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@purshotamdass8517 4 күн бұрын
👍👌💐💐💐💐💐
@SwapanBanerjee-y7p 6 күн бұрын
Which raga?
@DALJITSINGHGABRI 7 күн бұрын
v.nice
@dnyanprakashvarma9536 8 күн бұрын
Great artists!!!! pls share the 2nd part..Eager to listen.
@rahulgogate3580 10 күн бұрын
HYPNOTIC
@ajaytalgeri133 Ай бұрын
My humble pranaams to my late Guru & ustaad. Yet to hear better performance/understanding of the raag 'yeman' & 'kalyan'.
@thinkingcitizen Ай бұрын
era of legends
@ArifKhan-d5j6e Ай бұрын
King of sarangi ustad sultan khan
@TheRageshreemusic Ай бұрын
Thank you.
@ramdasbharte2884 Ай бұрын
Superb presentation of Raag Darbari Kanada! Legendary marahum ustad Amir Khaun's famous composition 'Kin bairan kan bhare ...' played beautifully!! Accompaniment on tabla is equally good!!!
@meghashrita15 Ай бұрын
অপূর্ব।এ অশান্তির সময়ে শান্তির সুবাস ছড়িয়ে গেল।
@PoojaMadival-hc3wy Ай бұрын
Tabalaka god
@hamidmehmood2430 3 ай бұрын
یا اللہ پاک ان کی مغفرت فرمائیں آمین ثمہ آمین یا رب العالمین
@achyutkarve 3 ай бұрын
और एक बात है। मुनीर खान ने कही कायदोके बोल बदली करे। इस वजहसे आप अहमेदजान और हबीबुद्दीन के तबलेकी तुलना नही कर सकते।
@achyutkarve 3 ай бұрын
UAJT ke hath me swar tha aur uska vajaha Munir Khan the. Ustad Habibuddin ki vo ijjat karte the. Ahmedjan aur Habibiddin me farak ye hai ki Habibuddin ne purab ki talim nahi li thi. Bas kayi din vo Munir Khan ke pas sikhe. Ahmedjan ke table me rachnonki relchel thi. Ek rachna vo 3 se 4 minute se jyada bajaya nahi karte. Aur vahi unke nam hone ka vahah bhi. Dusri bat ye hai ki Habibuddin tayari ke piche pade the. Is vajaha se unke tableme mithas nahi hai. Yahi bat Nizamuddin Khan ki bhi hui.
@sushantadattagupta701 3 ай бұрын
Thanks for digging out this golden collection. Immaculate tabla lahara 👏👏
@sufsanin1917 3 ай бұрын
7:32
@masoodahmed9203 4 ай бұрын
Uufff❤️
@apurbagoswami3673 4 ай бұрын
শুনে প্রাণ টা ভরে গেল ! এঁদের আরো বাজনার রেকডিং যদি থাকে তাহলে জনসমক্ষে প্রকাশের অনুরোধ করছি।আর অশেষ ধন্যবাদ জানাচ্ছি এই অমূল্য সম্পদ সকলের শোনার সুযোগ করে দেওয়ার জন্য।
@arijitmukherjee7859 4 ай бұрын
এই গানটির লেখক ও খুব সম্ভত সুরকার হলেন রামনিধি গুপ্ত (১৭৪১-৬ এপ্রিল ১৮৩৪) সাধারণত নিধু বাবু নামে পরিচিত, বাংলা টপ্পা সঙ্গীতের একজন মহান সংস্কারক। তার পূর্ব পর্যন্ত টপ্পা এক ধরনের অরুচিকর গান হিসেবে বিবেচিত হতো । তার গানের ভক্তরা অধিকাংশই সেকালের ধনাঢ্য সম্ভ্রান্ত ছিলেন। (Source Wikipedia).
@sheshagirigh 4 ай бұрын
Thank you🙏
@sikhipatipanda3639 4 ай бұрын
Pran juriye Gela .
@HarisKhan-bh6uj 4 ай бұрын
what a treat !!
@amanpathrey4099 5 ай бұрын
🙏😇♥️
@asgharhshah 5 ай бұрын
Talk about this stupid world of Morans.Ustad Rais Khan could do in ten minutes what famous player like ustad Ravi Shankar and ustad vilayat khan would do in 2 hours.
@asgharhshah 5 ай бұрын
Technically ustad Rais khan was the best player of instrument called sitar. I don’t give a shirt who became popular as Sitar player in the world, mind you only people who are not genuine in their work need public recognition.
@adwaygupta6385 5 ай бұрын
11:16
@parthmishra2041 6 ай бұрын
Can we have more clear audio plzz
@shalakyabhaduri2419 6 ай бұрын
Kyabat hai nazuk
@_jagmansingh4062 7 ай бұрын
13:13
@muhammadsuleman8313 7 ай бұрын
Remarkable Clarity
@chanchalchakraborty3953 7 ай бұрын
Excellent, 🙏🙏🙏
@sukanyanath6802 7 ай бұрын
Great Rendition
@apurbagoswami3673 8 ай бұрын
Thanks from the bottom of my heart for uploading such a beautiful as well as priceless recording !!❤ God bless you.
@kaushikpal3469 8 ай бұрын
সুরের মায়াজালে আবিষ্ট হলাম।❤
@nayanmandalofficial7404 8 ай бұрын
Ei sondhay suneo chokh bondho korle vorer pub akash jeno sposto dekhte pacchi❤
@OFFICIALANUPAM 8 ай бұрын
আহা 🙏🙏
@sonalichatterjee3760 8 ай бұрын
আহা আহা 🙏❤🙏
@vijaysingbundhoo7393 8 ай бұрын
Very versatile tabla player who had an unparalleled repertoire of GAT COMPOSITIONS..He and Afaq Hussein Khan Saheb Shaped the tabla of the RESPECTED LUCKNOW GHARANA... As a note... Farukhabaad and Benares Gharana are both an offshoot of Lucknow Gharana as far as Tabla Playing Pedagogy is concerned.. Professor Vijay Sing Bundhoo
@shibajimajumder7742 8 ай бұрын
God in the fingers blessing with the melody from strings
@gilbertfanti5762 8 ай бұрын
Quels talents !!!
@riddhimanghosh3534 8 ай бұрын
Is this Raag Puriya Dhanasree?
@_anirban.03_official 9 ай бұрын
The given email id doesn't work... can i get contact number or the way through which i can recieve this book??
@rahulphatak_oldschooltabla 9 ай бұрын
I enjoy UstadJi’s playing : sound , wajan , speed. It is beyond words…Kyaa baat hai 🙏🏽🙏🏽♥️♥️ Im not sure how the commentary with all the negative overtones …is helping / achieving anything. Sounds like he’s definitely got a chip (or many) on his shoulder…and we don’t know the exact background of that. Perhaps it’s justified , perhaps not . Either way it brings a dark negative could over what is out of this world playing and knowledge sharing. As far as the “playing only the ‘original’ way” per his own experience and everything else being “incorrect” I vehemently disagree with that. Pranam to Ustad Ji and contribution to Tabla / music 🙏🏽🙏🏽♥️♥️ Hope he found some more positivity in the afterlife
@ronniedrozario8883 10 ай бұрын
The sign of four (17.05.1917 UP-Rampur, to Taltalla Ripon St., 03.12.1977 Calcutta-16, really left us as widows/widowers?): (1)Behaviour, (2)Political looks/tabla-uniform (with Bar-at-Law Nehru also), (3)Trainer, & (4)Excellent performer (his tabla talks) even with Thumris / ELEMENTARY. N.B.: My Gods,- my own mother, folld. by my 32Gen. idol Kha-saheb (HMV cd reqd., LOUD, with fan-like top cover overall house views, indore along, young age pictures, with mukbara / grave...reqd., a few short compositions along with this interview); Kolkata, India, & SHARE globally, plz., even with Laxmi Mittal & J.C.Bose's alma mater, SXC.🎉
@purandaremandars 10 ай бұрын
Kamaal!
@HarisKhan-bh6uj 10 ай бұрын
thanks for shring this on youtube .. such a treasure !!
@adwaygupta6385 10 ай бұрын
3:41
@anshdeepsinghtaus7882 10 ай бұрын
❤
@siddhartha529 10 ай бұрын
Nice