זה עצוב למה לא דואגים לה מה אתם מפגרים היא מסבירה לכם שאין לה מה לתת לילדים זה יותר גרוע פי1000000000 מהשואה תעזרו לה!
@SamyZafrany7 жыл бұрын
Andrew Lammie / Lyric as sung by Dick Gaughan At Mill O Tiftie thair lived a man In the neighbourhood o Fyvie An he had a lovely dochter fair An her name wis Bonnie Annie Lord Fyvie he had a trumpeter An his name wis Andrew Lammie He had the airt tae win the hert O Mill o Tiftie's Annie Her mither caad her tae the door, "Come here tae me, my Annie Did ere ye see a fairer man Than the trumpeter o Fyvie?" At nicht whan aa were tae thair beds Thae slept fou sound but Annie, For luve oppressed her tender breast Thinkin o Andrew Lammie "For it's luve comes in at my bedside An luve lies doun aside me Luve has oppressed my tender breast An luve will waste my body" "It's up an doun in Tiftie's den Faur the burn rins clear an bonnie A've aften gaen tae meet my luve Ma ain dear Andrew Lammie" He's hied him tae the hill sae high The hilltop high o Fyvie He blew his trumpet loud an shrill Twas heard at Mill o Tiftie Her faither he struck her wondrous sair An likewise did her mither Her sisters thae did scorn as weill But wae be tae her brither For her brither he struck her wondrous sair Wi cruel straiks an mony He brak her back agin the door For her ain Andrew Lammie "O mither dear, gae mak ma bed An lay ma face tae Fyvie Thair A'll lie an thair A'll die For sake o Andrew Lammie"
@bsd92308 жыл бұрын
I'm not understanding fully... what are they amazed about? that rabbi David buzaglo wrote over a song originally in morrocai arabit to hebrew?
@SamyZafrany8 жыл бұрын
There are two major reasons for amazement: 1. The "Bab El Wad" song was an esoteric Pal-mach anthem (before the rising of the state of Israel), and as you know at that time the connection with Morocco was very hard. So it is a mystery how Rabi Buzaglo came to know at all about the song, let alone writing for it a complete new lyrics while in Marocco. 2. Why would Rabi Buzaglo chose a song with a completely secular lyrics? the song is complete void of any religious or theological content. There were thousands of songs like it, why pick this one alone? I believe that the answer to 2. is the same as why Jewish cantors picked Arabic and other secular songs and replaced their secular lyrics with religious lyrics: this a sort of a Kabalistic practice of saving and converging the sacred sparks of deity from the broken pieces of the divine world (melodies are the divine sparks of deity). I don't know nothing about 1.
@MedievalRichard8 жыл бұрын
Absolutely gutted about the death of John Renbourn. One of the best technical, classical, blues, medieval guitar players and song writers ever to walk this earth. I was lucky enough to see him live in 2012 at the Mac theater in Birmingham, right at the front, row A. (I filmed it) ... Blew me away ! RIP to a legend!
@TheFolkie18 жыл бұрын
I got that video,too,from Stefan Grossman's Guitar Workshop.
@TheFolkie18 жыл бұрын
This was one of the first Rennaissance music pieces I heard. John Renbourn is fantastic!
@dorjezenpa9 жыл бұрын
thanks very much for posting this. one of my favourite songs!