Ivo Pogorelich was and still is a unique and great Musician. 🌷🌷🌷🌷🌷🎹♥
@wenshuoyan99903 күн бұрын
Too good
@JesucristAfenomeno4 күн бұрын
Anarchic classicism, I love it.
@valderande20486 күн бұрын
J'admire Martha Argerich depuis longtemps, mais là, non, je pense qu'elle confond virtuosité et vélocité. C'est froid, car trop rapide, du moins à mon idée. Cela dit, peut-être qu'elle considère qu'une toccata est précisément faite pour briller ? Bon, pourquoi pas ? Mais personnellement, je n'apprécie pas l'éclat, la brillance. Enfin, bravo quand même, Madame, vous restez pour moi une excellente artiste.
@brittopiano7 күн бұрын
Wonderful recording!!!!!
@kryschiou444910 күн бұрын
怎麼會有如此偉大的演奏啊!
@facundoramirezpiano196511 күн бұрын
Lo asombroso es que años más tarde, Martha Argerich consigue tocar esta sonata de manera más enloquecida y precipitada. La versión en vivo en el Carnegie Hall es un gran ejemplo. ¡Solo ella puede tocar mejor que ella!
@AstridSchlegel-u9z11 күн бұрын
I adore him
@linovishnudatt299211 күн бұрын
❤❤❤❤ Such perfection... I love Ms Argerich.
@Fritz_Maisenbacher11 күн бұрын
Chopin was a psycho, and Pogorelich a crazy genius. Result, : breathtaking sounds, avalanche of sheer beauty and a wild erotic nightmare.
Vide Cziffra's mystery kzbin.info/www/bejne/h2GwqqCiqt99ha8si=HqF0G6bFn3ypRWxm
@patriziagiacometti357626 күн бұрын
Non vi vergognare ad interrompere con la pubblicità!?!?!?!?
@Michelle699883226 күн бұрын
Could anyone with ai skills restore this masterpiece 🙏 historical artifact? Please! Muah much, much... 💋
@martyn44728 күн бұрын
Wow ❤
@javieramundarainvitali752528 күн бұрын
¡Muchísimas gracias, Martha!
@TheSokoloverАй бұрын
37:13
@FirstGentleman1Ай бұрын
Maybe master Horowitz was sick that day. No problem, he is still one of the best.
@kurtstudier1531Ай бұрын
Marvelous!
@ブルーアイリス-v5vАй бұрын
素晴らしです。 こんなに新鮮に聞こえるなんて。
@beecolorАй бұрын
J'adore Lefébure, mais là non... pas besoin de s'énerver comme ca pour jouer Debussy
@Mrmmm88Ай бұрын
This is probably the worst interpretation I've ever heard of this Sonata
@proxd3980Күн бұрын
Excuse me what? Reason?
@gabrielruiz4113Ай бұрын
Una buena interpretación, pero nada más. Está lejos de Lazar Berman, Richter, Pletnev. y la interpretación de Weissenberg de 1955.
@rigel4819 күн бұрын
No hablas en serio. Esta interpretación de Argerich es fenomenal.
@jamesbankoАй бұрын
MAX - enjoying this recording again. So grateful that you posted.
@ОленаШмальАй бұрын
Мій дуже улюблений піаніст. Душевна подяка за відео.
@TheDecordobaАй бұрын
0:00 Pagodes 4:07 La soirée dans Grenade 8:42 Jardins sous la pluie
@aroonalokАй бұрын
35:17 Variation 9
@qpianistАй бұрын
No other pianist on earth will ever possess the power and magic that Martha Argerich does.
@MartineHamon-v7iАй бұрын
So wonderful. Inimitable to this day. Thank you very much.
@Marta50-q7bАй бұрын
Талант от Бога.
@mk5244Ай бұрын
…wunderbar. Endlich hört man die Notenwerte, nicht nur den Luftzug durchrauschender Schnellzüge durch viel zu viele Interpreten der heutigen Zeit….
@music-by1ouАй бұрын
Wonderful! Liszt was an absolute genious! This feels like impressionism
@gabrieleprinacerai9144Ай бұрын
Watching her playing live this masterpiece in Torino 6 year ago has been an honour.
@فارسالظلام-ج6هАй бұрын
this is so simple and its not a good music
@ursrieger1053Ай бұрын
Impeccable performance by Martha Argerich.
@amaralvieira2274Ай бұрын
Jean-Louis Steuerman indisputably belongs to the elite of today’s finest pianists. His interpretations are distinguished by absolute clarity, rich tonal color, and remarkable assurance. In my opinion, this is the most flawless performance of Villa-Lobos’s Bachianas Brasileiras No. 3. Warm applause also goes to the late Zoltán Kocsis, who imparted to the musicians of the Hungarian National Philharmonic a moving sense of Brazilian spirit.
@claudesaint-nuageАй бұрын
the flower blessed be the honey bee in the morning smells of this music between my lovers legs fragrance of Sviatoslob.
@Demain65Ай бұрын
great
@richardvolpe7664Ай бұрын
I don't believe any pianist has played the first movement so rapidly and unmusically as this. If he was convinced that such a "torpedoes ahead" tempo would create great tension and drama, the joke is on him, because the result is downright comical. . anything but dramatic! At such a laughable speed, the music has no chance to breathe or even express emotion. I jump now to the 4th movement, one of Chopin's nearly impossible to 'bring off' creations. Hardly surprising, he thrashes his way through these few pages in such a fashion as to render the music more incomprehensible than ever. If it's true that "speed kills" on the highway, then this is the musical equivalent. The only interpretation of this movement that conveys an almost unbearable, ghostly, frightfulness is that of Martha Argerich. Once heard, never forgotten. What Pogorelich gives us here (a structure-less jumble of notes). . . we'd be wise to forget it. Even wiser to listen to any of the Horowitz performances.
@bludikaАй бұрын
i really like the 3 notes at 5:32 and the long pause after 5:43, nobody else plays that section like her