Les Français qui sont là grace a Seb 🙌

Merci SEB pour la découverte du morceau

sh1t is DOPE af !

Study people know the difference between heliocentric and geocentric and you will know the truth...

So THIS is why I haven't heard from B.O.B. all these years

He’s just like Neil!!!

0% Auto Tune 0% gun bars 100% spherical miracles

Good End B.o.B. listened to this song then went back to school

hold on im confused. when did Trump support flat earth theory?

He definitely didn't get this perspective from his pops Cyril

Wow! this is the Father of Niel DeGrasse Tyson, I've been following Dr. Tyson from sometime now so I guess this is the reason why this ended up in my feed.

Brilliant energy. Need thousands of men like this, intellect and humanitarian. Allow participants

Still listen in 2024

Such a shame that "being black" had anything to do with this award or speech. Sociologically, bringing race into something is actual racism. Help poor people, for sure. Help disadvantaged people too. But don't pretend race is a cause of disadvantage; Cyril is clearly proof of that. Cyril married a Puerto Rican. Neil is half white. Neil married a white woman with whom he has two grown kids; nobody cares about their race. They are bright, hard working and charismatic. That's why they are successful and well known.

Love this, and love the stability

Ragtime, Jazz, Country, Gospel, Bluegrass, Folk, Rock n Roll, Doo-Wop, Soul, Funk, Disco, Punk, House and of course Rap and Hip Hop---all enjoy well documented African American roots coupled with undeniable Black American influence---whether directly or indirectly.. Latinos -- Puerto Ricans particularly -- please explain how you co-created or co-invented yet another installment in the legacy of Black Musical expression known as Rap and Hip Hop, yet didn't co-create or co-invent any of the elements or ingredients of the 14 or so African American music forms that preceeded it? Or why you were nowhere to be found and absent during the creative and inventive foundation outlining the forms of African American musical expression, brilliance and greatness throughout, or even prior to the previous 14 or so African American music forms that are mentioned above? Yet then, all of a sudden--and out of nowhere, lying latinos and jamaicans slither along and falsely claim latinos and/or puerto ricans and jamaicans co-created and co-invented Rap and Hip Hop 50/50 half n half (which is the evidence-free and utter nonsense being peddled by Dr. Derrick Colon, radical latino, Fat Joe and numerous other un-informed and envious latinos---which are claims that latinos never mentioned, verbalized or asserted during its inception in the early 1970's)---latinos claims of "50/50--half & half co-creation and co-invention just don't add up---it makes no sense and are increasingly coming under heavy scrutiny which is leading to these claims being easily debunked--widespread. Nice try though latinos, puerto ricans and jamaicans. Make it make sense Latinos

😂😂😂trash

Trump 2024

A PR photographer is given center stage? WHAT EVERYONE SHOULD KNOW ABOUT CHRONOLOGICAL BLACK AMERICAN CULTURAL HISTORY: Hip hop came directly out of The Black Power/Black Is Beautiful/ Black Arts Movement of the 1960's &1970's. This was the most culturally and politically active era in African American history. The teen contingent of the movement played out as presented on Soul Train produced by Don Cornelius beginning 1970 when the show was nationally broadcast from Chicago from 1970 to the end of 1971. He moved the show to LA, but he took several of his teen dancers with him to ensure the dance quality of the show would remain the same after the move. The TV show became our most powerful Black teen cultural influence for 36 years. Soul Train hit American popular culture like a cultural tsunami. It instantly eclipsed Dick Clark's American Bandstand in international popularity. Chicago is the capitol of African American Blues and Gospel Music. Chicago due to The Great Migration is Mississippi once removed. Chicago developed the best social dancers in Black America. Michael Jackson comes from that dance enclave. Because break dancing had been a part of the Chicago dance lexicon since the 1950's, most likely influenced by the Black dance crews seen on TV variety shows in the 1950's, the Chicago teens on Soul Train showcased break dancing as part of their dance repertoire. For the first time in or cultural history we had a national stage to spotlight Black music stars, show-off old and new Black dances, and to premiere new Black talent. Teens across this nation copied the break dancing seen on Soul Train, including The Black Spades. They sang James Brown's (who was a frequent guest on ST) "Soul Power." They personalized it by singing "Spade Power! They put their influence on break dancing to make it uniquely their own. James Brown's "Say It Loud, I'm Black and I'm Proud" was the Black teen national anthem. Those who recognize James Brown as the Godfather of hip hop, rarely mention the Black Power aspect of what he was promoting, along with other Black Protest stars like Curtis Mayfield (Movin' On Up), Nina Simone (To Be Young Gifted and Black), and Marvin Gaye (What's Goin' On album sold 2M albums in 30 days) among many others, that sparked the impetus for Black teen heightened involvement. The Black Arts Movement elevated rhyming Black Protest poets like H Rap Brown, Amir Baraka, Sonia Sanchez, Don L. Lee aka Haki Madhubuti, The Last Poets, and Mari Evans among others, to the forefront as the rapping voices of Black Power that politicized Black American teens. This Black teen cultural revolution was televised. Neither Puerto Ricans nor Jamaicans were singing, dancing, rapping about, nor identifying with our Black Is Beautiful/Black Power/Black Arts Movement. They still don't. Their great jealousy grew out of the international excitement generated by Black American teens dancing on national TV that did not include them. Because the broadcast came out of Chicago, not NYC, it singularly showcased Black American teens only. Soul Train is the genesis of the NYC PR and Jamaican great cultural jealousy. The emergence of The Black Spades Black Power gang culture gave PRs in the Bronx a local Black cultural expression they could cosplay in their jealous quest to leech the Black American teen international pop culture spotlight. Their desire for the same fame that Black teens had, is the reason NYC PRs in mass set aside their long-standing antipathy towards NYC African Americans in order to surreptitiously enter their ranks to gain acceptance so they could cosplay Black American dance, music and style. Five plus decades later Latinos have delusionally convinced themselves that they actually created what they effetely copied. Anyone who speaks about the development of hip hop and doesn't mention the worldwide influence the Black Is Beautiful/Black Power/Black Arts Movement or the impact of Soul Train, they don't know what they are talking about. The 10 years following the assassination of MLK, Black America was politically and culturally ablaze. Hip hop grew directly out of the tenor of those times. No immigrant group was powerful enough to influence Black American teen music, dance, nor style during that Black Power period, no matter where they were located. All other teens, white American teens and white college students, American immigrant teens in and outside of NYC, and teens around the world copied the powerful music, dance, and political colloquialisms (like "Right-On" and "Power To The People!") presented by African Americans from various regions across this nation. Contemporary self-aggrandizing cultural history revisionists like Colon and certain descendants of island immigrants have chosen the most active, the most vocal, and the most recorded period in Black American history to try and hijack. All their ever-changing revisionist folklore narratives are continually being debunked by authentic Black Americans, because they have no visual or journalistic documented evidence to support their delusional wishful claims, nor do they present acceptable reasoning that ratifies Puerto Rican/Jamaican bizarre demands to force their way into African American culture that resists their irrational intrusions.

why you didnt show how blm shoplifted on protests

The Prototype! Pure New Yorker!

Teaching kidz something for sure! Give me some jazzy j fresh princess vibe. Corn e raps

I love this, please keep encouraging people to learn, keep up the positivity. ❤

I love it ❤👏🏽

Imagine having such a small brain that you literally make a diss track at an astronomer because he says the earth is not flat and then get your whole career destroyed by that same astronomer.

LOVE this one, Ellect! The rhythm,melody, harmony are wonderful!

🤓 I ain't a flat earther but can't deny that this song is goofy

This comments section is a honeypot for indoctrinated sheep who believe their eyes can see objects trillions of miles away & zoom in on them with a telescope

I’m here because I heard your uncle Neil named drop you. Your lyrics are dope though.

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The 5 century line at the end bodied em💀💀💀

Still one of the best pieces ever.

SHEISHHHH! This is too fly!!

He’s a way much better rapper than B.o.B. B.o.B should know that vest and check don’t rhyme.

If drake said the earth was flat. Just think about that.

shit fye

If generic was a person

This is garbage 🗑️

Vlad interview brought me here. 🫡🫡🫡 Nephew!

Who here after interview

🔥🔥🔥🔥

🔥🔥🔥

This brilliant man was trying to get our version of black think tanks like the federalist society and lobbying groups for black interest over 30 years ago.and we out here still marching and begging to be treated fairly.

Season 3 episode 10 Godfather of Harlem brought me here.

Why does this guy sound like that one tiktok rapper?

🙌🏾🙌🏾🙌🏾

Let’s go!! 🙌🏽❤️

The breakdown is nice!

Like a galaxy ride!

Love this!