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@bella-bee Күн бұрын
I knew they were going to have trouble with Pavarotti!
@bella-bee Күн бұрын
Is that Steak and butter Gal at the piano?
@wymanward63 8 күн бұрын
Now that is a bass
@rutha1464 8 күн бұрын
Reminds me of a college glee club performance. Bravo!
@karminabeatriz3910 8 күн бұрын
❤❤❤❤Maravillosas voces
@SimaG-ho2xw 8 күн бұрын
Восхитительно!!!
@LuziaInair-ox8iq 8 күн бұрын
Pena que não tem legenda!!! Em português, por favor! Obrigada!
@angelacornell8660 12 күн бұрын
Great fun 😂❤
@KatePortice 12 күн бұрын
As soon as they stuck that shorter gentleman in the center 😊.....I knew he'd be the star.lol great bit 😅 .
@gisellecastell9883 12 күн бұрын
Was für wundervolle Stimmen. Treten sie noch auf..das wäre toll
@joaquinacopovi-mena9284 12 күн бұрын
So funny and fantastical voices👏👏👏😂😂😂
@sarahmd5513 13 күн бұрын
sorry, good voices but really not funny. just singing, it‘s enough 😜
@janethswinney9118 9 күн бұрын
Still waiting to laugh.
@jorgecruzseda7551 13 күн бұрын
A Thinner Pavaroti 😊
@ErnestineGruber 15 күн бұрын
Traumhaft ❤
@donalddodson7365 15 күн бұрын
BRAVISIMO!
@carmenpenaconelarte3840 17 күн бұрын
Pedazo d tenor Las parodias no m gustan
@snezananikolova1463 19 күн бұрын
Why parody? It’s excellent
@Nakestra 19 күн бұрын
Bravo
@Bob1957ja 20 күн бұрын
These men have such wonderful voices and so much talent!! How nice to see opera injected with fun and a bit of silliness. 😄😄. I truly enjoyed the pianist and her lighthearted accompaniment. 😄
@claudinevoirain5945 20 күн бұрын
bravi
@robertatkinson58 21 күн бұрын
funny but really stupid
@roscomeon3965 22 күн бұрын
One of the most stupid videos on the net. Whoever thought it up as funny is a muppet
@booker0110 24 күн бұрын
Love it!
@lenbuckholtz2740 27 күн бұрын
we truly need more clips like this. thanks!
@williwidmer8377 29 күн бұрын
Ebenfalls herzliche Glückwünsche mit einem Ständchen.
@williwidmer8377 29 күн бұрын
Ebenfalls herzliche Glückwünsche mit einem Ständchen
@theappraiserlady 29 күн бұрын
Fun!
@NoelCampbell-e2l 29 күн бұрын
Love the voices!
@robertmain4773 Ай бұрын
Meh ********************************** Meh **************************************** Meh ************************************** Meh**********
@ErnestineGruber Ай бұрын
Wunderschöne Frauen mit tollen Stimmen ! ❤
@miguelsalinas4143 Ай бұрын
Que Gran interpretación!!!!!😊😊😊
@christiangottschalk7017 2 ай бұрын
You both have wonderful voices! All the best from Hamburg
@FABIANROBLESTenor 2 ай бұрын
Bravo!!! 👏🏻👏🏻👏🏻
@DenizhanGül-z4x 2 ай бұрын
👏🏻👏🏻👏🏻👏🏻👏🏻
@lalamusic58 2 ай бұрын
Bravo!!👏👏👏👏👏🌷🌷🌷🌷🌷🌷🌷🥰
@ljubovasiljevic6771 2 ай бұрын
Tolle Sängerinnen, bravouröse Stimme! Einfach himmlisch. Bravo!👍👍👍👍👍👍👍
@sevincdadashzade632 2 ай бұрын
Bravo👍👏👏
@yanasalman4776 2 ай бұрын
Wonderfull!
@yanasalman4776 2 ай бұрын
Bravo!
@ОльгаОльга-х4у3з 2 ай бұрын
Эти волшебные нежные верхние ноты!
@강현수-w6u 2 ай бұрын
I can't but surprise that the song is sung without any instrument moreover by males.
@teslatesla420 2 ай бұрын
❤
@Manuel-yq3tw 2 ай бұрын
pretty sound high D, well done
@ljubovasiljevic6771 2 ай бұрын
Bravo, so eine tolle Sängerin.
@ОльгаОльга-х4у3з 3 ай бұрын
Прекрасная ария. Шикарное исполнение. Какое богатство красок в голосе! Чудесный миниспетакль!
@elliotportner8020 3 ай бұрын
Very beautifully delivered and wonderfully musically perfect
@marcellodantedealmeidanune9445 3 ай бұрын
Os recursos do palco em Budapest são bem apropriados à representação teatral da ópera, cenário e jogo de luzes muito bons e menos greco-romanos e o desempenho de Sera Goesch é excepcional tanto de representação como de voz. Em outras apresentações da ópera, o corpo sem a cabeça de João Batista não é trazido à frente da tribuna arrastado por cordas, onde se encontram assentados em suas cadeiras também Herodes e sua esposa, permanecendo em cena na parte baixa apenas Salomé em delírio neurótico de arrependimento a segurar a cabeça decepada do amado, até a chegada dos soldados que a matam sob as ordens do Tetrarca.
@yigitg1554 3 ай бұрын
❤
@sergejvybornov8550 4 ай бұрын
Этого певца учил хороший педагог. Есть куда ещё расти. Дыхания нужно ещё больше. И слишком много звука во рту.
@andreapandypetrapan 4 ай бұрын
Dear Mario Stella, Thanks for posting this! First class piece of hyper-expressionist psycho-drama! A more Freudian than Freud exhibition, and in some ways more shocking than Berg's Lulu. There are several reactionary formalist fools in the comments section, who are tut-tuting at her hysterical, edgy vocal gymnastics. But they are just like the idiotic music critics mocked by Strauss in "Ein Heldenleben". The Dr Syntaxs of the opera house. The psycho-dramatic point is that Salome is attempting the impossible - to love John the Baptist at full erotic power, yet to crush his existetnial status into nothinness becasue her defies her young woman's furnace-hot sensuos energies, and is dreaming only of his dreary Abrahamic male god, and of her being stoned to death as "a daughter of Sodom!" In effect "John the proefesioan Virgin for Christ" is saying to Salome, I don't fuck women, I only want to make love with Jesus and my masculine god. Hence she ends up (quite rightly) ordering his execution, and then trying to reverse her dead-end decision, by fucking his lifeless amputated head,, as best she can! Wilde certinyl new how to wind up those bourgoies sons and daughers of British imperialism, sitting open-mouthed at his play! There are sevral additonal radical feminist points to be made: (1) in text-book Electra style, Salome enjoys giving her step-father a nice stiff erection by dancing for him, whilst he slavers at the prospect of making love with her. Like almost all bourgois patriachal fathers. (2) indeed, what idiots are most hetrosexual, genitally-centred, heteronormative and patriachal men! What infantile emotional degenerates. Trying simultanously to make love with (a) mother-subsitutes, (b) persons on a moral and psychical equal standing, in an act of quasi-Buddhistic, ego-dismantling, mutual and transcendental love (impossible for most narcisitc men), (c) daughter figures whom they want to fuck in a mixture of rapacious domination and perverse protective erotic embrace. Yuk! (3) Salome is however, hardly beyond reproach, despite being enmeshed in this asphyxiating patriachal woman-hating hot-house. It is one thing to treat her father as a patriahal fool and doormat, and enjoy winding him up. It is another and unwiser and deeper piece of self-destructive behviour, to corner herself, pychodynamically speaking, with unrequitted love for a love object she has destroyed. All round excellent music-drama. However, as a radical feminst, I've never liked Wilde's distatefull phallocratic denoument of the play. Even if it is obvious where his sympthies lay, and who the villainas are. Whereby the Tetrach in a disply of ghastly masculine phalloratic rapaciosu and murdering power, orders his male guards to peice Salmoe to death, with thier serried penis-spears. Veyr nasty indeed. Whislt artisitc hubris is never far away, had I been wring a suitably progressive and feminist cathartic conclusion, I would have had Salome undergoing a moment of womanly polyamorous enlightenment. She resolves on psychodynamaically setting-aside her JBO (John the Baptist Obsession), and embarks upon fucking all the guards, in delciously female-positive polyamoiy. A "Dance of her pussie and vagina up and down the Seven Guardsmen's Penises", so to speak! Then standing up, with semen dripping from her vaginal lips! Sinbing, "Look you frustrated rapacious perverted Tetrach, your vassals can fuck me for hours, but you are reduced to masturbating at the thogh ot goinf so. So fuck you!" And the closing line would be Herodias' repeating her droll and mocking observation, "My daughter has done right!" Whilst Salome is licking the tasty semen from her fingers! Imagine Wilde writng that, and Strauss orchestraing that vocal line! Va va voom! Love, andrea (radical feminst Marxist and music-lover)