Good question, I will check and maybe make a video, but I would guess that most likely the 4k 24 is as it does not crop, but the 60p definitely not as this crops into the sensor

@@michaelgreenvideoI’d love to know the answer.

Depends on your needs. Auto focus for content creation is pretty necessary for paid gigs. And for some reason Don’t is the Industry Standard by a lot of recruiters

I live in the UK so events are always indoors and not very well lit, so I personally need lenses that are bright and do not vary, so if I had a choice, though I do like the 20-60mm lens, I think I would still get the 18-70mm. But it's a good point! It's ultimately the same argument though on why get the 24 - 70mm? It's also almost the same. There are obvious advantages of a 24-70 that the 20 - 60 doesn't have. I have a wedding coming up so might be buying this lens to run on the gimble, so will likely share some tests.

Thanks for commenting

@@cocothecat8491 Yes you can, you can set the APSC crop on separate to other settings. The impact on image quality is another question and I would have to test, but yes, you can

Ay, that's super encouraging! Cheers buddy!

Cheers buddy, I appreciate that you saw that really it’s an idea. One thing I didn’t also account for is that also this camera has a 1.4 crop in the high stabilisation mode, so even when not filming in 50fps or with the apsc crop on this lens might still be usable - will need testing

Appreciate you adding to the convo 💪🏻 One thing I didn’t also account not also factor was the 1.4 crop with the high image stability on. This again adds to the potential value to this lens as could even work without even having the APSC crop on! So 27-75 f2.8 with all the nasty cropping this camera does could be great! But really, needs serious testing. There are some other good reviews out there for this lens, worth checking out! Cheers

@@5750mike cheers dude? Generally people are recommended 24-70mm which would be even more telephoto when shooting 50fps. However, one also thing to think about is the cropping that also happens with the image stability with these cameras. The crop is also 1.4 so this lens will also accommodate for that. But honestly, this is more of a video to debate, so interesting to get your recommendations on what will avoid the telephoto? Would you recommend the 16-28 full frame lens instead? But I think for a starting lens it’s great, with the aim to upgrade when you can rather then upgrading the body and the lenses later on when you want to move to full frame?

@@Treborray I would check other reviews for sure, I want to get my hands on one to review more thoroughly

But yes you can, you just need to turn on the apsc c crop when filming 25 fps

You thinking about this one?

@@michaelgreenvideo thank you!

@@michaelgreenvideo I’m thinking about grabbing the ZVE10 Mark ii. I’m trying to make sure I do my research on good lens before I make the purchase.

Did you honestly use the 18-50mm for this?? What made you choose this lens?

I noticed pictures are awful on v30 and read that v60 clears a bit of grain, regardless I do want all intra codec ideally, my pc lags in compression playback

No. The card speed does not affect rs performance.

@ dang, strange thing is I don’t even see the rolling shutter, maybe I need to use a gimbal but reviewing my footage I don’t even see any rs How ever previous discussion with someone about card speed, they mentioned nothing higher quality and less grain with a better card I imagine this is worthwhile regardless but I need a v90 for sony ): It pays off because my computer is lagging during play back due to video compression as people suggest the all intra codecs help with play back lag

Just lower the in camera amps and up the gain on the audio interface. Lots of cameras have this issue.

Hey baddy, just watched your content and the quality looks great as it is!

I would run with what you have as your content is great and carries the videos - unless you are also looking to make a living making videos for other people. But for what you are doing on your channel the camera looks great. What are you using?

@@michaelgreenvideo I’m using an iPhone 13 Pro. I also film videos part time for side hustle. So a dedicated camera would come in handy. I recently sold my GH5 MFT to get into a full frame camera but my iPhone is holding the fort down momentarily. Good to know the iPhone can even trick a video pro.

I have been walking in with the S5iix rigged out to jobs but i just stripe it down once the client feel like there getting there $$ worth your right they just the experience most people have no idea what it takes, and the simpler the better. Now on professional set no way it will fly im sure

No camera needs a rig, but it comes in handy because you put a field monitor on it to get a better feel for the image, a professional microphone, etc. I have two Panasonic S5IIX and one S9 for this reason. One S5IIX is fully rigged, the other I use on my gimbal and the S9 I take everywhere with me as a backup or for quick work with wide lens.

Yeah, just depends on what you are used to I guess. What type of work do you do? My point with these cameras is it's not necessary. Changing a battery takes moments, and unless you are filming a 1 - 2 hours ceremony or interview that shouldn't be a problem. I often find time is always against me, not sure what type of work you do, but I am often jumping between gimbal, sticks and handheld.

If i can go back in time i just buy a better lens.

Hey! Glad the video was helpful. Not sure how to help other then trying out, have a play, and see what results you get. As you know you can shoot with different card brands and sizes so as long as you are in Long GOP and have a V30 card which is fast enough it should work? The Extreme PRO's are great though, and ultimately if you have the money it's always a good decision to make so you have access to the ALL Intra whenever you might need it. Thanks again!