there might be a reason for that.

Hey, thank you for your comment! It might be that the latency compensation didn't work.. maybe because of obs, or it may be that it's set up wrong (this is my video studio, I installed Cubase here just for that). I'll pin your comment, so people would know that I was wrong. I was thinking about it earlier today, because it didn't seem logical that a trigger plugin would do that. Not in this day and age, anyway. I loved and own almost all of you plugins, and I was very surprised that this happened. I'm glad that I was wrong, and that it's just my latency. It would be awesome if you added those features.. Pan-follow could be a bit too much. It's just me being a dreamer. :) What I would love to see from you guys would be a drum shaper/synth, something like DC snares but with saturation/clipping and snapback included. That would be something that I would use every time I'm making my own samples. :)

Damn! Mad respect to cableguys for respectful, detailed and professional response to some constructive criticism. We can all get along and be better and bigger for it people. Positive

I mean you're comparing apples and oranges. It's pretty innovative, but it's a one trick pony that doesn't even do that one trick as good as it should. But it's pretty ok for it's price.

Yes its the same... Oranges with oranges...

@@dennislist12 that's why Im here! :) Btw yeah, it's a very original plugin. :)

yeah idk.. I only used ozone up until now :)

@@jermaineinoue4919 idk what units you opened, but none of mine look like that lol

@@GrumpyEyeAudio hahahahaha It does not look completed is my point

@@jermaineinoue4919 oh I get it now lol

@GrumpyEyeAudio yeah, it's like the cover is missing lol 😆

@@TemplarGuardian I noticed... one would think that there are laws that regulate all of that

@@GrumpyEyeAudio yeah EU usually beats the US to the punchline generally with regulations. With the discourse in US politics I wouldn’t expect any good regulations for some time. Maybe the breakup of G man, they all hate this platform equally.

very true, unfortunately.

@@GrumpyEyeAudioAgree. This world is gone.

He's not doing that though. There are a ton of kids that are just starting up and are loving his videos.

Yeah, well.. I wasn't watching that much music production videos outside Dave Pensado's vids. I really started watching everything (for research purposes) when I started this channel. If I saw more of his vids, I would probably get to the same conclusion.

I get the urge to make your studio look good on the camera, just like I did with these lights in this room (my ex vocal booth that I've turned into a video production studio) but you're completely right. There's way too many "yes men" on this platform.

It's just different Neoverb is a AI based Reverb.

You can customize and tweak much more with Neoverb.

thank you very much :)

@@tomyzarnaby lol I had another channel for years prior to this one. And people were betting if I was french or serbian because of the caual smoking my vids. :)

also your EQ curve and frequency settings are way off...

and no link to the plugins website... genius... in fact you barely mentioned the name...

What?

@@JBehrMusic the aurora has a "solo reverb" setting which makes it 100% wet. The reverb "fader" is basically just a volume fader :)

@@GrumpyEyeAudio oh ok, didn’t know. Thanks

@@feddachedda1224 for what? The melody? It's mostly cr8 sampler by waves, and then a bunch of different soubds I've collected over the years.. and some synths on top of that. :)

Btw thanks :)

Damn right! :)

@@hburakurgay I uploaded it yesterday to beatstars :) glad you like it :)

@@ScarredCitizen it's actually a good plugin, but I found that pic to be funny as hell

@@GrumpyEyeAudio I really don't know a thing about music production, but it seemed cool.

xD

Glad to be helpful :)

@@okevencastro glad to help :)

thank you very much. :) glad you liked them :)

@@johnviera3884 yeah why? I already have an mpcx, so I know how to use the mpc lol

We have to! :)

thank you very much :) It's ok.. it was my old vocal booth that I turned into a small video studio :)

glad to help :)

While that is very true (and I thought I said that in the video but I can't remember), because I got my ex-gf a cheap guitar. For the same amount of money my dad spent on my first guitar 25+ years ago, and it was a much much better instrument, I must say that there is still a huge difference. I own 30+ guitars and basses. Some of them were hand-made by luthiers to my specs, but some of them are low and high mid-range guitars from big brands (Fender, Gibson, G&L, Ibanez, Heritage, Yamaha, Washburn etc). And I can't say that my $500 washburn acoustic is in any way close to the build of my Martin d-25 or the Gibson J-35. The sound or the playability is simply not there. When it comes to electric guitars, it's pretty much the same deal. Although I must say that the Indonesian made Ibanez AZ feel, sound and play as a 3x more expensive Suhr. All the branded cheaper guitars that I got in the past 10 years had AT LEAST one problem with them. That's when I turned to the luthiers I know in my town, and for the same amount of money they made me some amazing guitars. (I'm not talking about looks at all) On the other hand, my friend got a Moog One. Straight from the factory. It was like 10k or something like that... And it had nails and screws sticking through it's wooden panels. And after a couple of months one of it's oscillators died.

@@morbidmanmusic you must be the first deaf 93 year old man working in studios for 45 and in retail for 45 years, if you didn't hear anything on my website or on my youtube. but hey, if you can't hear any music on my website or on this youtube channel, I guess I shouldn't expect from you to hear the difference between cheap and "expensive" gear

That is very true. But from my experience, artists tend to only hire the "top" producers instead of hiring smaller ones that know what they're doing and have acquired a taste for the music that is being made. Some times, just having a different set of ears can help the song out. From experience, tracks that were sent to me to get mixed always ended up sounding worse than the tracks that I've produced myself. Not because I was slacking, but because the recordings were sub-par, and the arrangements themselves were not that great. Sometimes you get pleasantly surprised, for sure. But, unfortunately, that is rare.

1. That's funny. What do you think about US McDonald's practices when it comes to making a company and naming it "100% Beef" and then plastering it's logo on their products? That's literally the same marketing practice. 2. Obviously, there are a ton of great products that are cheaper than the ones made by the top brands, but you obviously didn't watch enough product review videos on youtube. 3. While this is true (I got my ex-girlfriend a guitar for the same amount of money as my first guitar 30 years ago), it is also very true that buying cheap stuff will make you buy the same thing at least twice. As an example, in this video studio I had a cheap Steinberg interface, which I replaced with a mid-range mackie interface because it sounded bad. But then I realized that I can't hear the nuances in whatever I was doing, so I got a RME UCX II, and even though it's not the same quality as my main RME ADI2 pro FSR, it sounds really really good for the money. 4. That doesn't bring anything to the conversation, and you're saying stuff just to say stuff. 5. Glad that we agree on something.

@@GrumpyEyeAudio 1. Huh? I was referring to the "Class A incident" where Behringer wrote "Class A" on the box because they used a "Class A" circuitry, and you believed that was a sign of quality. (BTW: The Vox AC 30 uses Class A circuitry too, and it omits the feedback path common in other power amps, resulting in a "completely wild" amplification, which creates it's sound. Great for guitar, but you wouldn't want that in a stereo.) 2. I must have missed all those that said "cheaper is better" and only found those that said "cheap can be enough". My fault, obviously. 3. Here I partially agree. Typically, at the low end modest increases in price can yield comparatively large increases in value / quality, while at the high end the reverse is true: The last few percents of quality will cost amounts that are absurd except for die-hards. 4. John Entwistle had a great sound, and no risk of muddling anything - and he had a very hard finger attack, sounding almost as if he played with a pick. IMHO the main problem in the bass region is assigning roles for the instruments, e.g.: Bass guitar provides the low end, bass drum does the kick, keyboards stay out! Or: Bass drum does low end, bass guitar focuses on (high-)mids. Regarding mids: I played in amateur bands with two guitar players (humbucker guitars into Marshalls). I played my bass through a 15" speaker, that helped sorting out the mid frequencies quite well :) 5. Hey, I'm not your enemy - just pointing out some inaccuracies and false generalisations in my best "German-who-is-actually-son-of-a-schoolmaster" fashion! ;) Cheers!

3. And of course the secret is to find the sweet spot between low-end and high-end.

@@carstenhardt1589 Stop being logical! :)

I'm from Serbia. Contracts may differ from country to country, and they 100% differ from publisher to publisher. As an example, Serbia didn't have access to iTunes and the streaming services 7-8 years ago. I was signed to a publisher that pushed the streaming services revenue first. Unfortunately, they were not very interested in promoting their artists, even though they were contractually obligated to do so. So I broke the contract off and I published my whole discography on my own through distrokid. That said, we still have a ton of things unregulated here in Serbia (compared to US or EU), including mechanical rights. So I can't really talk about that.