Fantastic! Performed only by men, as it should be for this kind of music.

Thanks for this video..from italy thanks..great Toscanini

ハープのハーモニクス、出るとこ間違えてて首振ってるけど、全体の演奏は素晴らしいんでおk

6:04 That low note on piano made the difference between this performance and the others. It's written "come campana" and now I understand Respighi's true sonic intention 🥳

1:06:08 I'm listening to this moment of Pure Grace since 50 years ....... "er kommt zurück ..... er kommt zurück ..... er kommt zurück .... " Mahler as a Announcing Angel just before the abysses of the Ninth and the Tenth

1:09:13 forever ....................... hundred times, a thousand times ............

WoW! Jenufa never ceases to amaze me....... Nina Stemme and Eva Marton are simply overwhelming. But the entire opera is perfection, a passionate, moving experience!

Вот ЭТО ЖЕНЩИНА В 75 ТАК ЗВУЧАТЬ А В 83 ВООБЩЕ

Toscanini is always too fast for me, he misses many details and most of the poetry in the scores. I know many people love him but I am on the Furtwangler side, it is the perfect approac to me.

15:08 and 1:56:52 best parts.

More electrifyingly exciting than ANY conductor today.

トスカニーニの指揮ぶりは大げさでなく、必要最小限の腕の振りであり、必要最低限の上半身の振りであるところが見ていて格好良い。

Believe it or not, this performance helped me discover Martha Argerich. I remember I watched this performance in 2017 or so, and Martha immediately captivated me with her style, charisma and everything else. I couldn't stop watching her hands - After that, I read everything about her, watched everything about her, and saw her live more than 4 times. Since then, every single version of her playing has been the gold standard in my head, and when I do see another pianist playing, I always subconsciously compare their version to Martha's.

Such a clear beat from the maestro.

👍❤

He knew Verdi... Not like you and I.... Hate him but study him... Study him....

😊

NBC had Toscanini into the 1950's and CBS had Bernstein in the early 1960's. TV has since gotten stupider seemingly everry year.

I know there isn't really any such thing, but, if there were, this would be the definitive performance of this miraculous masterpiece. For me. Sublime.

Please glacolitic Do you have any of the Euyo’s Proms preferably the 1994, 1998 or 1999 ones that ull be uploading ??????

O.k.

О Сколь нам Открытий Чюдных Готовит просвяшенья Дух АС Пушкин❤

Never saw a bull fight but this composition reminds me of that.

Maybe the closest thing to an orgasm in all of classical music

Bernstein for ever

1:22:56 ohh that's it Mahler baby......hang it out Mahler!....ohh soul, that is soul...ride on baby!!

Enhorabuena, Noemí! Me encanta la versión...ánimo en tu carrera

Very beautiful performance, indeed. A surprise.

Ja, es ist großartig und Alles was diese Beiden Künstler gemeinsam machen hat Weltklasse! Auch noch im nächsten Jahrhundert werden die nächsten Generationen sie hören wollen - Sicher! ❤❤

Awesome. My favorite Classical Music composition of all time.

6:10

An amazing experience in a fifth row center orchestra seat in London which costs 50 euros. We as Americans need to make such cultural events affordable to all. This rendition of Holst’s Planets took down the house. ❤

Danke schoon. Grazie tanti. Muchas gracias. thank you for beatufull orchestra and Fantástico Director.

I have no words to express what I have just listened to. It trascends the concept of beauty, it shakes you in the wholeness of your soul and you realize it only when the music has gone silent.

May I ask where was this concert? (In the Royal Albert Hall? )

25:33-35. This is a bad edit. It adds two 32nd notes to the unison violin figure. Anyone else catch that?

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the pinnacle of human music

🟦 I. Hymnus: Veni, creator spiritus ◾Exposition 2:05 Main section, First main theme 🔸[Veni creator spiritus] 🔸{Come, Holy Ghost, Creator Come} 2:44 Second main theme 🔸[Spiritus; O creator veni] 3:02 Transition 🔸[Mentes tuorum visita] 🔸{From Thy bright heavenly throne} 3:32 Secondary section, rondo-like 🔸[Imple superna gratia, Quae tu creasti pectora] 🔸{Come, take possession of our souls, And make them all Thine own} 5:16 🔸[Qui Paraclitus diceris, Donum Dei altissimi] 🔸{Thou who art called the Paraclete, Best gift of God above} 5:48 🔸[Fons vivus, ginis, caritas, Et spiritalis unctio] 🔸{The Living Spring, The Living Fire, Sweet Unction, and True Love} 6:34 Intermezzo: layering of texts [Veni creator imple quae tu creasti pectora superna gratia] 7:05 Orchestral interlude 7:53 Closing section 🔸[Infirma nostri corporis, Virtute firmans perpeti] 🔸{With Thy strength which ne'er decays, Confirm our mortal frame} ◾Development 9:45 First section; orchestral interlude: music from far away, shadow like, primarily development of the Veni theme. 11:11 Second section: new composition of verse III [Infirma...] 12:10 🔸[lumen accende sensibus, infunde amorem codibus] 🔸{And guide our minds with Thy blest light, With love our hearts inflame} 14:10 Transition 14:32 Third section; Accende theme [Accende lumen sensibus...]; march like character 15:20 Fourth section: dramatic scene above a basso obstinate 🔸[Hostem repellas longius, Pacemque dones protinus] 🔸{Far from us drive our hellish foe, True peace unto us bring} 15:57 Fifth section: double fugue on the two main themes, marchlike 🔸[Ductore sic te praevio, Vitemus omne pessimum] 🔸{And through all perils guide us safe Beneath Thy sacred wing} 16:24 🔸[Tu septiformis munere, Dextrae paternae digitus] 🔸{Thou who art seven-fold in Thy grace, Finger of God's right hand} 17:03 🔸[Per te sciamus da patrem, Noscamus filium, spiritum Credamus omni tempore] 🔸{Through Thee may we the Father know, Through the Eternal Son, the Spirit of them both thrice-blessed Three in One} 17:36 Sixth section; Accende theme [Accende...]; ◾Recapitulation 19:16 First main theme [Veni...] 20:00 Sections from the secondary section @5:16 [Qui Paraclitus... 20:27 🔸[Da gratiarum munera, Da gaudiorum praemia] 🔸{Give unto us the joy of heaven, Give us Thy grace divine} 20:57 🔸[Dissolve litis vincula, Adstringe pacis foedera] 🔸{And may the fetters of our strife In pacts of peace combine} 21:38 [Pacemque dones protinus] 22:07 Final section [ductore sic te Praevio, Vitemus omne pessimum] 22:44 Orchestral Interlude ◾Coda 23:57 Statements of almost all themes of the movement 🔸[Gloria Patri Domino, Natoque, qui a mortuis, Surrexit, ac Paraclito In saeculorum saecula] 🔸{All glory to the Father be, And to the risen Son; The same to Thee, O Paraclete, While endless ages run} 🟦 II. Final Scene from Faust 27:29 Instrumental arioso 36:11 Four-line chorale (instrumental version of the choir of the younger angels @ 53:09) 37:01 Instrumental arioso as foundation of the choir (and echoes) of the holy anchorites 41:48 Pater ecstaticus - Ewiger Wonnebrand (Eternal flame of rapture); hymn in five verses 43:21 love theme 43:30 Pater profundis
 - Arioso followed by hymnlike transition 47:59 Choir of angels and later choir of blessed young boys, largely borrowed from 14:32 48:38 Transition (trumpet and horn announce Faust's spiritual reincarnation and anticipate a theme from the choir of blessed young boys that is to follow later) 49:03 Scherzando - Choir of the younger angels (Jene Rosen) 50:25 Intermezzo 50:48 Introduction and choir of the more perfected angels, borrowing from 7:29 53:09 Choir of the younger angels: chorale of several lines + glock; entry of Doctor Marianus (53:43) 53:52 Choir of blessed young boys and Doctor Marianus: Faust's reincarnation ~ 48:42 54:21 Praise of the Mater Gloriosa by Doctor Marianus 58:20 Intermezzo modulating from E-flat major to E major 58:57 Floating on high of the Mater Gloriosa: mixed choir and choir of the penitent women 1:02:48 Magna Peccatrix 1:03:41 Mulier Samaritana 1:04:52 Intermezzo 1:05:07 Maria Aegyptiaca (borrowed from Rose chorus @ 49:34) 1:06:02 Trio of three women in deep sin, at first in the form of a cannon, borrowed from Rose chorus @ 49:03 1:07:25 Prelude and song of the Una Poenitentium with mandolin solo; Theme of the Mater Gloriosa 1:08:28 Choir of the blessed young boys (theme of the Mater Gloriosa) 1:09:21 Choir of the blessed young boys (with Glock), later Una Poenitentium. Return to music from 53:52 1:09:49 Una Poenitentium. quotation from 3:32 and 6:34 1:11:30 Love theme treated imitatively by horns and trumpets 1:12:04 Mater Gloriosa docissimo (very slow) 1:13:25 Doctor Marianus and choir (hymnlike) 1:16:52 Flowing Postlude using the Blicket auf motif (glock/tam-tam); at the end dimm 1:18:27 Transition (with harmonium, celesta, piano, and harps) 1:19:40 Chorus mysticus 1:24:39 Postlude, with the Veni theme ◾notes based on Constantin Floros : Gustav Mahler The Symphonies, Amadeus Press (1985)

Dirige senza spartito solo i geni ci riescono

She makes the notes breathe and sing... Amazing 🌟

In which concert hall is this performance? Any body?

Metro goldwyn mayer pictures inc PRESENTS an TURNER ENTERPRISES PRODUCTION INC the MAHLER SYMPHONY 8 show tm

Highest achievement of any human artist. All praise to the Creator ❤

15:20