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@arnok9453 2 күн бұрын
Bach was a genius, but so was Busoni! Beautifully played. The grand piano has a wonderful sound!
@keigonitadori5882 6 күн бұрын
自然な複付点の解釈もモダンピアノ演奏では貴重。11番と合わせて演奏技巧がずば抜けている。
@keigonitadori5882 8 күн бұрын
ヘンレのモロニー版？
@4Teen8 28 күн бұрын
Vielen herzlichen Dank!!!
@akihirokurosawa3239 2 ай бұрын
perfect interpretation and great sounds
@ericmuller6902 2 ай бұрын
Highly interesting. Thought provoking. It makes sense. Thank you.
@Nicolaspaulhorvath 2 ай бұрын
Very well played !
@musimedmusi8736 2 ай бұрын
❤ This piece had always left me a little cold, but this rendition has now caused me to warm up to it 😊
@nomoniker7917 2 ай бұрын
NO WANDA LANDOWSKA.
@steps222 3 ай бұрын
This is all the more moving for its reticence and dignity. It is clear-eyed, with great art and no artifice. I've loved Claudius Tanski's playing for several years and have come to value the man as much as I do his music-making. A treasure!
@steps222 3 ай бұрын
Sensitive and beautifully paced; a simple, beautiful song with great feeling and no schmaltz.
@pianistal 3 ай бұрын
Bravo Claudius!
@ArmandHuangSaberi 3 ай бұрын
Thank you so much for your beautiful performance, Mr. Tanski🙏
@ClassicalMel 3 ай бұрын
Beautiful, Claudius.
@oleksandralituta5138 3 ай бұрын
This is wonderful! I haven’t felt so much in a long time
@cadepianist 3 ай бұрын
Claudius, dein Spiel hat meine Seele heute sehr berührt - manchmal kann nur solche Musik den Tag besser machen!
@irenelygourioti1422 3 ай бұрын
Mein liebsten Professor Tanski, Schumann habe ich gestern in Prüfunfen gespielt! Sie sind der Bester! Ihre Schülerin! Irene.
@calebhu6383 4 ай бұрын
4:49
@3D6Space 9 ай бұрын
Thank you so much for sharing that. It's been about 40 yeas since I studied this piece. I left off my studies on this subject with the question "How does the Pythagorean math fit in?" and I could see it, but I've lost my notes. I remember imagining that you could continue forever with that math factored in. I love your idea of his name being factored in. That's a beautiful theory. Also, I believe Bach got tired, limped to bed thinking he had done enough with his life, and went to sleep. I don't believe he fell into the piano and died that way. That's just one man's opinion. God bless you, brother. I'm sure we will all know the truth of it sooner than later, and I'm excited about that. Merry Christmas!
@tanskiclaudius 9 ай бұрын
Thank you for your kind and thoughtful comment ! Merry Christmas from Salzburg ! C.T.
@ronaldsravins1445 9 ай бұрын
Thank you so much for this!
@lutzlaurisch4031 9 ай бұрын
Thank you for this detailed playing instruction. you have a print out of the sheet music with your playing proposals?
@tanskiclaudius 9 ай бұрын
Thank you for your interest ! Please send me your email adress (you´ll find mine in my YT channel discription) and I shall send you a PDF copy of my score. Kind regards and Merry Christmas ! C.T.
@alexanderdroste9311 9 ай бұрын
Wunderbares Stück wunderbar gespielt von einer wunderbaren Frau.
@김순화-i6p 10 ай бұрын
아직 어린 학생같은데~ 깊이가 느껴지는 연주에 감동입니다~~~~ 또 다른 멋진 연주를 볼 수 있길 기대합니다~ 자주 올려주세요~~ 어느새 팬이 되었네요❤❤❤
@hectorreynoso6308 10 ай бұрын
❤❤❤
@johnstaf 11 ай бұрын
I discovered this performance on the Henle website, and I'm so glad I did. I found it spellbinding.
@VINCENZOSAVINO Жыл бұрын
Carissimi saluti da un Vostro Ammiratore
@VINCENZOSAVINO Жыл бұрын
Carissimi saluti da Poggiofiotito
@thesius313 Жыл бұрын
Thanks for posing this detailed note about left-right-hand allocation of the middle voice!
@hansdekorver7365 Жыл бұрын
Thanks !
@user-a6olopvmv9 Жыл бұрын
Was this recorded from a vinyl record? There are multiple spikes in the soundtrack.
@agnieszkasokoowska Жыл бұрын
😮
@joshuaprestenberg2521 Жыл бұрын
17:26 - Mvt II - Adagio 21:13 - Mvt III - Allegro vivace con fuoco
@hectorreynoso6308 10 ай бұрын
Thank you
@qingxu3517 Жыл бұрын
Bravo!
@skrjabinesque2040 Жыл бұрын
One must wonder why Tanski's addition to the closing chord was necessary. Shrug.
@letteriopanto2093 Жыл бұрын
Magnifica interpretazione! Un tocco leggero, ma deciso. Complimenti
@VINCENZOSAVINO Жыл бұрын
GRANDISSIMI I SALUTI AL gTANDISSIMO mAESTRO tANSKI
@felipeleonmusic Жыл бұрын
Thank you!!!
@VINCENZOSAVINO Жыл бұрын
Un saluto speciale da Poggiofiorito per il Grandissimo Maestro Cladius Tanski da Vincenzo Coccione
@VINCENZOSAVINO Жыл бұрын
Un abbraccio a un Grandissimo Artista
@0601989m Жыл бұрын
Almost naïve, with a bittersweet, fatalistic undercurrent. The pulse infused into every subdivision of the inner voices. For a moment, I thought "too much pedal" but now I find it a breath of fresh air. Herr Tanski, you have made this piece come alive. Thank you!
@0601989m Жыл бұрын
Delightful. Clarity, pulse, phrasing, direction, emotion. I only discovered you an hour ago (Ich ruf zu dir: best I´ve heard so far). You have a new fan, Mr Tanski!
@tnoff8645 Жыл бұрын
Richtig schön gespielt🫶
@cshorca1125 Жыл бұрын
Did you know Bach wrote this piece because he was testing out a new organ? I mean the guy literally wrote a masterpiece while tuning a keyboard. What other level genius is this?
@ReinhardLehninger Жыл бұрын
Sehr schön!!! Frohe Ostern!
@tanskiclaudius Жыл бұрын
Vilen Dank ! Auch Ihnen frohe und gesegnete Ostern !
@ArmandHuangSaberi Жыл бұрын
Wonderful, einfach wundervoll!
@tanskiclaudius Жыл бұрын
Vielen Dank !
@andreaswinterhalter Жыл бұрын
Tolles Projekt!
@tanskiclaudius Жыл бұрын
Vielen Dank für Ihr Feedback ! Grüße aus Salzburg ! Gesegnete Ostern !
@andreaswinterhalter Жыл бұрын
Dieser Orgelchoral wurde von Carl Philipp Emmanuel Bach hinzugefügt und gehört eigentlich nicht zur Kunst der Fuge. Trotzdem ein schönes Stück.
@tanskiclaudius Жыл бұрын
Lieber Kollege Winterhalter, vielen Dank für Ihre Anmerkung ! In der Tat komponierte Bach den Choral "Vor Deinen Thron tret´ ich hiermit" (bzw. "Wenn wir in höchsten Nöten sein"), BWV 668, weit vor der Niederschrift der "Kunst der Fuge". In verschiedenen Ausgaben der KdF wird er jedoch angeführt - u.a. in der von mir benutzten Zusammenstellung von Wolfgang Graeser (1906-1928). journals.qucosa.de/bjb/article/view/1201 In gewisser Weise hat Wolfgang Graeser die KdF als aufführbar wiederentdeckt´, vielleicht ähnlich wie Mendelsohn 100 Jahre vorher Bach´s "Matthäus Passion". In Graesers Fassung führte Thomas-Kantor Karl Straube die KdF 1927 in der Thomaskirche zum ersten Mal auf. Bach hat offensichtlich ´sein´ Thema B-A-C-H bis zum Ende seines Lebens aufgespart. Es wäre so leicht gewesen, dieses Thema in jedem seiner Werke quasi als Signatur anzubringen (ähnlich wie es Dürer in seinen Werken mit AD tat). Bach tat das nicht - und so hat für mich "Vor Deinen Thron tret´ ich hiermit" eine Art vorausschauende Bedeutung : Bach hatte wohl nicht vor, direkt nach der Komposition des Chorals BWV 668 vor Gottes Thron zu treten, aber der Choral lag bereit - für den Fall. Wenn dann C. Ph. E. Bach den Choral der KdF. anfügte, so gab er diesem letzten Werk J.S. Bach´s eine sich auch auf die ganze KdF beziehenden Sinn. Da dieser Choral-Zusatz vom Sohn Bach´s erfolgte, sind wir in gewisser Weise ´so nah wie möglich dran´. Ich kann mir nicht vorstellen, daß C. Ph. E. Bach in unlauterer Absicht handelte. Ich sehe hier Ähnlichkeiten mit Goethe´s Eckermann oder Czerny´s : "Über den richtigen Vortrag der sämtlichen Beethoven´schen Klavierwerke". Und wir können zumindest annehmen, daß C.Ph.E. Bach über die Verwendung des Chorals mit seinem Vater gelegentlich gesprochen haben könnte. Mit kollegialen Grüßen, Ihr Claudius Tanski
@Leon-xw3nv Жыл бұрын
Thank you very much! Enjoyed watching the process.
@gergelykiss Жыл бұрын
You, Sir, are a fantastic artist! For me this is one of the timeless recordings of this work, as far as I am concerned you have performed it to perfection. And it's such a treat to be able to follow Liszt's manuscript. Thank you for sharing your and Liszt's music with us. I can't believe I have not come across your playing before - and it's all thanks to Henle's blog.
@sciagurrato1831 Жыл бұрын
Excellent performance and especially pleased to follow your handwritten notes. Is it any wonder that Chopin could not make head or tails of the late sonatas?