SG-I（野呂さんのエレキギター）の音が初期の頃と違う。後のIN-1に近い音になってる。エフェクターかな？それともピックアップかな？

えっ👀⁉️なんでリキヤさんが😮

Not Bad quite good!

GOLD

Effortlessly marvellous x

This video shows the jazz festival '90 held on July 29, 1990 at Marinepia Kuroi, which existed at that time in Yamaguchi, Japan. Masaaki Hiyama was the drummer from the latest album “the party” at that time, but Rikiya Higashihara, who was a member of Naniwa Express at that time, played the drums instead of Hiyama, who was probably absent due to health problems at that time. Mr. Higashihara was also the temporary support drummer from 1996 to 1997, when Noriaki Kumagai, the drummer who replaced Hiyama, left Cassiopeia and Akira Jimbo joined the band as a regular support member,

This video shows the jazz festival '90 held on July 29, 1990 at Marinepia Kuroi, which existed at that time in Yamaguchi, Japan. Masaaki Hiyama was the drummer from the latest album “the party” at that time, but Rikiya Higashihara, who was a member of Naniwa Express at that time, played the drums instead of Hiyama, who was probably absent due to health problems at that time. Mr. Higashihara was also the temporary support drummer from 1996 to 1997, when Noriaki Kumagai, the drummer who replaced Hiyama, left Cassiopeia and Akira Jimbo joined the band as a regular support member,

beautiful intro by tommy

松木さんのギター…、ナベサダが「コイコイ！」って、ドンドンテンション上がってる。素晴らしい！

野呂さんイケメン。

The creative process here is unrelenting and endless. An epitome.

❤

Wow Beautiful version Of this classic Cool jazzy swing ❤ We had the best golden years back then 1960 Great stars always Great music Great flims Great art Beautiful people Beautiful proper ladies ❤ Beautiful England ❤ My time machine going back to 1950 /60 /70 It enough for my life time Pure happiness Thanks Street wise tal

Clark Terry is THE most underrated Jazz trumpet player of all time

One of the great but unfortunately mistakenly underated of that era of jazz piano. A true master with a very harmonious style to all his ballads and sadly missed.

CT is amazing as always, but there is something about watching Ray Brown lay down a walking bass line at this tempo that is mesmerizing

It’s wild to me how personality and character is in this performance, and not just another trio playing a tune and doing some soloing. The constant in and out of on top of the beat to playing around it, then I love the almost Samba feel once they come out of the ending solos. This is such a great performance! 🤦🏻‍♂️🤯🥵

Ohhh dear Ray .😂

この音色！？何処かで聴いたような…😌71歳で？早すぎます。安らかに

ノリンボだけ明らかに衣装着てなくて草😂🌈

1:31 such a cool bass riff

Somehow a copy of Master of the Art fell into my hands in the early 1980s. I've been a Woody Shaw fan ever since. He was a huge influence on me as a young musician. I played the hell out of that album, and still have it. Peace

Grandiose ✨

everything Miles is heard in this.

i like the solo🫠🫠🫠🫠🫠

ライブビデオ「LIVE NATURAL」と、メンバーの衣装が同じ？であったり映像の雰囲気も似ていて、一瞬「LIVE NATURALにBig City入っていたっけ？」と思いました。 この当時の伊東氏のプレイにしては、いつもの伸びやかさが少し足りない気がしますが、この5人のT-SQUAREが最高潮だった頃のパフォーマンスは十分感じ取れます。懐かしく、素晴らしいです！

George Adams was one of most brilliant saxophonist of 80s and 90s of s xx

この曲は別名「テイメン」だな。古野オリジナルのいい曲だ。

お若い頃の板橋さん初めて見た 今も大好きだけどこの頃もめちゃくちゃ良いなぁ

👃 respect

Jojo referencia

This man’s steez needs to be studied

adams always plays the same solo everywhere and all the time: screams, random phrases without any respect for the context and the other musicians. He is a lousy musician, like many in jazz, a music where crooks of his kind can make a career without any respect for the listener.

I love this version from Oscar Peterson. Just amazing. Yeaahhh!!

Rip joe sample 😢 he was monster on that Piano.

... ¡¡¡ GRACIAS INFINITAS !!! ...

Ufffffffffffffffffff ❤

So good 😎✨✨

Interesting the dynamics of two left-handed players: Evans and Zigmund!

町田のまほろ座で、プロの方の演奏以前聴きました！土岐さんは、こうなのね！ 私も、テーマ簡単なの、YAMAHAのレッスンで、やりました。土岐さん、レイキーですよね！出てくる音が違う？全部、演奏者の違いですね！自分の狙ってる方向考えてしまいますね！😉✨🎷 頑張ろ！

this recording saved my swing feel

Genius . Zone after zone

They are switching betwen 3/4 and 4/4 between choruses during the solos. Very tricky and awesome. Imagine what it would be to witnesses a reharsal of this trio. Wonderfull Coda too

I had the pleasure and the honour, of working opposite Bill Evans and Eddie Gomez at a gig the John Handy band which pianist Mike Nock and I were members of, sharing a week of nightly performances, in San Fran Sisco at the Both And Jazz Club, 1968. What a joy this was, listening each night to one of the greatest Jazz Pianists of our time.

バブルが弾けた頃の晴海ターミナル 懐かしい😊 元彦さんも元気な時や❗️ 沁みます😂

Thigpen is so underrated.

“The one I admire without restriction is Clark Terry, whose pronunciation at the trumpet or bugle is a model of sharpness, clearness, and authority. A model which is given with generosity to all of those who want to play this instrument ... the way it should be played.” Maurice André

So elegant!

I’ll bet you a nickel that the guy that came up with the idea of taking a beautiful sounding trumpet and making it sound like it’s being played through a 2 inch transistor radio speaker was probably high.

Possibly the best video on the internet