Груберова - высший пилотаж.

L‘ unica! ❤

😳

Самая сложная оперная ария . Безупречно!!! Браво!!!

🇱🇨❤️!!!

Tutte le volte che la guardo sto sorridendo…. sorrisi… sorrisi… ed alla fine comincio a lacrimare. Ascoltarla è il massimo di gioia che può esistere. Edita, rimani nel mio cuore per sempre.❤️

ugly screams, abuse of portamento, non-existent chest voice, glottis beating, forced sound, etc. This is not Belcanto, this is not Bellini,

grazie infinite

A glimpse into true early 19th century singing, true bel canto

Unbelievable! The Queen!!

Bravissimo !

Невероятное мастерство!!!!!! Образцовое исполнение! Мне кажется - голос был довольно небольшой по объему, почти камерный, но бесконечно " культурный" и "собранный" звук летел и заполнял любой зал

She is great at her mature years, however tempo is slow if you compare with Caballé or Devia

24:04 tickle tickle

43:15

Alucinante ❤

Прекрасная певица, артистичная и искренняя во всех проявлениях!) Фиалка Моцарта невероятно трогательна!) Обязательно поставлю ролик для своих учениц!)Тончайшие нюансы,великолепная культура произношения!)❤

Ein sehr gutes video gut sänger orchesster chor dirugent

21:50

@2:00:45 Fa acuto alla fine 😮

Esto es su debut de Elisabetta en el Gran teatre del Liceu en Barcelona. Yo estaba allí y realmente fue una representació històrica. Nosotros la adorabamos. El golpe teatral que fue quitarse la peluca en el aria final es,todavia, uno de mis mayores recuerdos.

This opera was written by the 14 years old W A Mozart.

This audio isn't that bad. I've certainly hear lots worse.

❤ottimo anche Pollione..!

in which language is this being sung?

Brava la Gruberova, ma in questo ruolo preferisco Sutterland e Caballe'. Ma una parola x Sonia Ganassi? Bravissima come sempre. Uno dei mie attuali mezzosoprani preferiti...C O M P L I M E T I a Sonia

Non sopporto questa scenografia e costumi...x me è importante siano conformi al periodo in cui si svolge la scena

oh,thanks I had this tape before 20years ,I loss it already,but now I can see again,very happy.

❣❣❣❣❣❣❣❣❣❣❣❣❣❣❣❣❣❣❣❣❣❣❣❣❣❣❣❣

💓💓💓 !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

We can see what was to come. She was a workhorse on her technique (Had a conversation with Met soprano Gail Robinson once who nodded and narrowed her eyes with a smile and said, "Quite a technician"), and it was good enough even then to go ahead and assay this role. Interesting to see as she sang more Italian, her voice became a bit darker. And coupled with that Slavic sense of space... NOBODY else like her.

43:03

4:43

It is sad to see a great singer in a role that is beyond her means.

grazie mille

Aaaaahhhh! Baltsa... ❤

Ca braille, rien d'autre

Magnífico!!

La perfección ❤, editha única!!!!!❤❤❤❤

Si l’on compare cette performance vocale de Lucia di Lammermoor, avec l’atroce exécution de Natalie Dessay pleine de grimaces et de gestes intempestifs, on peut constater qui a su protéger et respecter sa voix avec les années. Madame Gruberova est sans conteste une coloratura et une artiste au talent incomparable et incontestable 🪦 💙🤍❤️

Elle chante par cœur 🎶🎶🎶🙏

Impresionante Edita. Sigo pensando 🤔, como puede ser que haya comentarios tan "extraños" acerca de ella. Donde se vive comparándola con no sé quién.... Cuando quienes hablan estupideces así se paren en un escenario y logren cantar un "Caro mio ben"(sin desmerecer esta hermosa cancion)....pues entonces que opinen. Edita es única. Y única ante TODO porque no es estereotipo de nada, ni parecida a nadie. Más de una quisiera moverse y DECIR algo. Cuando la ves y escuchas entendés todo lo que sucede. El arte se hace presente. Y se hace presente la fidelidad a las propias visiones sobre lo qué y el cómo hacer. Edita no es "la" única pero si ES ÚNICA. Habrá otras, pero disfrutar de su unicidad es una experiencia de otro nivel. Gracias Edita. Y gracias por este documento. Aún asi movido es interesante porque es natural.....asi como siguen nuestras miradas una función. No todo debe ser perfección en la vida. La perfección está en el arte que se intenta desplegar de la manera mas excelsa en entrega verdadera y no en estereotipos de agitar pañuelitos, vestir solo vestidos bonitos o tener caras de ateactiva presencia. Arte lirico es teatro y voz.❤

Anyone have a cast list?

Blessed to be able to enjoy this concert from a Rossinian great!

36:30 voice crack

Simplesmente faz falta . Inigualável, Gruberova!

Although Callas is the reference for Norma in the 20th century who towers above all others, I think Gruberova offers an alternative interpretation of equal stature that may also be more authentic to 19th century ideals regarding Norma. She's certainly as great a musician as Callas, and the fact that she is less authoritative in the role is a plus for me because it brings out the vulnerability in the character of Norma. I also enjoy how playful and spontaneous her musicianship is and how rhythmically responsive and propulsive her phrasing. When we remember that Bellini wrote both Norma and Amina in "La Sonnambula" for Giuditta Pasta (both of which she sang in 1831), Gruberova seems an extremely apposite vocal representation of the role, even at 60.

For me, the BEST coloratura of the last 40 years - RIP AS YOUR HIGHTEST TOP NOTES❤❤❤❤❤❤

This opera is absolutely wonderful...saw it at Paris Opera june 1995, the only from the season as the opera was on strike. The best recording is available on EMI of course with Balsta and Gruberova, recorded 1994 at Covent Garden.

MARVELOUS ROCKWELL BLAKE AND PIANIST!!! BRAVISSIMI🙌🎶😊