Thanks!!

Every modeler has a latency. Its not a problem

Bass knob does nothing as every marshall 😅😅😅😅

80s or 70s??

Hi Jerry, another beauty from you! Thanks!

Hi Jerry Cherryyyyyy. Hope u had a AWESOME Thanksgiving

What scales do like to play over a dominant chord?

Appreciate this✅✅✅

Appreciate ur content

No make up please...not needed

hi @JerryCherryBand, great video! I'm about to get a fuzz face mini and the seller just threw in also a lpb-1 for 15 euros. are you running the boosts in this video in front of your amp or in the effects loop? im trying to wrap my head around the use of this lpb-1 since I've heard that it can get muddy in front of the amp but foes his job in the fx loop. thank you very much! greetings from Italy :)

This is something totally new!!! never heard of this before!!! I love learning something totally new!!! Thanks Jerry

I learned a lot from this lesson. But I think the two most important things I learned is the Mixolydian scale is too busy and 5 note scales are better than 7 😂

Do you use the Dominant Pentatonic scale? What scales do you like to use best over a dominant chord?

Thought it was George lynch on the cover

Great!

Was looking up “Beer Drinking Blues” and your video popped up. Love the content man!

Sweet, I thought it was a bit too busy though, too many notes.❤🎸

Am7b5 and jump scale to complete it all.

it all makes sense now. thank you! i really need to get a looper pedal next lol

what a great video and lesson

Finally finished the video. It was nice to learn where to bend at. Also nice to learn new scales. Ty

Very impressive! How can I find out more about your band?

Very impressive! How can I find out more about your band?

Hi Jerry, Thanks for this lesson.

Watching your EQ / Volume / Cab settings throughout this demo - you aren't touching the 'plexi-ness' of this pedal at all; instead, relying on boosts that defeat the purpose.

Hi Jerry Cherryyyyyy

How do I target notes in a Blues with 3 Dominant 7 chords? First I mentally trace 3 diagonal lines straight across all 6 strings in 3 places. That’s all the TRITONES formed by 3 and b7. Then I fill them out with Mixolydian plus b3 and b5 from the Blues scale. That leaves only b2-b6-7 which I use in lines that resolve. I also have the I7-IV7-V7 in the 5 CAGED locations. - You said “a 1-4-5 in A” but because all 3 chords are Dominant 7’s, they are NOT in the key of A; they are in 3 separate keys, right? Ponder that a bit.

What scales do you use while playing a blues solo, and how do you target notes?

Wow 😍😍😍🫶👌👌👌👏👏

After 3 months of using my pedal without a Bluetooth connection, I received a message on my iPhone saying there is a new update to the app., II installed the new update and now it works!! All these settings are great and now Im actually trying to think of some emergency I need to tend to, and go home from work this Friday morning and use your settings. This pedal is so fun to use!! Im using it through my Mesa Boogie Mk:V 25 Clean Channel with a little bit of Carbon Copy Delay,,, ooooh booyy!!

Hi Jerry, This is awesome. Thank you!

Wow sounds like the recording, great job

You have to be able to harmonize the major scale in the following ways: 1) in thirds, MmmMMmm. 2) in sixths, MMmMMmm. 3) in triads, MmmMMmd, voiced 135. 4) in triads, voiced 351. 5) in triads, voiced 513. 6) in 7th chords, Maj7/min7/min7/Maj7/Dom7/min7/half-dim7. and those 7th chords are to be voiced in “Drop 2’s” so: 1573, 3715, 5137, and 7315 (those are the 4 different voicings of 7th chords playable on the guitar). Now the triads, in all 3 inversions, must be played on string sets 123-234-345-456. The 7th chords, in all 4 inversions of Drop 2’s, must be played on string sets 1234-2345-3456. - You did ask “in what way do you know all the chords in a key”. So this was how to harmonize a major scale. -

I thank you for this tip. I am really into the Digitech trio plus. Though its turned me into a hermit, alone in my basement. Lol

That A-D-G-C-F which is 1-4-b7-b3-b6 over 1 can be analyzed like this: A is 1-3-5, D is D-F#-A is 4-6-1, G is G-B-D is b7-9-4, C is C-E-G is b3-5-b7, F is F-A-C is b6-1-b3. (If we would have tried to go one more, it would have taken us to Bb over A which is Bb-D-F is b9-4-b6; and that b9 is not cool and so it ends there in my view.)

Hi Jerry Cherryyyyyy

Try playing 1-4-b7-b3-b6, and the reverse of b6-b3-b7-4-1, all triads over a drone of 1. This should have all been Roman numerals.- It’s going up or down by 4ths until the next one would have been b9 over 1. - So in D, D-G-C-F-Bb is 1-4-b7-b3-b6. It’s similar to what you did. That second thing you did in A is the start of this. Go A-D-G-C-F (1-4-b7-b3-b6). Play the C with the same shape as A but up 3 frets, and the F with the same shape as D but up 3 frets.

Hey Jerry: Thank you for another great lesson!!! I always look forward to another lesson from you!!!

How do you use triads in your playing?

Wonderful

Great performance Mr Cherry :) nice to see you play live - greetings

Hey, Jerry nice song ❤🎉

Great production. Quite the lyric too. Really nice job!

Love it Jerry! Congratulations from here to the moon.

From a brazilian musician, we are resistance ✊🏼🌹🔥

Good Stuff JC !

Love the song Jerry! Gets me feelings back to the 70s with a touch of George Harrison. Great!