Hey Dan, I only know the tornipulator with 3 buttons (kill, hum, mic). What are the 2 addition switches?

I am currently working my way through your videos on looping. It’s very helpful. Will you consider making another video on looping vs sound on sound and your take on the Mood pedal!? Thanks! :)

Good old DL4. Will you make a Chase Bliss Mood video? ;)

This is gold. Thanks! :)

Thanks for sharing music and knowledge.

Nice!

Love it. Make more videos! ;)

Shut up and play … I want to hear more. Lovely Demo.

Nice!

Great. Any video on Chase Bliss Mood and looping?

love it!

I recently broke my High E, and rather than replace it, I stuffed it into the D string tuner, and now I got some bass like sounds,

Six months later: Looks like you've gone back into the shadows?

Just found this, it's absolutely awesome. 👍👍👍

When you lock a loop, can you play with the Time knob to change the playback's speed?

Love it!!!

This is really an excellent explanation...

Wrap large rubber bands around a small cardboard box sturdy enough to not bend up under the tension. Randomly pluck the bands above the “soundhole” (the box should have an open end, not solid all around..think “shoebox”). Now you have a “No Wave ‘bass’”. Repositioning the strings will “tune” them to taste. Or, distaste. Mic’d up and used on a DAW track, it sounds like a Down’s Syndrome standup bass. Mix thin and thick rubber band types for wider ranges of “microtonal” notes. Done right, the bass is surprisingly deep with strange, mental health-threatening harmonic content. Cheers from a Sun Ra/No New York/Sonic Youth fan from Texas.

Going by the hardware store on the way home from work tomorrow to get alligator clips.

Beautiful tone Sir. I hope you are well. All the best to you. I remember you and your brother fondly. …Red Letter days. 🥰

HELLO. Most of the time cables have a black jacket, and sometimes you can not put the wires out of sight. Do you happen to know of any way of coloring the wires? Similar to music synth patch cables! Thanks

Really helps! subscribed.

5:19 this sounds like aphex twin!

Amazing guitar! Im most fond of your piazzo in the whammy! Id love to hear it surf! I have a harmony h19 silluette given to me i love the silky pickups in. Im saving for a jaguar for all the subtle things. Im building a Frankenstein tele i need to do your piazzo trick with for sure.

Nice!

5:27 Goes full Primus

Those Foilbuckers are most excellent!

Great

Dan, can you specify the tone woods -- the Mirari body looks to be redwood, is the neck mahogany? The Morningstar necks look like roasted maple, what about the bodies? Is the Coyote a 24" neck and roasted maple with alder body? The Mirari is my favorite-sounding of the bunch, btw, what a stunning instrument.

What gear are you using on the laptop? Ableton? And what kind of keyboard?

bruv this is the coolest guitar ive seen in a while. Also some really nice and tastefull playing here. Id totally listen to en ep or album with that stell drum sound. reminds me of japanese folk instruments.

😮ohhhhh!

Very nice! You've been missed!

Great video man. Great video.

This is great! A lot of it at the beginning reminded me of the Paris, Texas soundtrack by Ry Cooder

Great flow

The Joyo Tech 21 rip off pedals actually sound quite good direct.

Perfect! Thank you.

For me depends on the amp! I have a bright Tone King Sky King Amp. It sounds fine with either or, but to tame treble the SM7B will sound fuller, and less shrill. With the 57 you can get rid of the shrill moving it to the side of cone, but not as much low mid. Enter my Ampeg VT40…this is a notorious amp that’s been said hard to record in a studio. A lot of people use 3 mics for this. Usually a 57, SM7b on the back and a room mic. For that amp if I want the lower mids it’s known for, I go with the SM7B up front to capture that, as well as a 57 to capture the higher freq. But it’s such a weird beast, I’ll dime the high mids recording with it. Either way I think both would work, and dark amp or bluesy stuff maybe I’d use a SM7B. For rock in a mix, the 57 cuts and works great. Depends if you want low mids more in the mix. I just find with the SM7B I don’t have to put it at a 90 degree or off axis to reject shrilness…but on a 57 it’s always off to the side or off axis for me…otherwise way too shrill. Also pre amps! I use a Great River and API512c. Those preamps make those mics sound like a million bucks, and gets every ounce. Before I had those pres, I felt meh about the mics. Then I using nice preamps, I was I awe just how good a $99 mic can sound! I wouldn’t hesitate to cut a full album with those pres with either or mic. With good pres I could get a great recording with a bunch of 57s, and a kick drum mic. That’s really all that’s needed. Hell even a 58 run through a Neve on Male rock vocals sounds great.

Brilliant. Thanks!

Nice!

Very impressed and I was ready to order then that click spoiled it for me.

Wonderful to see you back Dan! You've been missed.

was just watching your videos, ordered an old Ronin guitar and had to reference your channel. Such tasteful demos of those guitars... Hope you've been well, excited to see what you've been up to..!

That was beautiful, Dan - Thank you.

Is your foot controller in toggle or momentary mode? Is there any difference?

Glad you’re back Dan! Been following along since you were doing demos for Ronin, pre pandemic. Really enjoy listening to you play!

Sounds like a Paulownia Tele body Dan...

Welcome back, and keep up the driving lessons. It's fucking hard work but also very rewarding.

Welcome back, Dan! I found your channel during your break, and watched a ton of your blooper videos over and over again as well as some of your guitar tutorials which were also really good. You're a brilliant guitarist and I'm glad you're back!