetragen. vielen Dank dafür.

Here because of sublime Bradley

Beautiful singing

Oscar Joost,ein wirklich tolles Orchester❤